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© Palace Films 2016 www.palacefilms.com.au/TheDancer
French singer/actress Soko (Augustine) and ingénue-of-the-moment Lily-Rose Depp lead a star-studded cast in Stéphanie Di Giusto’s spectacularly mounted screen biography, inspired by the true story of two rival pioneers of modern dance and theatrical presentation in late 19th-century Paris.
Nothing in her background destined Loïe Fuller (Soko), born in the American Midwest, to become the toast of the Belle Epoque cabarets – or to perform at the Paris Opera. Hidden behind metres of silk, her arms extended by long wooden rods, the athletic Fuller was able to reinvent her body on stage, enthralling her audiences a little more every night with her revolutionary “Serpentine” dance.
Dazzling the capital, she became an icon, the blazing symbol of a generation. Eminent admirers fell to her feet: Toulouse-Lautrec, the Lumière Brothers, Rodin. Even if the physical effort risked destroying her back, even if the glare of the stage lights seared her eyes, she never faltered in the quest to perfect her art. But it was Loïe’s meeting with Isadora Duncan (Depp) – a beautiful young prodigy hungry for glory – that threatened everything: her stature, her confidence and her sanity.
With excellent support from Gapard Ulliel, Mélanie Thierry, Louis-Do de Lencquesaing and François Damiens, this gorgeously realised debut charts the remarkable destiny of a woman ahead of her time, one who revolutionised her art to a degree that still astounds over a century later.
French singer/actress Soko (Augustine) and ingénue-of-the-moment Lily-Rose Depp lead a star-studded cast in Stéphanie Di Giusto’s spectacularly mounted screen biography, inspired by the true story of two rival pioneers of modern dance and theatrical presentation in late 19th-century Paris.
Nothing in her background destined Loïe Fuller (Soko), born in the American Midwest, to become the toast of the Belle Epoque cabarets – or to perform at the Paris Opera. Hidden behind metres of silk, her arms extended by long wooden rods, the athletic Fuller was able to reinvent her body on stage, enthralling her audiences a little more every night with her revolutionary “Serpentine” dance.
Dazzling the capital, she became an icon, the blazing symbol of a generation. Eminent admirers fell to her feet: Toulouse-Lautrec, the Lumière Brothers, Rodin. Even if the physical effort risked destroying her back, even if the glare of the stage lights seared her eyes, she never faltered in the quest to perfect her art. But it was Loïe’s meeting with Isadora Duncan (Depp) – a beautiful young prodigy hungry for glory – that threatened everything: her stature, her confidence and her sanity.
With excellent support from Gapard Ulliel, Mélanie Thierry, Louis-Do de Lencquesaing and François Damiens, this gorgeously realised debut charts the remarkable destiny of a woman ahead of her time, one who revolutionised her art to a degree that still astounds over a century later.