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Repulsion (1965) | Documentary Short - Interview w/ Dir. Roman Polanski - Ian Hendry
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Documentary Short
Roman Polanski
Gene Gutowski
Gerard Brach
Repulsion is a 1965 British psychological horror film directed by Roman Polanski, based on a scenario by Gérard Brach and Roman Polanski. It was Polanski's first English language film, and was shot in London, making it his first feature made outside Poland. The cast includes Catherine Deneuve, Ian Hendry, John Fraser and Yvonne Furneaux.
Plot
Carol Ledoux (Catherine Deneuve), a Belgian manicurist who bites her nails, lives in Kensington, London, with her older sister Helen (Yvonne Furneaux). Carol practically sleepwalks through her days, and interacts awkwardly with men. A would-be suitor, Colin (John Fraser), is flummoxed by her behaviour and she rebuffs his advances, disgusted by them. She hides her head in her pillow against her sister's cries of sexual pleasure with her married boyfriend, Michael (Ian Hendry). When Helen leaves on a holiday to Italy with Michael, Carol appears even more distracted at work, gets sent home, stays in the apartment, leaves a raw, skinned rabbit out to rot, and begins to hallucinate, first seeing the walls cracking, a man breaking in and molesting her, then hands reaching out to grab and attack her. Colin breaks into her apartment when she refuses to acknowledge his adoration and he apologizes for his transgression. When he says he wants to "be with" her "all the time," she bludgeons him to death with a candlestick, dumps the body into the overflowing bathtub, and nails the broken door shut. Later, the imperious landlord (Patrick Wymark) breaks in, looking for the late rent payment. Carol pays him and sits on the sofa, staring into space. He remarks on the decaying state of the apartment, and attempts to ingratiate himself by bringing her a glass of water as he leers at her in her nightgown. When he first propositions her, then sexually assaults her, she gets away. But he comes at her again and she slashes him to death with a straight razor.
When Helen and Michael return, they discover the dead bodies. Michael runs for help. Helen, distraught, finds Carol hiding under the bed in a catatonic state. Neighbors arrive -- curious, concerned and shocked. Michael returns and carries Carol out, staring creepily at her wide-open eye, face and body. A family photograph on the mantel shows Carol as a girl, turned towards a male figure in the photograph with a look that could kill.
Cast
Catherine Deneuve as Carole/Carol Ledoux
Yvonne Furneaux as Hélène/Helen Ledoux
Ian Hendry as Michael
John Fraser as Colin
Patrick Wymark as Landlord
Kallie Bush as Miss Balch
Valerie Taylor as Madame Denise
James Villiers as John
Helen Fraser as Bridget
Hugh Futcher as Reggie
Monica Merlin as Mrs. Rendlesham
Imogen Graham as Manicurist
Mike Pratt as Workman
Roman Polanski makes a cameo in the film as a spoon player among a trio of street buskers.
Themes and style
The movie vaguely suggests that her father may have sexually abused her as a child, which is the basis of her neuroses and breakdown.[citation needed] It could also be argued that this mental anguish stems from the love she never got from Michael, who preferred her sister.
The film is shot in black and white, increasingly adopting the perspective of its protagonist. The dream sequences are particularly intense.
Reception
Critical response
Repulsion is widely considered a classic of the psychological thriller genre. Review aggregator Rotten Tomatoes reports that 100% of 48 film critics have given the film a positive review, with a rating average of 8.8 out of 10. Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 91 based on 7 reviews.
Film critic Bosley Crowther of The New York Times gave the film a positive review stating, "An absolute knockout of a movie in the psychological horror line has been accomplished by Roman Polanski in his first English-language film." Jim Emerson, filling in for Roger Ebert of the Chicago Sun-Times, included the film in his list entitled "102 Movies You Must See Before...".
Upon the film's release to DVD, Dave Kehr reviewed the film for The New York Times praising the film's techniques and themes, saying "Mr. Polanski uses slow camera movements, a soundtrack carefully composed of distracting, repetitive noises (clocks ticking, bells ringing, hearts thumping) and, once Carol barricades herself in the cramped, dark apartment, explicitly expressionistic effects (cracks suddenly ripping through walls, rough hands reaching out of the darkness to grope her) to depict a plausible schizophrenic episode."
Accolades
At the 15th Berlin International Film Festival in 1965, Repulsion won both the FIPRESCI Prize and the Silver Berlin Bear-Extraordinary Jury Prize. The film was also nominated for a BAFTA in Best Black and White Cinematography.
Visit: IanHendry.com
New Ian Hendry Biography: ianhendry.com/new-biography
*****
Documentary Short
Roman Polanski
Gene Gutowski
Gerard Brach
Repulsion is a 1965 British psychological horror film directed by Roman Polanski, based on a scenario by Gérard Brach and Roman Polanski. It was Polanski's first English language film, and was shot in London, making it his first feature made outside Poland. The cast includes Catherine Deneuve, Ian Hendry, John Fraser and Yvonne Furneaux.
Plot
Carol Ledoux (Catherine Deneuve), a Belgian manicurist who bites her nails, lives in Kensington, London, with her older sister Helen (Yvonne Furneaux). Carol practically sleepwalks through her days, and interacts awkwardly with men. A would-be suitor, Colin (John Fraser), is flummoxed by her behaviour and she rebuffs his advances, disgusted by them. She hides her head in her pillow against her sister's cries of sexual pleasure with her married boyfriend, Michael (Ian Hendry). When Helen leaves on a holiday to Italy with Michael, Carol appears even more distracted at work, gets sent home, stays in the apartment, leaves a raw, skinned rabbit out to rot, and begins to hallucinate, first seeing the walls cracking, a man breaking in and molesting her, then hands reaching out to grab and attack her. Colin breaks into her apartment when she refuses to acknowledge his adoration and he apologizes for his transgression. When he says he wants to "be with" her "all the time," she bludgeons him to death with a candlestick, dumps the body into the overflowing bathtub, and nails the broken door shut. Later, the imperious landlord (Patrick Wymark) breaks in, looking for the late rent payment. Carol pays him and sits on the sofa, staring into space. He remarks on the decaying state of the apartment, and attempts to ingratiate himself by bringing her a glass of water as he leers at her in her nightgown. When he first propositions her, then sexually assaults her, she gets away. But he comes at her again and she slashes him to death with a straight razor.
When Helen and Michael return, they discover the dead bodies. Michael runs for help. Helen, distraught, finds Carol hiding under the bed in a catatonic state. Neighbors arrive -- curious, concerned and shocked. Michael returns and carries Carol out, staring creepily at her wide-open eye, face and body. A family photograph on the mantel shows Carol as a girl, turned towards a male figure in the photograph with a look that could kill.
Cast
Catherine Deneuve as Carole/Carol Ledoux
Yvonne Furneaux as Hélène/Helen Ledoux
Ian Hendry as Michael
John Fraser as Colin
Patrick Wymark as Landlord
Kallie Bush as Miss Balch
Valerie Taylor as Madame Denise
James Villiers as John
Helen Fraser as Bridget
Hugh Futcher as Reggie
Monica Merlin as Mrs. Rendlesham
Imogen Graham as Manicurist
Mike Pratt as Workman
Roman Polanski makes a cameo in the film as a spoon player among a trio of street buskers.
Themes and style
The movie vaguely suggests that her father may have sexually abused her as a child, which is the basis of her neuroses and breakdown.[citation needed] It could also be argued that this mental anguish stems from the love she never got from Michael, who preferred her sister.
The film is shot in black and white, increasingly adopting the perspective of its protagonist. The dream sequences are particularly intense.
Reception
Critical response
Repulsion is widely considered a classic of the psychological thriller genre. Review aggregator Rotten Tomatoes reports that 100% of 48 film critics have given the film a positive review, with a rating average of 8.8 out of 10. Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 91 based on 7 reviews.
Film critic Bosley Crowther of The New York Times gave the film a positive review stating, "An absolute knockout of a movie in the psychological horror line has been accomplished by Roman Polanski in his first English-language film." Jim Emerson, filling in for Roger Ebert of the Chicago Sun-Times, included the film in his list entitled "102 Movies You Must See Before...".
Upon the film's release to DVD, Dave Kehr reviewed the film for The New York Times praising the film's techniques and themes, saying "Mr. Polanski uses slow camera movements, a soundtrack carefully composed of distracting, repetitive noises (clocks ticking, bells ringing, hearts thumping) and, once Carol barricades herself in the cramped, dark apartment, explicitly expressionistic effects (cracks suddenly ripping through walls, rough hands reaching out of the darkness to grope her) to depict a plausible schizophrenic episode."
Accolades
At the 15th Berlin International Film Festival in 1965, Repulsion won both the FIPRESCI Prize and the Silver Berlin Bear-Extraordinary Jury Prize. The film was also nominated for a BAFTA in Best Black and White Cinematography.