Review of Jane Eyre

This new adaptation of Charlotte Bronte's classic has its magnitude from the present work to the coeval public which has no access to literature or to the elder version.

As expected, the film has a commanding art direction by Will Hughes- Jones, which is quite lower in scale to other classics of the time, but is of equal quality in the costume, and in the choice of locations in the rejuvenation of the period in which women were simply props from their husbands, unable to participate in decisions and cursed to see the horizon of its narrow windows.

There are not many mysteries: Jane Eyre (Mia Wasikowska) is a young woman who, humiliated by her aunt and sent to a strict school, became the governess of the of Mr. Rochester's daughter (Michael Fassbender). Eventually the tormented boy is enchanted with the conviction of the girl and her presence as well as direct and clever in the way that she answers him.

So, Mia Wasikowska, who is an actress I do like, considering a little flat and not charismatic, precisely just because she can revive the coldness and austerity of a woman who hopes to achieve big dreams in life. Michael Fassbender, confirming the upward curve in his career, has an extraordinary performance as the tormented Rochester, stuck with a secret past that does not allow love.

Plus the steady direction which Cary Fukunaga mixes the superstitions of the time and turns the large estate of Rochester in a place almost in awe. What never ceases to be.

In short: it's a renowned literature told with the degree of wealth enough to be absorbed by the public, but no big mystery or innovations.