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Seattle’s A-Frames bash out a bizarrely mechanistic, droning, minimalist, postmodern art-punk that steals equally from Amon Duul I, Chrome, Cramps, PIL, Pop Group, Swell Maps, and (the Australian) X. With such unerring taste, they could be a cover band and still entertain, but their short, steely, melodic originals stick in your head for weeks, like warning signals. Their third album, Black Forest suffers from over-production (this is a band that sounds best with Sonics-era sound), but just a wee bit. From a performance standpoint, the A-Frames are probably the most original punk rock band since the Screamers. The l
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Seattle’s A-Frames bash out a bizarrely mechanistic, droning, minimalist, postmodern art-punk that steals equally from Amon Duul I, Chrome, Cramps, PIL, Pop Group, Swell Maps, and (the Australian) X. With such unerring taste, they could be a cover band and still entertain, but their short, steely, melodic originals stick in your head for weeks, like warning signals. Their third album, Black Forest suffers from over-production (this is a band that sounds best with Sonics-era sound), but just a wee bit. From a performance standpoint, the A-Frames are probably the most original punk rock band since the Screamers. The lyrics deadpan an unrelentingly dystopian vision of the future that seems solely cobbled from post-apocalyptic sci-fi flicks and comic books. Their songs are about machines turned against mankind, viruses out of control, surveillance technologies run amok, a world where humans have become extinct. Such schtick would quickly bore in lesser mortals' hands, but the oft-misunderstood A-Frames never lose face. There is something of Andy Kaufman in them, something very close to actual genius. --Mike McGonigal
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Manufacturer: Sub Pop
Release date: 22 March 2005
EAN: 0098787066821 UPC: 098787066821
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