The Wolverine Reviews
Quite enjoyable, better than Origins
Posted : 3 months, 1 week ago on 28 January 2024 11:500 comments, Reply to this entry
The Wolverine review
Posted : 2 years, 1 month ago on 29 March 2022 04:530 comments, Reply to this entry
"The Wolverine" (2013)
Posted : 7 years, 1 month ago on 28 March 2017 08:21When Wolverine is summoned to Japan by an old acquaintance, he is embroiled in a conflict that forces him to confront his own demons.
I thought I should watch at least one of the other Wolverine movies before Logan, and X-Men Origins: Wolverine has such a bad reputation that I didn't even think twice about choosing this one.
If you're just expecting an action movie, a string of cheap thrills, that's pretty much all you'll get. The narrative doesn't really do anything compelling with Logan's character aside from raising the stakes by taking away his healing ability, leaving him much more vulnerable.
Personally, I was far more interested in figuring out where this movie fits in the X-Men film series timeline. Well, the Jean Grey hallucinations answered that pretty early on: it takes place after X-Men 3. There's also a teaser at the end that finally bridges the gap between the original trilogy and Days of Future Past.
Overall, I'd say it's the definition of good but not great. It's a lot of fun, but not much more.
My rating: 75%
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クズリ
Posted : 8 years, 7 months ago on 21 September 2015 11:240 comments, Reply to this entry
An average movie
Posted : 9 years, 4 months ago on 26 December 2014 11:220 comments, Reply to this entry
Review of The Wolverine
Posted : 9 years, 5 months ago on 29 November 2014 06:34Creatively titled The Wolverine (note the sarcasm), this is the sixth installment in the X-Men franchise. On the X-Men time table, this film occurs an unspecified amount of time after X-Men: The Last Stand. Logan is living on his own again, but is brought Tokyo to honor a dying man Logan once saved. But it all turns out to be a wicked plot to take Logan's powers from him. And also there's another woman that Logan hooks up with. For no. Stinking. Reason.
Which brings me into my first issue with the film (but certainly not the most important one): there are way too many unnecessary characters. There are really only three or four characters that needed to be in this film. The excess of characters is especially problematic because they're all horribly boring. Wolverine - among the least interesting X-Men characters - seems lively and fully dimensional compared to the rest of the cardboard cast. The performances are weak, but they're largely hindered by lifeless characters.
The action scenes are neatly choreographed, but completely uninvolving (partially due to the equally uninvolving characters). They lack the excitement and campy fun of the better X-Men films. The exception here is a brilliantly fun fight sequence that takes place on a moving train. It's as ridiculous as it sounds, but it's extremely fun to watch. Unfortunately, it only lasts about four minutes. The other 122 minutes are mostly a snooze.
The plot is somewhat confusing, but the exposition is so tedious to listen to, I quickly gave up trying, which perhaps explains my confusion. The script is just so poorly written, lacking almost any kind of humor and certainly any memorable dialogue. It has its laughably stupid moments, but not enough to boost the overall entertainment value.
The cast provides competent performances, but the unmemorable characters they're portraying puts a very low ceiling on the effectiveness of each. Hugh Jackman is again for the sixth-ish time (his brief cameo in First Class included) to once again walk around with his shirt off for a large portion of the movie and lust for another man's woman. Tao Okamoto is that said woman, and she's about as interesting as a stationary tree. Most of the cast comfortably reflects this comparison as well, though perhaps excepting Svetlana Khodchenkova. Khodchenkova portrays one of the many underdeveloped villains in this film, and though she has not nearly enough screentime to make much of an impression, one gets the feeling that she would be an engaging villain with a better script.
Marco Beltrami's score is effective enough in film, but it lacks memorable material. The music is very mood-oriented, rarely making use of distinctive melodies, and instead, often using the shear colors of the Asian instruments in the mix to provide the atmosphere. The score's action material is as bombastic as possible, but doesn't leave much of a positive impression.
The film's Tokyo setting and great-looking visual effects makes this possibly the best looking X-Men film thus far. But the polish that has gone into the visuals is not evident in the script. In addition to being poorly written, The Wolverine is just an utter bore. Outside of the fun train sequence, there's hardly a moment of fun to be had. There's an outrageous amount of violence here (easily the most of any of the X-Men films), but even then, the experience is oddly unengaging. The Wolverine is messy, tedious, and largely forgettable. Thankfully, nothing of consequence to the overall franchise occurs in this film, making this an easy film to skip.
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A little beautiful diversion of tale from actual X
Posted : 10 years, 5 months ago on 1 December 2013 07:18It won't tell this movie has connections with other 'X-Men' movies except his hallucinations of 'First Class's end incident. The character Logan is the only one who derived from it and tells his story when he was held prisoner in Japan during the world war two. He saves a young soldier Yashida from the nuke blast. After many years the Logan was requested to visit dying him to say the one final goodbye. But the war begins when enemies try to abduct Yashida's granddaughter who is a new CEO of his tech corporation. It forces Logan to fight Yakuzas and ninjas where his mutant power will be tested.
Everyone around me liked the 'First Class' but for me it was just okay. In fact 'X-Men' movies were never been my kinda movie, as a die hard movie fan I enjoyed the marvelous visual effects. Like I said the advantage was the atmosphere in the story with all the new casts. While you are engaged to see Logan fighting the bad guys, the story takes a quick turn and brings the twist and I did know it was coming. This movie was totally fresh and unique from all the previous movies, just like I wanted. It was not a massive fight movie with highly influenced by the mutant's magical stuffs but it had its own and sufficient stunt sequences that one can enjoy.
7.5/10
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The Wolverine
Posted : 10 years, 8 months ago on 11 September 2013 09:16Taking place after the events of X-Men: The Last Stand, Wolverine has gone into hiding in the wilderness (and wouldn’t you after being a part of that movie?). After being located and tantalized with a chance to lose his mutant powers by an elderly Japanese businessman that he has past dealings with, we’re off and running into the actual story. Wolverine as surrogate parental figure to a younger girl (this is a reoccurring theme in the comic books), as wandering lone samurai, as brooding lover and existential human. And Hugh Jackman continues to play the part for all it is worth, but as roles in films like The Prestige and Les Miserables have proven that he is an actor of broader range and more depth than this role has allowed him to demonstrate previously, I really do hope he eventually hangs up the claws.
I suppose that’s the general problem with the X-Men film franchise: general fatigue about it all. Too many films overloaded with too many mutants for no real reason other than to throw in another nod to the comic books. Case in point here, Viper, leader of the group HYDRA in the comics, here a mutant who has taken the hydra/viper/snake motif to its literal extreme complete with a scene in which she sheds her skin. She offers up a few cool visuals and is very pretty, but could have been cut out and her role given to a non-mutant member of the yakuza or ninja rebels that the film is actually concerned with. And the less said about the gigantic letdown of a third action battle finale the better – it mistakes bigger for better, and the “twist” was obvious from the moment the film began to unravel it’s story.
Yet I still really enjoyed The Wolverine, and quite a bit I might add. Rila Fukushima and Tao Okamato are pleasingly tough, strong, complicated characters and both actresses give solid performances. I think Fukushima might just have made a stronger impression to me by the end of it, even if making that character a mutant with a relatively weak power was a questionable choice, she still managed to sell me on it. It also helps that both of them create a nice chemistry with Jackman and make the teacher/student relationship and the romantic one believable and worth our time and emotional investment. The film populates itself with a variety of characters that we care about and this doesn’t insult our intelligence when things must go predictably chaotic. The Wolverine is sometimes most arresting when it’s explosions are between the characters and not atop a speeding bullet train (although that scene does manage to take a familiar action trope and make it fresh and exciting).
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Surprisingly solid
Posted : 10 years, 9 months ago on 26 July 2013 07:14Even the most die-hard X-Men fans cannot defend 2009's X-Men Origins: Wolverine, a misguided disaster in every conceivable way. It would seem that even the folks behind the film acknowledge its awfulness, so now we have 2013's The Wolverine, which distances itself from its forerunner by avoiding a numerical appendage and not tying into its events. Luckily, The Wolverine is a vast improvement over the previous movie, with director James Mangold delivering the best cinematic representation of Logan/Wolverine to date, on top of presenting the defining appearance of Hugh Jackman in the titular role. Mangold's picture smartly avoids including as many mutant cameos as possible, instead delivering a lean, focused action-thriller. Based on a popular comic series from the 1980s, The Wolverine succeeds due to its grounded nature, with the writers choosing to create a character study instead of a dumb blockbuster.
Picking up a few years after 2006's X-Men: The Last Stand, the story finds Logan (Jackman) in the Alaskan wilderness living off the land. Haunted by the death of Jean Grey (Famke Janssen), Logan wishes to live in solitude, in fear of endangering anyone else he holds dear. He's soon tracked down by Yukio (Rila Fukushima), who summons Logan to Japan at the behest of billionaire industrialist Yashida (Hal Yamanouchi). Logan saved Yashida from an atomic bomb during WW2, and now the former soldier is on his deathbed, wanting to say goodbye to his old friend. However, Logan is also offered an unexpected proposition: the chance to be relieved of his regenerative abilities, allowing him to live the life of a mortal. Yashida wants to live forever and wants Logan's abilities transferred to him. Despite refusing the offer, Logan is soon stripped of his powers, making him vulnerable to attack as he works to protect Yashida's granddaughter, Mariko (Tao Okamoto), from vicious Yakuza thugs.
Once Logan and Mariko go on the run, the narrative becomes a tad convoluted, as character loyalties are blurry, and there are a few twists that probably will not hold up on repeat viewings. Still, the attempt at sophistication is appreciated, especially in light of the movie's horrendous predecessor. The Wolverine also excels in its depiction of Logan. The issue with many superhero movies, especially X-Men Origins: Wolverine, is that the hero is invincible, rendering the conflicts predictable and unexciting. Writers Mark Bomback, Scott Frank and Christopher McQuarrie fortunately rectify that problem here, as the story explores Wolverine's vulnerabilities, making for much more engaging viewing. Without his immortality, Logan enters a combat scenario more susceptible to injury and even death, heightening tension.
There's an underlying stream of psychological complexity to The Wolverine, which is entirely welcome. Rather than the dumb action theatrics of the previous outing, the script explores the effects of Wolverine's immortality on his psyche, and this is a predominantly character-based story, without a big bang every ten minutes, just for the sake of it. Logan here is a fleshed-out, three-dimensional character, and his sadness over Jean's death humanises him and lends unexpected weight to his quest. The drama and character development here are undeniably classy, and they are handled with much more competency than one would expect in a summer blockbuster, which is a testament to Mangold's talents as a dramatic filmmaker. It's a shame, though, that the movie succumbs to overblown blockbuster sensibilities into its final third. Granted, this is a summer film, but the need for a big action climax is questionable, especially one as cartoonish as this, clashing with the tone established in the first two acts. It feels as if one person wrote the drama, while the final act was created by someone else entirely. Considering that McQuarrie's script was reportedly rewritten by dumb action film veteran Mark Bomback (Live Free or Die Hard, the Total Recall remake), this could actually be the case.
Keeping the picture afloat at all times is the craftsmanship. Mangold is a skilled director, and Ross Emery's cinematography is also marvellous. Setting The Wolverine in Japan for most of its duration gives the production a different feeling than other superhero movies. The elegant Japanese sets, the sense of culture and the production design bestow the picture with a unique flavour, not to mention the proceedings owe more to samurai movies than modern-day comic book flicks. For the most part, the action scenes are magnificent, most notably a breathtaking conflict atop a bullet train that looked cheesy in the trailers but turns out to be a real highlight. And while the climax is overblown to a detriment, it's still watchable, thanks to Mangold's competent touch. Unfortunately, however, The Wolverine is a PG-13 film, which is a problem since Mangold is clearly pulling punches. At times, shaky-cam and prohibitive editing are used to mask Wolverine's kills, and it feels inorganic and awkward due to the serious tone of the piece. The Wolverine didn't need to be a cheap gore-fest, but a brutal, real depiction of Wolverine's abilities would be more satisfying and coherent. Likewise, Wolverine swears from time to time here, but it feels as if he's holding back, and a less restrictive rating could've livened the dialogue.
Recovering from the 2009 movie with panache, Jackman delivers an exceptional performance as Logan, confidently handling the rage-fuelled action scenes and the dramatic stuff with effortless abandon. The script introduces a tender side to Wolverine, which Jackman again handles well; he conveys the inner anguish of the role and brings out the tortured aspects of Logan's psyche to laudable effect. He also reached his pinnacle physique for the movie - Jackman himself has said that he finally achieved the build he always dreamed of for Wolverine, and it shows. Fortunately, the supporting cast is strong, with Mangold predominantly relying on authentic Asian performers instead of big stars. Newcomers Fukushima and Okamoto are especially good, while Svetlana Khodchenkova makes a strong impression as Viper, a mutant with poisonous abilities. The only other recognisable actor here is Janssen, whose part amounts to a cameo, though Will Yun Lee (Red Dawn, Die Another Day) also appears.
Every superhero movie these days is concerned with universe-building, from the classy way that Marvel does it to the shoddy method employed by The Amazing Spider-Man. For the most part, The Wolverine stands alone, telling an independent story without the need to pull in a heady roster of familiar faces or comic book characters. There is, however, a mid-credits scene that you must stick around for which teases the future of the X-Men series. You could not pay me to reveal what happens in the scene, who cameos in it, or what end it achieves, but suffice it to say, it's a stunner. All in all, The Wolverine is a pleasant surprise, far better than this reviewer had anticipated. It gets the tone of Wolverine right, explores his personality in a potent way, and shows off his berserker rage. Nevertheless, one cannot help but wonder what Darren Aronofsky could've made of this project if he hadn't dropped out in pre-production, as he reportedly aspired to create the brutal, full-blooded, R-rated Wolverine flick that we've been waiting for. Now, that would've been phenomenal.
7.3/10
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