"When the moon turns red, the dead shall rise!"

*WARNING* - I probably give this movie way more credit (and star rating) than it deserves; but I can't help it, it's extremely nostalgic for me being that I saw it back in '86 (the year I became absolutely obsessed with horror after seeing Romero's DAWN OF THE DEAD and Fulci's ZOMBIE for the first time). Made in Italy in 1980 by sleaze-master Andrea Bianchi, BURIAL GROUND is nothing more than an imitation of Lucio Fulci's ZOMBI 2 (aka ZOMBIE), which was released a year earlier. In fact BURIAL GROUND was originally released in some areas of Europe as ZOMBIE 3 to cash in on the international box office success of Fulci's ZOMBI 2; which itself was cashing in on the success of George Romero's DAWN OF THE DEAD (released in Europe as ZOMBI). The scenario I just stated above is pretty much how the Italian exploitation film industry worked in the '80s. With the exception of the cannibal subgenre and the giallo film (which were distinctly Italian), most exploitation films made in Italy in the '80s were imitations of successful films from other countries. However, in my opinion the Italian "knock-offs" were often more entertaining and usually sleazier than the films they were imitating. Now on to the review. "When the moon turns red - the dead shall rise!". In the prologue an anthropologist, excavating a cave, is attacked and eaten by a zombie. Then the credits roll (over a suitably cheesy vocal soundtrack), and then the story follows a group of vacationers, staying at the anthropologist professor's mansion. Once these preliminaries are out of the way and all of the characters are introduced (don't expect much character development from this movie), the story settles into it's real function - to show as many disembowellings, gut-munchings, and assorted gore and gruesomeness as possible in 85 minutes. Most of the zombies in this movie are the usual Italian style oatmeal-faced, mummified corpses rather than the recently deceased. Thankfully the don't run. However, they're pretty handy with toolsl. As a potential victim is leaning out of a second story window, a zombie on the ground below throws a railroad spike which impales her hand to the side of the house; while another zombie raises a long scythe up to the window to decapitate her. Now that's efficiency. They also use axes and other assorted tools to chop down the doors of the mansion, where the remaining survivors are holed up. The "splinter-in-the-eye" scene from Fulci's ZOMBIE is imitated in this film as well; but instead of a huge splinter it's a jagged piece of broken glass! One of the zombified vacationers chows down on an incestuous kid who has run off because his mother slapped him after he tried to feel her up (here's the sleaze-factor I mentioned earlier). The mother finds the zombie eating her son, and bashes the zombies brains out on the side of a bathtub. The said kid comes back as a zombie later in the film, and the mother is so happy to see him that she changes her mind about the incest thing and bares her breast for him. Of course he takes a big chunk out of it (in one of the greatest splatter moments ever). By the way, the actor playing the kid was not really a kid at all but an adult actor named Peter Bark who was pretty small in stature and extrordinarily creepy looking. The zombified anthropologist professor shows up again and appears in one of the greatest zombie gut-munch scenes ever filmed. This movie has a genuine air of sleaziness to it as evidenced by the aforementioned scenes as well as a high level of splatter/gore. So in closing, if you're a fan of zombie cinema, splatter, and/or Italian horror and you haven't seen this film yet - what the hell are you waiting for! Go get it!

8/10