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For Whip It, first-time director Drew Barrymore has crafted a sports flick and a coming-of-age tale rolled together to produce a warm, droll charmer of a motion picture. Shauna Cross wrote the screenplay for the film, which was adapted from her own novel Derby Girl: a fictional story constructed using anecdotes from the author's time spent in the professional female roller derby. While Whip It succumbs to several screenwriting conventions, the energy of Barrymore's direction is able to compensate for the script sputtering, and the actors all breathe jubilant life into this adamantly character-driven film.
The story concerns Texas-based teenager Bliss Cavendar (Page) who resides in the small, dead-end town of Bodeen. She has fallen victim to the narcissistic and nepotistic desires of her mother (Harden) who clings to the glory days of her beauty queen past by forcing Bliss to endure the same type of ritualistic torture. Bored and desperate to escape the tedium of her life, Bliss sneaks out to the roller derby one night where she swoons over the female players with their retro outfits, gaudy make-up and awesomely ludicrous nicknames (Maggie Mayhem, Bloody Holly, Smashly Simpson, etc). From there, Bliss begins training to join the down-and-out Hurl Scouts; the perennial losers of the Austin-based roller derby league. Her speed makes her a standout at the tryouts, and she soon becomes Babe Ruthless - the league's new star.
Since Whip It is a sports movie, everything comes down to the championship at the end. Happily, everything culminates with a humdinger of a climax - a nail-biting showdown infused with cheer-provoking moments and honest-to-goodness tension.
In terms of both teen drama and sports movies, Whip It adheres to a customary formula: girl hates the life she's been forced into, finds something she loves, lies to get it, but must reconcile with that lie in order to truly succeed. During the cliché-heavy narrative Bliss also makes real friends, has her first romance, has a falling out with her best friend, and her parents eventually find out about her extracurricular activities. Additionally, Whip It holds true to the time-worn sports movie convention of an inept team that goes all the way with the addition of a new superstar. But it's only when a movie is limply done that you can virtually hear the gears of its formula grinding into place. When a film is bursting with gusto, heart and charm, however, one can gladly enjoy the experience without being too bothered by the clichés. Fortunately, Whip It falls into the latter camp - director Barrymore and writer Cross have stumbled upon a fresh setting for the formula, and the movie only feels like a retread in hindsight. Best of all, the progression of events feel natural as opposed to contrived - it feels like a naturalistic, non-Hollywood depiction of the monotonous life of a young female.
Unfortunately, the comedy is frequently muted (probably by intention - it wasn't supposed to be a riot); offering only the occasional chuckle but not much else. With Whip It running at almost two hours, a trim would have been beneficial - as would a few more laughs. But Drew Barrymore does deserve credit for her first effort as a director. Having featured in movies since she was a small child, Barrymore has learned from the best (most notably E.T. mentor Steven Spielberg). She acquits herself particularly well during the roller derby scenes; collaborating with cinematographer Robert Yeoman to craft some exciting and fun set-pieces (on top of this, as Roger Ebert noted, Barrymore's supporting role savvily puts her in the position of not asking anything of the actors that she doesn't do herself). Though Barrymore isn't perfectly assured (there are sluggish patches, and not all of the derby sequences are as dynamic as they could be) she hits most of the marks she strived for.
Ellen Page is rapidly becoming one of the finest actors of her generation, and this movie offers further proof of her immense range. Page has received a bit of a rap for ostensibly playing every role the same, but anyone who has witnessed her heartbreaking turn in An American Crime or her gripping performance in Hard Candy knows better. In Whip It, her role of Bliss is a good choice - shy, weary, frightened and unsure of herself. Page submits a dialled down, heartfelt performance, with little reliance on Juno-style dialogue. The rest of the cast offer brilliant support. There are effective performances courtesy of Andrew Wilson (who brings great humour and charm to the role of the Hurl Scout's long-suffering coach), Marcia Gay Harden (who's exceptionally nuanced as the pageant mum) and Daniel Stern (solid as Bliss' supportive father). As for Bliss' team-members, there's Kristen Wiig who's down-to-earth as the captain, as well as Barrymore herself playing the resident badass, and stuntwoman Zoë Bell (previously seen in Tarantino's Death Proof) among others.
Pacing issues, a myriad of clichés and too few laughs notwithstanding, Whip It is a tremendously enjoyable flick. It's a promising debut for Barrymore behind the camera - a slice of heartfelt, feel-good entertainment.
7.5/10
