Review of NOT Correct Album

Strange artistic career that New Yorkers Yeah Yeah Yeahs, hailed since the ramshackle beginnings - a handful of spectacular EP - as the next big thing from the Big Apple, but never really exploded in the manner for which it was expected, although the three continue to be between the names of favorite American critics. There are no shortage of interesting episodes in their discography: the first album, Fever To Tell, is a great example of their wild talent, the charisma of singer Karen O and skill composition of guitar and Nick Zimmer, but little at a time trio is a bit 'wrapped on itself, though the ultimate test in the 2009 study, it's Blitz!, has sported a great desire for change and a series of songs well calibrated.

So sorry to see that, however, Mosquito - the award for the most horrendous cover of 2013 can not miss the boys - show a certain weakness of the bottom and a band stalled, as if the indecision had undermined the recording sessions chaired by Dave Sitek and Nick Launay, two old foxes of rock production. There are good ideas, as always in their work, thankfully, but the general tone of the album to be very compelling, almost the Yeah Yeah Yeahs had decided to tone down their explosive energy in favor of more thoughtful pieces and contours that not always work. The final two tracks, Despair and Wedding Song, are proof that the group still has interesting ideas and talent to turn them into compelling songs, as well as Subway, slow and mellow, it works pretty well within Mosquito.