An all-time classic western!

3:10 to Yuma maintains the tradition of brilliant 1950s westerns. People such as Gary Cooper and John Wayne materialised as the luminaries of the genre. Cooper is still affectionately remembered for his striking performance in High Noon, whereas John Wayne is chiefly remembered for such films as The Searchers and The Man Who Shot Liberty Valance. In amidst all this Hollywood enthusiasm with the genre, Delmer Daves came into the spotlight with this riveting western: a deep, challenging character examination revealing strength of character, deception, allegiances and treachery. The film presents itself as a sombre scrutinisation of the temperament of intrepidness in a simple, mundane man in control of a dangerous outlaw. This film is primarily a distinguished psychological drama executed in the claustrophobic location of a hotel under mental and physical siege. It concerns two unreservedly contrasting characters locked together in a secluded space where director Daves' camera shifts incessantly on their course of action. Daves' 3:10 to Yuma is a terrific blend of subtle psychology and action with taut editing. Although the pacing is sluggish, there is never a needless frame present. Every scene is imperative for the development of the characters and the plot in the lead-up to the final, intense stand-off.

The story is concerned with infamous figure Ben Wade (Ford): a notorious criminal who commands a fierce loyal gang of outlaws. After holding up a stage coach that results in the murder of two men, Wade is eventually caught by the authorities. Small-time everyman rancher Dan Evans (Heflin) witnessed the crime at the stage coach but did not desire to get himself caught up in the crimes that unfolded. However he and his family are in a dire crisis due to a prolonged drought. Evans is in need of funds to continue supporting his wife and children, and the solution presents itself to him: the authorities persuade Evans to transfer Ben Wade to the prison in Yuma. For fulfilling this mission he will be rewarded. Driven by the promise of money and the thought of sustaining his morals, Evans agrees to transport Wade on the 3:10pm train to Yuma (therein lies the title). While the two men await the arrival of a train in a hotel room as the clock slowly ticks by, Wade's gang of cohorts close in on the town. In an isolated room, a battle of wills unfolds between the struggling rancher and the infamous criminal.

3:10 to Yuma flaunts remarkable acting and realistic dialogue. The two protagonists are absorbing when alone in a room together. Van Heflin represents an ordinary everyman trying to do what's best for his community and his family. Unlike John Wayne or Gary Cooper, Heflin is just another bloke who shows vulnerability and weakness. Glenn Ford is outstanding as Ben Wade. The character of Ben Wade is complex: an outlaw and a killer whose motivations are never shown until the unexpected conclusion. The chemistry between the two leads is spellbinding! The dialogue becomes meaningful and clever. Despite being very talky, the story is kept tense and is steadily paced. This is also a deep lesson on creating brilliance out of simplicity. The film is held together by a straightforward, devilishly clever plot. The visuals are especially outstanding here. The authenticity in the costumes and props are a treat for the eye. Also a sound mix that creates a realistic atmosphere. The mournful theme song is also extremely haunting. The film's final 15 minutes turn into a tense, nail-biting climax that is brought to a wholly satisfying conclusion. It's unexpected, and it shows the strength in the characterisations of the protagonists.

Overall, 3:10 to Yuma is one of the greatest westerns of the 1950s. Before Clint Eastwood and Sergio Leone, the American westerns were ripe and successful. This superlative adult western draws its mesmeric drama and power from the interaction of well-drawn characters rather than gun-blazing action, which is still impressively filmed and laced with outlandish stunts. They just don't make westerns like this anymore. Highly recommended! Remade in 2007.

8.75/10