"It's been a pleasure meeting you, Mr. Wade."
"I know."
Cracking noir from Elia Kazan that not only offers up a compelling story (a true one at that) but thoughtful social commentary. Mirroring the Metropolitan Police in London, during the time of the Ripper murders, is the diminished, incompetent and ridiculed police force of Bridgeport, Connecticut, led by none other than Lee J.Cobb. Dana Andrews is the highly-rated detective in charge of an investigation into the death of a local priest, a much-loved father-figure to everyone who knew him. The script is ingenious and there are some great moments of tension (most notably where Andrews is willing to to be the guinea pig in the effort to prove that a gun cannot be fired at a certain angle.) but the film is really all about the cast. Arthur Kennedy turns in the best performance as the accused war veteran, Cara Williams is wonderfully full of herself (not to mention a total bitch!) and Ed Begley, in his cinematic debut, steals every damn scene he's in. There's a small part for Karl Malden too, although he's bizzarely left uncredited. Sam Levene deserves a mention too due to his part in the killer ending.
Great stuff.
4/5