(OK) Apart from the much publicized Truffaut's 'Antoine et Collette', the romantic pahetic douce amer coming of age of Doinel; there's a voluble romaticization of a hero by Wajda, love and interest in Renzo Roselini's, Marcel Ophuls tries unsuccessfully to be modern in an episode on a child and love with no marriahe, Ishigahara with a pycho is unworthy of commentary...