Lists  Reviews  Images  Update feed
MoviesTV ShowsMusicBooksGamesDVDs/Blu-RayPeopleArt & DesignPlacesWeb TV & PodcastsToys & CollectiblesComic Book SeriesBeautyAnimals   View more categories »
Listal logo
176 Views No comments

Fair entertainment

K.C.: "Well, what do you think?"
Joe Gavilan: "Write this down... Cheeseburger, well done. Raw onion, pickle, ketchup. Nothing else."

What is there to expect from an aging Harrison Ford featuring in a buddy cop action/comedy film? Following the surge of bad reviews Hollywood Homicide was shamefully forced to bear, I certainly didn't expect much even considering talent involved. The trailer did look extremely funny; however the aforementioned negative reviews resulted in my decision to skip the theatrical run and perhaps eventually hire it when it is cheap to do so. It really pains me to say this, but the film is a lot more fun than some critics gave it credit to be. Hollywood Homicide is far from being even considered a great movie, maybe not even a good movie. Be that as it may, there is no denying that the film at least stocks a good supply of laughs and some of the action is lively and energetic.

Hollywood Homicide is equipped with an appallingly stereotypical plotline that we have literally seen hundreds of times before. Its structure and series of events in particular is clichéd beyond all comprehension. It pretty much goes without saying that the plot is the film's biggest downfall.

The incredibly convoluted story concerns a murder investigation. Said investigation is instigated following the murder of an up-and-coming rap group who were performing in a nightclub when violently blasted by masked gunmen. Assigned to take the case is aging LAPD detective Joe Gavilan (Ford) with his young rookie partner K.C. Calden (Hartnett). The two detectives moonlight dual careers: Joe is also a real estate broker who struggles to sell houses when not scrutinising a murder (currently attempting to sell an expensive heavy elephant), while K.C. has tremendous aspirations as an actor (currently working on staging a performance of A Streetcar Named Desire) as well as a yoga teacher to a bevy of young women who are searching for their inner spiritual being. The two cops then delve into the recording industry, thus beginning a tale of modern LA detectives on the Hollywood beat; attempting to juggle two careers that spontaneously take precedence.

So what else happens in amidst this convoluted plot I hear you think? Joe is desperately trying to sort out another real estate deal, K.C. is a busy stud, Joe is under investigation by Internal Affairs and Joe begins dating a radio psychic named Ruby (Olin).

Like I previously stated, the central plot of Hollywood Homicide is barely present. It seems all the sub-plots that endlessly emerge are dreadfully clichéd and only included to stretch out the film's lengthy running time. The pacing is an issue because the film plods - by the one hour mark nothing has really happened that advances the story at all. It takes a while for some of the action to kick in. Thankfully, the two chases present in the film are some of the genre's finest and funniest. I'm happy to report that some of this action does represent a redeeming feature.

Harrison Ford doesn't look very enthusiastic to be present in the cast. Occasionally he does do some embarrassing things that are worth a giggle or two, and some of his lines are very funny; however he does the same role over and over again. Josh Hartnett doesn't get beyond two-dimensional as the rookie detective-come-actor-come-yoga-teacher. Once again there are a few clever lines but nothing else to find here. It's a regrettable fact that most of the funny dialogue moments are spoiled in the trailer. It certainly does have its fair share of laughs. It's just unfortunate that these laughs are few and far between.

Hollywood Homicide is forgettable, and confusingly stuck between comedy, action and crime. The clash of the genres doesn't produce excellent results by any stretch of the imagination. On occasion the film is incredibly silly and stupid while also being funny and entertaining. Writer and director Shelton should have focused on the one genre, and should have made the film taut. Aside from its flaws it's an occasionally entertaining film that I would watch again. Look out for cameos by Eric Idle, Lou Diamond Phillips and many others.


Added by PvtCaboose91
11 years ago on 7 June 2008 09:35