Borrowed Heaven

It's difficult to pick standouts as the style is quite firmly set and the quality between songs unwavering, but the finale "Silver Strand" is a grandiose Celtic instrumental led by Sharon Corr's sadly under-used violin with Andrea chipping in the occasional "La la la" vocal. "Long Night" is a well-crafted 80s power-ballad and in contrast, "Humdrum" takes a contemporary slant on the Corrs sound with scratching, synths, and breaks creating the rockiest moment on the album. There may be disappointment that it veers towards the commercialism of Fleetwood Mac rather than the traditional folk of their earlier work, but this is the Corrs and has been for some time; so love it or loathe it, it's unmistakably their sound. --David Trueman