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Halloween II review
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Rob Zombie strikes back

John Carpenter's 1978 'Halloween' is wholly deserving of its status as a horror classic. To this day it's still one of the freakiest films personally seen and introduced the world to one of horror's most iconic villainous characters Michael Myers.

Its numerous sequels were wildly variable, with 'Halloween H20' being the only above decent one for me (the fourth one was also watchable but not much more) and 'Halloween: Resurrection' being proof that the series shouldn't have been resurrected and that it should have ended at 'H20', a perfect place to stop. Something that was further felt in Rob Zombie's awful first 'Halloween' outing from 2007. His second 'Halloween' film, this one, is even worse and even more pointless than its predecessor.

The only real good thing here is the make-up which is pretty good. Brad Dourif comes off best in the acting department and does his best but he deserves better and has been better too.

Everything else fails...and not just by a little. Catastrophically. The rest of the acting is scarier than Michael Myers himself (at his least creepy here) in how bad it is. Scout Taylor-Compton, in an embarrassingly appalling career-killing performance, and Sheri Moon Zombie, who should be nowhere near in front of a film camera, are especially bad. The film also brings the worst out of Malcolm McDowell, actually a good actor wasted in a very poorly written and used role.

All the characters are bland, annoying or both, nobody is remotely likeable here or worth rooting for (even those intended to be) and the dialogue down there with the worst of SyFy and The Asylum, and worse. The production values are too gimmicky, Zombie continually seems to think taking a self-indulgent smug approach to his directing is being cool and the music is constantly at odds with the mood and the action, nothing atmospheric or appealing here and more outdated attempts at being cool.

Overused and a vast majority of the time gratuitous expletives, artificial gore and sickeningly brutal violence completely get in the way of a coherent or engaging story, that's instead paper-thin, unintentionally silly, nonsensical, dull and contrived. As well as tension, suspense, chills or terror (none in sight). The whole Deborah and white horse stuff was not needed, felt completely misplaced and just added absurdity to the story, while the ending is as slap in the face a joke as it comes.

In summary, awful and had no point to it whatsoever. 1/10 Bethany Cox

1/10
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Added by Kyle Ellis
2 years ago on 28 March 2022 20:13