Review of Angels of the Streets

(OK) Bresson begins in high form, sans style mais avec un grand theme: les dialogues et interactions of condemned nuns, they form jail to convent and back, with pathos and twists. Yhe mystery of sanctity remains intact in the case of Anne Marie (Renรฉe Faure) and Therese, in the end making a kind of cross with her hands to be handcuffed (I thought Pasolini was the first to have that idea in "Accatone", but Bresson was first)...