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Lars von Trier never fails to impress and distress in his films. Dogville, Antichrist, Manderlay and Dancing In The Dark, which this one is his most gripping work. Situated in a United States built in the middle of England, since the director refuses to ride a plane, but compensates by rebuilding the spirit of the country and its people with pesonal perfection, the film tells the story of the sweet and innocent Selma, suffering from a disease that will leave her blind and that by being hereditary, then began to affect his beloved son Gene. Despite being in immigrant status, work hard in a factory, living in a small trailer for the properties of a couple and have to struggle to save money for an operation for her son, who refuses to reveal, even tense moments in the film, Selma with her spirit always remains light and dreamy and outrageously good throughout the movie, a character without becoming silly or annoying, but incredibly exciting. After committing a crime is intention, Selma sees everything so that struggled to escape her control, but still insists her goal of helping her son and her good behavior not to harm anyone. After the event climax, all sequences become distressing and depressing, in placing side by side with the pain of the character and causing outrage, anger and absolute sadness in particular at the crime scene and the final sequence. The few, crucial musical moments, are very similar to the work of Björk, a somewhat surreal atmosphere, which take place in the mind of Selma, and act as a form of escapism from the harsh realities it faces. The acting is another highlight for the movie. Björk surprised with an interpretation intense and moving every second of the film, which unfortunately wasn’t blessed with a golden globe, Catherine Deneuve also as the eternal best friend who is always available to help Selma and all the various characters, such as Jeff shy, passionate, and Houston couple, all enchanted with simple interpretations, but deep, in a film equally profound, simple and fantastic.
