An engaging little John Wayne vehicle...

John Wayne (commonly referred to more affectionately as The Duke) developed into a much-loved American icon during his sprawling career that spanned over multiple decades. The War Wagon is one of those forgotten gems. It wasn't as critically acclaimed as The Searchers or Rio Bravo, thus to some it's "just another John Wayne movie". Be that as it may, this is an extraordinarily fun and engaging little flick. The War Wagon performed as a Western precursor to the buddy action movies of the 80s and 90s, offering an adequate quantity of exciting action and amusing comic relief. This is an enjoyable revenge Western, featuring clichéd cowboys and standard gunslingers of all stripes playing out in an intriguing premise. Screenwriter Clair Huffaker also wrote the novel on which the film is based. Clair has a decidedly keen understanding on the expectancies of a John Wayne Western, as he once reportedly said: "John Wayne plays the strong, silent man, with a certain sense of humour and an inner feeling of justice."

The straightforward story is one that's been exploited in various other genres. A man is wrongfully accused, and this man seeks revenge on the wrongdoers. In this case, the protagonist is Taw Jackson (Wayne). Years ago Jackson was framed and sent to prison. After being released on parole, he returns to his old stomping ground to find his estate in possession of the man who framed him: powerful mine owner Frank Pierce (Cabot). You see, Pierce realised there was gold on Jackson's land and wanted to get his greedy hands on it. Due to Pierce's connections and power, he could successfully have Taw Jackson framed and Jackson could do nothing to prove his innocence. In order for Jackson to settle the score with Pierce, he becomes dead-set on capturing an iron-clad stagecoach transporting half a million dollars worth of gold (mined from his land, that is). He enlists the help of an old enemy of his known as Lomax (Douglas).

An extremely similar story was utilised for the 1969 heist film The Italian Job, be it purposeful or otherwise. The War Wagon is the Western version of the story, whereas The Italian Job is a modern appropriation. This is a testament to the clever little plot assembled for the film.

Despite never being widely acclaimed, The War Wagon holds its own all these years later. It's a good fun old-fashioned action/adventure ride created for providing Saturday afternoon entertainment at the movies. The cinematography looks utterly beautiful. In tradition with all the greatest American Westerns of the 50s and 60s, there are wonderful locations that have been captured suitably. It has been perceived that the message of this Western is to nourish the ideology of vigilante committees aiming to safeguard their rights and possessions. Clair Huffaker's screenplay is fairly adequate. As a straightforward, enjoyable romp it succeeds but by no means does it break new ground. The heroes are clichéd: depicted as being infinitely smarter than their opponents, and are capable of many amazing feats. Meanwhile the villains can't shoot straight and aren't smart enough to rival the heroes. There are also no surprises at all along the way. It plays out exactly how we expect it to. The conclusion is fairly predictable. Still, it's a thoroughly fun ride to take. It isn't the greatest Western of all time, nor is it one of John Wayne's best, but you could do a whole lot worse. In fact, modern Hollywood blockbuster fluff is inferior to this kind of exciting John Wayne material.

The interplay between John Wayne and Kirk Douglas is sardonic and sharp. It's the chemistry between these two leads that places this above the commonplace standard. Rumour has it that The Duke grew annoyed with Douglas during the production, and this would explain why there were no other features starring the two legends. That's a pity, because on-screen the two stars appear to work well together, providing a solid backbone for the rest of the characters to work off. There are several wonderful moments to be witnessed featuring Douglas and Wayne bouncing off each other. After they simultaneously out-draw two opponents, Douglas remarks "Mine hit the ground first". "Mine was taller" Wayne replies laconically.
John Wayne is at his usual standard here. Not his best performance to date, though. Same can be said for Kirk Douglas. He's appealing enough, but far from Oscar-worthy. Also in the cast are such names as Bruce Cabot, Keenan Wynn, Howard Keel, Robert Walker, Valora Nolan, and there's a brief appearance of Bruce Dern. A few years later Bruce Dern would feature in a John Wayne film entitled The Cowboys. Dern became one of the only actors in history to shoot a John Wayne character dead. Interestingly, Wayne kills Dern's character in The War Wagon.

If you're on the lookout for an enjoyable old-fashioned Western, this is the one for you. In tradition with censorship of the time, villains are dispatched without any blood. Plenty of blokes are gunned down alright, yet none sports an injury. Whilst being a fairly typical John Wayne vehicle, The War Wagon is loads of fun with Wayne and Douglas sharing a terrific on-screen camaraderie. There's plenty of horse-riding, lots of guns, a few girls, a dash of romance, and a lot of excitement. What's not to like? By no means is this the greatest Western of its decade, but it's engaging enough to hold your interest for 100 minutes.

6.9/10