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Though this 1979 debut album by The Cure would scarcely dent the Top 50 in the UK and entirely forego an official American release (though a handful of tracks would appear on the US-only compilation Boys Don't Cry), it remains equal parts touchstone and curiosity for Cure faithful. It's easy to see why mainstay Robert Smith has long had mixed feelings about it: The spare, angular performances and New Wave-y production cliches often seem more akin to Devo or the B-52's. Smith himself hadn't quite perfected the moody wail that would make him a pioneering goth icon, though there are hints of dark things to come on the title t
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Though this 1979 debut album by The Cure would scarcely dent the Top 50 in the UK and entirely forego an official American release (though a handful of tracks would appear on the US-only compilation Boys Don't Cry), it remains equal parts touchstone and curiosity for Cure faithful. It's easy to see why mainstay Robert Smith has long had mixed feelings about it: The spare, angular performances and New Wave-y production cliches often seem more akin to Devo or the B-52's. Smith himself hadn't quite perfected the moody wail that would make him a pioneering goth icon, though there are hints of dark things to come on the title track and "10:15 Saturday Night." The real attraction here is the set's 20-song bonus disc, a treasure trove of primal Cure that includes key A-sides ("Boys Don't Cry," "Jumping Someone Else's Train"), early outtakes and demos (including the Ziggy-esque "I Want to Be Old" from '77, more emblematic tracks from the following year and a haunting Smith home-recording of "10:15" that shows how focused the singer's instincts were when left to his own devices) and some energetic, if sonically flawed live tracks. It's a must for Cure fans, an intriguing, warts-'n'-all portrait of a seminal rock band finding its true voice. --Jerry McCulley
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Manufacturer: Universal UK
Release date: 6 December 2004
EAN: 0602498218280 UPC: 060249821828
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