Description:
Judee Sill
Judee Sill was just 35 when she died of a drug overdose in 1979, never having extended what seemed to be an unlimited potential on this, her debut record, released just eight years before. With the wits of a poet and the intonation of an angel, the post-hippie Californian laced her original compositions with astral and religious imagery--and feelings of hopelessness--and then executed them with the pop lavishness of Karen Carpenter. Sill's contemporaneous acoustic folk is sparely backed, while her multitracked vocals add to the redemptive eeriness of supernatural songs like "Lopin' Along thru the Cosmos,"
Judee Sill
Judee Sill was just 35 when she died of a drug overdose in 1979, never having extended what seemed to be an unlimited potential on this, her debut record, released just eight years before. With the wits of a poet and the intonation of an angel, the post-hippie Californian laced her original compositions with astral and religious imagery--and feelings of hopelessness--and then executed them with the pop lavishness of Karen Carpenter. Sill's contemporaneous acoustic folk is sparely backed, while her multitracked vocals add to the redemptive eeriness of supernatural songs like "Lopin' Along thru the Cosmos," "The Phantom Cowboy," and "Enchanted Sky Machines." That Graham Nash produced the minor radio hit "Jesus Was a Crossmaker" (and later saw it covered by his former band the Hollies) attests that Sill was running with the right crowd. But despairing lyrics like "Guess reality is not as it seems / So I sit here hoping for truth and a ride to the other side" ("Crayon Angels") suggest that Judee Sill was conscious that her life could be brief. Thankfully, she left this behind. --Scott Holter Heart Food
Judee Sill's follow-up to her 1971 self-titled debut sadly also turned out to be her final album, yet Heart Food stands neck and neck with its wondrous predecessor as a near-flawless slice of 1970s pop-flavored Laurel Canyon folk. The production and arrangements here are much grander then on Judee Sill, with her original piano- and guitar-driven songs enhanced by strings, church organ, harmonica, pedal steel, kettle drums, and even male vocals. But no matter the song--be it the Brian Wilson-influenced "The Vigilante," the country-flavored "There's a Rugged Road," or the piano-solo delight "When the Bridegroom Comes"--it all comes back to Sill's virginal voice, which twists and teeters in varying octaves and moods, sometimes within the same track. Sadly, her deliberate songwriting style denied her any chance at a third album. Drugs claimed Judee Sill's life just five years after Heart Food, which can serve as an alluring introduction to this brilliant artist or as a proud bookend to her more-appreciated debut. --Scott Holter
Album Description
2006 two CD compilation from this under-rated folk artist containing both albums she recorded for the fledgling Asylum Records label (Judee Sill from 1971 and Heart Food from '73) plus 19 bonus tracks. This collection combines both Expanded Versions of her albums, originally issued in limited quantity by Rhino Handmade in 2004.
Album Details
UK Collection of the Acclaimed Seventies Singer / Songwriter's Elektra Recordings and Rarities. Her Two Beguiling Albums Are Here with Numerous Outtakes, Demos and Live Performances. "Judee Sill" Has 10 Additional Tracks, Including "The Pearl" and "The Phoenix", Left off in Favor of "Jesus was a Cross Maker" plus Its Demo, One of her Best Known Songs. The Rest were Recorded Live at Boston Music Hall in 1971 by Bill Halverson, Concurrently as He Recorded the Headliners David Crosby and Graham Nash. Nash Produced "Jesus was a Cross Maker". "Heart Food" Adds the Previously Unreleased Outtake, "The Desperado" Along with Eight Solo Demos, Recorded in Hollywood.
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Manufacturer: Rhino/Wea UK
Release date: 26 June 2006
EAN: 0081227953423 UPC: 081227953423
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