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This lavish adaptation of Victor Herbert's operetta The Red Mill proved to be one of Marion Davies' most delightful and best-received silent vehicles. Davies is cast as Dutch barmaid Tina, who falls in love with handsome hero Dennis (Owen Moore). Alas, Dennis doesn't return her affections, whereupon Tina mounts a campaign to win his heart -- while simultaneously smoothing the romantic path for her friends, burgomeister's daughter Gretchen (Louise Fazenda) and army captain Jacob (Karl Dane). There's a bit of comic suspense when Tina -- disguised for plot purposes as Gretchen -- is accidentally locked in the titular mill, which is rumored to be haunted, but she manages to escape in time for a happy denouement. Beyond its romantic trappings, The Red Mill is full of wonderful slapstick moments, notably an opening scene in which the heroine tries her luck on ice skates, only to wind up covered in snow from head to foot. The film was directed by one "William Goodrich", actually a pseudonym for rotund comedian Roscoe "Fatty" Arbuckle, whose film career had been destroyed five years earlier in the wake of a messy scandal (Davies was endeavoring to help Arbuckle make a comeback -- even though her publisher boyfriend William Randolph Hearst had been largely responsible for his downfall!) It has long been assumed that the public was totally unaware that Goodrich and Arbuckle were one in the same, but contemporary reviews of The Red Mill indicate that William Goodrich's true identity was an open secret. Marion Davies... Tina Owen Moore... Dennis Louise Fazenda... Gretchen George Siegmann... Willem (as George Siegman) Karl Dane... Captain Jacop Van Goop Russ Powell... Burgomaster (as J. Russell Powell) Snitz Edwards... Caesar William Orlamond... Governor Ignatz... Himself - a Mouse Of course, the visual situations are necessary to fully enjoy the comedy. "The Red Mill" is also extremely well-photographed, by Hendrik Sartov, who worked with D.W Griffith and Lillian Gish. The exciting finale, with George Siegmann whipping Davies, and locking her in the windmill, is almost an "homage" to Griffith and Siegmann's similar treatment of Ms. Gish, in some well-known Griffith films. But, what happened to poor Ignatz? A final plan should have revealed the mouse was alive and well.