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First thing in the morning. Rush Hour, for more detail. Searing heat. I gather there is no air conditioning in the car. Dress shirt and tie, short hair, almost military and black-rimmed glasses that give a true intellectual air. It's in a monumental traffic jam on the highway. One might think that it will work, but does not work for a month. He just wants to go home ... and we are preventing. Who? Everyone. In his own way. The truth is not a very smart choice to cross his path. Today is a Day "silly". One of those days where one wrong answer can make you lose the few nerves that remain. And it takes to lose. D-FENS.
This is the first impression I have when I see the first three minutes of the film. Michael Douglas says nothing. And yet, says it all.
Do not want to reveal too much of the plot, only that it is a film that prefers to messages.
Douglas plays a man who has lost everything because, in part, feels special propensity toward violence. Funny, but I never found the most violent character of the film. His fury is, say, "defensive." It is their way of responding to violence that beats in every corner of the street. His form of revenge on society that has polite.
The film raises a number of situations in which Douglas has a chance to awaken the demon within, proving to be a victim and monster at a time, while sowing chaos throughout the city attracting her trail to a peculiar police investigator who is in his last day of work (Robert Duvall).
I recommend it in general. I think it's a film that deserves to be seen, not only by the great performance by Michael Douglas, but by the memorable sequences that take place throughout the film (see what you can do a maniac in a burger with a TEC-9 ). And again, look at his message. It would be a 10 if I did not have an ending as conventional.
