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It'd be reasonable to dive straight into the crucial problem with Hot Rod - the filmmakers behind it attempted to expand a one-joke premise (the type that might have worked in a Saturday Night Live short) into a feature-length motion picture. The product is a 10-minute gem stretched out to a lazy 85-minute goof which can't even begin to sustain its wafer-thin premise over the comparatively bloated runtime. The sporadic flashes of inspiration and a few funny moments are overwhelmed by a lot of aimless noodling around and silly pratfalls in lieu of genuine wit and cleverness. While this was intended to be a lovable loser comedy, Hot Rod comes across as a product assembled with an Allen key designed for quick sale that was made to cash in on the likes of Napoleon Dynamite and Anchorman. The leading role was originally written for Will Ferrell, and the antics of Andy Samberg in the film are quite derivative of cinema's leading Man-Child. This is Samberg's feature film debut, but while he's a performer of sizeable energy, his range of laugh impact is limited.
The story, such as it is, centres on a self-proclaimed stuntman named Rod Kimble (Samberg). Rod was raised to believe his now deceased biological father was Evel Knievel's test rider, and he dreams of one day being able to defeat his step-father Frank (McShane) in a fight. When Frank is in urgent need of a heart transplant, Rod decides to raise $50,000 for the operation by staging a stunt that's worthy of Evel Knievel: jumping 15 buses (one more than Knievel ever dared). Supported by his loyal crew - younger half-brother Kevin (Taccone), friends Dave (Hader) and Rico (McBride), as well as Denise (Fisher) who lives next door - Rod begins to plan his big jump so he can keep Frank alive and finally kick his ass.
It would appear that Samberg, screenwriter Pam Brady and director Akiva Schaffer put together a literal checklist for each scene in order to maximise the comic potential. Funny shirts? Got it. Funny hair? Check. Funny words and/or pronunciation? Uh huh. Funny song? Yes indeedy. The problem with the gags in Hot Rod, though, is that the "funny" is relative - which means it's funny to see a mate of yours engaged in these antics because you know their personality. Unfortunately without the benefit of this perspective, the goofs are sometimes amusing, but more often less so, and the film comes across as more of a self-indulgent series of skits. It seems that the filmmakers also have a real familiarity and affection for '80s movie conventions. In particular, Hot Rod employs the increasingly clichéd framework of John Hughes films/teen coming-of-age stories as a backdrop for the series of disconnected gags. This framework necessitates a competitor for Denise's affection, a second act revelation about Rod's father that shatters his confidence, and a final, triumphant slow-motion middle-of-the-street march that leads to his redemptive jump attempt.
The fact that the crew behind Hot Rod are Saturday Night Live alumni would explain why the movie feels like an extended skit. Rather than aiming for honest laughs through clever writing or carefully nurtured comedic set-pieces, the filmmakers opt for a veritable salad of movie references, bone-crunching pratfalls, flat-out silliness and pointless comic digressions. The sequences in which Rod's ill-advised stabs at stunt-work result in him being bashed, burned and nearly drowned may be amusing when witnessed in two-minute chunks on YouTube, but seeing then running one after the other for close to 90 minutes grows tedious. Rod is a dolt who ends up failing and getting hurt not due to bad luck or an inability to judge his abilities and shortcomings - it's because he's an idiot. This could have worked if he was an endearing idiot, but he's no Will Ferrell or Inspector Clouseau. Granted, Hot Rod does supply a few laughs. Then again, it's not hard to laugh at brutal pratfalls (the producers of Jackass made millions off that premise). But one can only laugh at Rod's missteps and poor stunts a few times before they're just no longer funny. Furthermore, the punch lines are incredibly predictable. While training for the big jump, Rod asks his friends to hold him underwater for a period of time to strengthen his lungs. You can easily predict what's going to happen...
There's no doubt the guys behind Hot Rod can be funny. However the dynamics (specifically in concept, timing and execution) that work for a short comedy sketch don't translate into success for a cohesive feature film. It's for this reason that isolated bits and pieces of the film are funny, but if taken as a whole it fails to gel. Even then, the film doesn't necessitate repeated viewings and after seeing it once it loses much of the comedic punch it originally packed. At the very least, Hot Rod is a breezy farce and a fun watch that's fairly easy to enjoy, and it also manages to provide an answer to the eternal question: who would win in a fight between a grilled cheese sandwich and a taco?
4.9/10
