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An urban legend getting an American production above the average, even with amateurish technical about. However, this is the great charm of the film, to bring a touch of reality to something that frightens people, while not real. With an unstable nature documentary footage, the two rookies directors, Daniel Myrick and Eduardo Sanchez, lead an unusual thriller that explores witchcraft in a peculiar way and extremely evil. What is most interesting in this production, is the fact that directors can create fear in the viewer, without the least show directly the source responsible for it. Imagine what you can not see. How can you not be afraid of it?
The power of an urban legend is something that can be measured against the influence which it carries in the middle. In some cases, above the power is so vast that people around the world are interested in such stories. Based on this concept of influence, the plot of this production is a journey of three film students, to explore the long- cherished legend of the Blair Witch, however, what is shown on the screen, are just the roll of film found by police, after the mysterious disappearance of young people. Starting from a premise that the suspense has good things to come, the two directors work in the background that is extremely favorable for the development of the script.
The amateur footage further contributes to the enhancement of the heavy atmosphere, which is already present in the photography involved. The naturalness of it is the factor that close ties to production reality. The sound system works like a soundtrack orchestrated by a great professional who knows very well to put it in the context of the film. Adding these two questions film, photography and soundtrack, we get a product that pleases and amazes the viewer, while every sudden movement of the camera. It is clear in this production, the film does not require cutting-edge technological improvement, to satisfy your audience.
The script is working well and can, from the start, accumulating records that direct the viewer to understand the outcome. The development of the argument is a gradation of psychological conflicts of each character, which tracks the tempo until the final minute. Playing with the psyche of each character , the filmmakers create claustrophobic situations that reflect the viewer, keeping it stuck in that atmosphere without answers and with every move closer and with a look at the picture provided by amateur camera in the darkness of night, where the script comes to apex of the gloom .
Combining certain techniques is a superlative effort to create something new, taking the proper proportions of gender addressed. Working from the premise peculiar form, the script can do justice to what is stipulated in your synopsis so enjoyable and interesting for the audience. The technique is not mainly attributed to technology, but on good ideas, falling in the right hands. Exercising a right direction and leading the film gradually, the two rookies prove that gender is not lost, but it takes a few bumps to get it moving again.
