Harder but is it better?

''Oh man, I can't fucking believe this. Another basement, another elevator. How can the same shit happen to the same guy twice?''

John McClane is forced to battle mercenaries who seize control of an airport's communications and threaten to cause plane crashes if their demands are not met.

Bruce Willis: John McClane

In 1988, Die Hard became a surprising success with only a 28 million dollar budget. Less money was spent on Timothy Dalton's two Bond movies, and they are not as daring as their immediate preceding installments. With more money and confidence from 20th Century Fox, the writers and producers went to work on the sequel. Die Hard 2 is bigger and better. It is not better because it is bigger, but because Renny Harlin is the director and writer Steven E. de Souza shows more self-discipline.

Die Hard is well constructed and conceived, with far above average action, witty dialogue, a menacing villain, sets that augment the mood, and Michael Kamen's daunting music. It would receive an instant recommendation if not for the gathering of idiotic characters led by Paul Gleason's police chief. Here, we have police Captain Carmine Lorenzo (Dennis Franz) and returning news reporter Dick Thornburg. Lorenzo is not as omnipresent as Gleason's Dwayne T. Robinson. de Souza exerts more control over Thornburg's interfering powers and makes his actions slightly more reasonable.
Die Hard 2 succeeds in making Bruce Willis look better and better. The role of John McClane is one filled with the fight for right and to trying to stop the bad guys. Again a lot of the stunts would have been done by Willis considering the professionalism of the man. Running all over an airport in a fierce snowstorm, fighting scenes on the wing of a real 747 jet and trying to save lives he has no attachment to, L.A. cop John McClane puts his body on the line, so justice is served and so did the actor Bruce Willis in my view to bring a great action movie back for a second time. Willis is one of my favourite actors, but I have only started to watch his movies in about the last 2-3 years and what a mistake that has been.

''Motherfuckin' motherfucker!''

This film has more freedom as it is held at an airport. McClane is like I have said all over the place. The freedom and space this story has makes this film much easier to watch. Another thing which is impressive about Die Hard 2 is the effort to put more thrills in the movie. The snow (which of course is man made) has a major role, so do all the planes making quite a crisis on their hands. Not only do they fight on the wing of a 747, but also fly a real helicopter on the wing of the plane also. The scene where McClane ejects himself from the exploding plane is another favourite scene of mine. Other parts of this movie which stunned me I wont tell you about as it will give too much away, but trust me they are exceptionally done.

Again the bad guys have a major role in this one. William Saddler is Colonial Stuart, a heartless leader, who only cares that a drug lord escapes and can get in on all the money making scheme. I loved his role in this. Another face that I remember in Die hard 2 who was a bad guy is Robert Patrick. I loved his role in Terminator 2. But the conflict between the good guys is extremely tense. Especially between McClane and Police Officer Lorenzo played by L.A law star Dennis Franz. It is hard to understand if this character is on the side for good or not.

''Take the Twinkie out of your mouth and grab a pencil, will ya?''

Here comes another analogy on Die Hard 2, do you ever know who is on the side of good or bad? Well for at least three quarters of the film it is unsure. The storywriters need to be commended because the story left me intrigued and when you think you know what is about to happen, the circumstances change. Also having a different director, gave this sequel new prospective. Director Renny Harlin threw his hand into the ring. What a gamble? An unknown director, but to my surprise I say that it worked more or less.
In the above, it becomes clear that maybe the problem isn't real-world believability but internal logic, although to an extent, some of the internal logic is extremely difficult to separate from facts we know about the real world that aren't mentioned in the film. But Die Hard 1 was an extremely taut film that had impeccable internal logic. The film itself gave reasons for the dilemmas that arose, and they were justifications that made the dilemmas inevitable. It doesn't matter that some of the "facts" or situations in Die Hard 1 were contrary to our beliefs about the real world. The film defined things to be the fictional way it defined them, and the logic was consistent and valid (in the formal sense) from within the film.

However, it becomes clear, not too far into Die Hard 2, that perhaps looking at it for things like real-world believability and logical consistency/validity is misconceiving it. My belief is that this film is meant to be a spoof of action films as much as it is meant to be a serious action film. _That's_ why John is standing out on the runway waving around flaming poles like a maniac. That's why baddies can easily shoot and kill 20 or so highly trained, highly armed S.W.A.T. team members wearing bulletproof vests but can't hit John, who is wearing street clothes and rolling around on the floor with a pistol. That's why the planes are stuck over D.C. with no options and the film doesn't even try to justify this. That's why there are scenes of John riding explosions like a cowboy (yippee-ki-yay mf'er indeed). That's why there are a number of "wink-wink" cracks about being in another Die Hard film. That's why there are a few scenes that look oddly similar to Airplane! (1980). That's why the film so frequently, joyously embraces silliness.

Director Renny Harlin and his bulletproof vested army of scriptwriters and producers apparently set out to make a cartoonish satire of action films, while still making a serious action film. In 1990, action films were just at the tail end of their domination of the U.S. box office, so it was a ripe time to spoof them. Harlin and company succeed fairly well. It might have been even more artistically successful if they had more firmly committed to one angle (cartoony satire) or the other (serious action packed escapade), but the performances are pretty good, the fistfights, gunfights, explosions and chases are very good, and the film is frequently funny if you have a taste for the absurd.

''Yippie-kai-yay, motherfucker.''

8/10