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Review of It's a Wonderful Life (1947)

It's a Wonderful Life is something truly special, and along with Scrooge, the original Miracle on 34th Street and Home Alones 1 and 2, it is something I watch every Christmas. Why? Because I love this movie, seriously I do. Looking through my 1000 or so reviews here, I couldn't believe I hadn't reviewed this movie; I have seen movies that I have loved and cherished since childhood and I have seen movies that belong at the bottom of the garbage. It's a Wonderful Life belongs to the former, although I am 17, I appreciate a good movie when I see one. This is more than a good movie, it's a timeless masterpiece, that holds up on repeated viewings and never loses its magic.

It's a Wonderful Life could have easily been overly-sentimental and clichรฉd, but the quality of the direction and the screenplay that others have summed up perfectly assured it was a beautiful, heart-warming and somewhat poignant film. While there are some funny parts, not bursting-your-gut funny but funny in a subtle sort of way, other parts are close to heart-rending. The direction from Frank Capra is excellent, sensitive and nuanced, and Capra shows even more talent as a screenwriter having penned one of the most honest and touching scripts ever in a film. Casablanca, All About Eve and The Shawshank Redemption all had wonderful scripts, but the script here has a lot to say about community spirit and shows that this film is much more than feel-good sentimentality. There is the element of feel good here, no doubt about it, but it doesn't overpower what the film intends.

Visually, It's a Wonderful Life is a wonder. I don't think it is dated at all, the cinematography is crisp, the black and white looks beautiful and the pristine Christmas scenery really does take me back. Some of my favourite ever memories was of Christmas, whether it was watching nostalgic Christmas videos, eating Christmas dinner or singing carols under the Christmas tree. Another thing I have to mention is that the movie is richly and beautifully scored, Dmitri Tiomkin's music here is absolutely gorgeous, lyrical, whimsical, nostalgic and most importantly it never felt intrusive in the more integral parts of the film. And I have to mention the story, never in my life(and I genuinely mean this) have I seen a movie where it communicates such a strong message and so well too. The story of a suicidal man who is shown the value of his life by his guardian angel is an effective, timeless one, imitated perhaps but never equalled.

Finally the acting is wonderful. James Stewart, and I seriously don't give a damn whether he was a racist or not and neither should you, is absolutely superb as George Bailey, a truly complex character who goes through such a lot to get to where he is at the end of the movie. George Bailey is like Mr Deeds, John Doe and Mr Smith rolled into one, and in my opinion only James Stewart could have given justice to a character that has self-doubt gnawed at his essential decency. Also the character change, like that of Alistair Sim's Scrooge at the end of Scrooge, was heart-breakingly believable. Donna Reed is radiant and charming as his wife, who is like a caring lover, devoted wife and dedicated mother, while Thomas Mitchell gives one of his more memorable performances as Uncle Billy. Henry Travers is a revelation as Clarence the guardian angel, but there is another performance I think is worth of mention. For a good morality tale, you need a good villain. Well in the name of Potter, you have one. Who better to portray him than the great Lionel Barrymore acting at the peak of his powers?

Overall, a timeless classic with a true and heart-rendingly poignant ending. 10/10, one of the easiest perfect scores I have made recently. Bethany Cox
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Added by Kyle Ellis
2 years ago on 2 March 2022 16:20