According to The Big Book of Hollywood Economics, every successful animated feature needs a sequel. Even the low-budget Hoodwinked got a sequel that nobody asked for, and there is no end in sight for the Ice Age or Kung Fu Panda sequels. 2010's sleeper animation hit was Illumination Entertainment's Despicable Me, which racked up an impressive gross of nearly $550 million despite competing with Toy Story 3 for box office dollars, guaranteeing a sequel. But despite the return of Despicable Me's writers (Cinco Paul and Ken Daurio) and directors (Chris Renaud and Pierre Coffin), Despicable Me 2 is an oddly underwhelming follow-up that only works in drips and drabs instead of as a cohesive whole. It comes up short in terms of laughs, loses the original film's heart, and lacks the thematic complexity of a high-quality Pixar production. Despicable Me 2 is still bright and relatively fun, and spending more time with these characters is entertaining, but it is not unreasonable to expect a stronger sequel to such a standout movie.

Retired supervillain Gru (Steve Carell) is now domesticated and has firmly adapted to the lifestyle of a father, diligently looking out for his adopted daughters Margo (Miranda Cosgrove), Agnes (Elsie Fisher), and Edith (Dana Gaier). Meanwhile, a mysterious aircraft steals a highly potent chemical agent from a research station in Antarctica, and the responsible criminal now possesses a serum capable of creating an unstoppable army of mutants. This theft draws the attention of the ultra-secret Anti-Villain League, who send agent Lucy Wilde (Kristin Wiig, who voiced an entirely different character in the first film) to forcibly recruit Gru, requesting that he track down the culprit and recover the mutagen. Although Gru is reluctant due to his fatherly responsibilities, he decides to work for the AVL after Dr. Nefario (Russell Brand) leaves to assist another villain. Gru and Lucy partner up to go undercover at a local shopping mall to investigate the shop owners, hoping to find who stole the dangerous mutagen. Additionally, Gru's daughters hope to have a mother one day, believing that Lucy is the perfect wife for him.
What makes Despicable Me 2 interesting is the mystery at the story's core. The movie keeps the villain shrouded in secrecy until the end, providing a hook and allowing the film to toy with audience expectations. Unlike its predecessor, this sequel is more of an adventure than a fun family comedy, establishing a light-hearted tone but, unfortunately, failing to deliver a steady stream of laughs. In fact, there are only a few memorable comedic moments in the 98-minute picture, including an admittedly funny 21-fart-gun salute to farewell Dr. Nefario. Moreover, most of the best gags are only in the final third, and the only scene to make me laugh out loud (the Minions dressing up as the Village People and performing a rendition of "YMCA") occurs right before the end credits. Despicable Me 2 desperately needs more of the sly and even dark humour that made the original feature so special. Furthermore, this follow-up suffers from a lack of heart, making it feel empty and disposable. Despicable Me had a clichรฉd but effective character arc for Gru as he warmed up to the girls, but here we get a romantic angle that lacks the sincerity to make it soar. Additionally, the movie essentially forgets about the Anti-Villain League about halfway through; Gru solves the mystery and saves the world, but we do not see the repercussions on the AVL. It's baffling.

With a bigger budget and a longer production period, Despicable Me 2 is a more attractive visual experience than its predecessor, boasting improved animation that thankfully retains the franchise's simple but effective character designs. Composer Heitor Pereira and musician Pharrell Williams return to provide more playful music, keeping the franchise's recognisable theme and contributing another two enjoyable original songs, "Happy" and "Just a Cloud Away." However, the 3D does not add much to the experience. It is one of the most rote uses of the format in recent memory, with only a few moments taking full advantage of 3D's possibilities. For most of the movie, you will forget you are watching the picture in 3D. Trust me, it plays just fine in regular old 2D. On a more positive note, the film fares best while observing the Minions up to their usual mischief. Since the Minions only speak in gibberish, it is up to the animators to make them interesting by giving them amusing slapstick humour in the vein of the Three Stooges, Charlie Chaplin and Buster Keaton. Luckily, the Minions have a few moments of brilliance here, and their antics are as amusing as ever. Unfortunately, when the Minions are not on-screen, the rest of the humour is a mixed bag.
Of course, Despicable Me 2 is not an actor's movie, but the always-delightful Carell is still a perfect Gru. The crafty supervillain is a wonderfully quirky visual creation, and Carell voices him with a hilariously indeterminate accent that, in the actor's own words, mixes Ricardo Montalban and Bela Lugosi. Wiig is also good here, giving Lucy a spark of brightness and charisma. Al Pacino was initially slated to be part of the picture but dropped out at the 11th hour over "creative differences," and Benjamin Bratt came in to replace him. The fact that he was so easily replaced shows how interchangeable the voice acting is, though Bratt is still serviceable. Unfortunately, the movie criminally underuses Russell Brand's Dr. Nefario, who receives barely any screen time. Although Nefario is a supporting presence and works in small doses, his decision to leave Gru's service does not sit right.

Despite its flaws, Despicable Me 2 is still entertaining, with a few standout sequences and a nice sense of energy that rarely falters. It is not that the film is unwatchable; it just feels lazy, as if the animators were the only ones who put in a genuine effort. The filmmakers all had something to prove for the first Despicable Me, as it was Illumination's debut movie, and it had to make a positive impression. But for this sequel, it appears that everyone was operating on autopilot, which is a shame. Unsurprisingly, the movie grossed even more money than its predecessor, guaranteeing further sequels and spinoffs.
6.2/10