LoginAloha Reviews
An average movie
Posted : 7 years, 11 months ago on 6 May 2016 03:32
Even though the buzz around this movie was pretty bad, since there was a pretty cool cast involved and since I have seen all the movies directed by Cameron Crowe, I still wanted to check it out (the fact that it was also available on Netflix definitely helped my choice as well). Well, I'm afraid it definitely deserved its poor reputation. Basically, when or before it was released, there was quite some outrage because Emma Stone was playing someone supposedly one quarter Asian and one quarter Hawaïan and even though it was indeed stupid to write her character like that, or to choose her to play such a character, it was not even the biggest problem with this movie. Basically, the biggest issue was that it was just a huge mess. I mean, the directing was solid, the cast was great and there were some good ideas but the mix of all these ingredients was just terrible. To be honest, some of those ideas were actually pretty weak like the fact that John Krasinski's character didn't speak at all. Or the fact that within just 5 minutes, Brian is supposed to be a stupid moron for blowing up a Facebook satellite but then suddenly a hero because it turned out to be a nuclear weapon after all. Coming back to Emma Stone's character, her ethnicity was not even what really bothered me about her. Basically, there was absolutely no clear personality for this girl who kept acting really randomly throughout the whole thing and even Emma Stone's great charisma didn't manage to make this character work whatsoever. To conclude, Cameron Crowe has been struggling for many years but this is by far his weakest directing effort and you might wonder if his career will ever be able to recover from this blow.
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Aggressively mediocre and disjointed
Posted : 8 years, 6 months ago on 9 October 2015 10:10
"The future isn't just something that happens. It's a brutal force with a great sense of humor that will steamroll you if you're not watching."
Cameron Crowe continues his cinematic downward spiral with 2015's Aloha, a project that should have the veteran filmmaker's redemption for past misfires, but instead plays out like a poor imitator of the type of excellent pictures that Crowe used to manufacture with ostensible ease. A tone-deaf romantic dramedy, the feature is overloaded with ideas, but Crowe struggles to connect them in a coherent or substantial way, resulting in a disjointed storytelling mess of confused tonality that squanders a superb ensemble cast. Frankly, the film's failure is not a total surprise, considering the delays as well as the leaked emails from Amy Pascal (a former top executive at Sony Pictures) who stated that the movie was shaping up to be a disaster. With any hope, this will be Crowe's last movie for a while.
A former Air Force pilot now working as a private contractor, Brian Gilcrest (Bradley Cooper) travels to Hawaii to assist in the launch of a communications satellite for billionaire industrialist Carson Welch (Bill Murray). Landing on the island, Brian immediately runs into ex-girlfriend Tracy (Rachel McAdams), who's now married to airman Woody (John Krasinski) and has two children (Danielle Rose Russell, Jaeden Lieberher). Meanwhile, Air Force Captain Allison Ng (Emma Stone) is assigned to monitor Brian during his five-day stay on the island and takes an immediate liking to him. Brian finds himself drawn to Allison, but Tracy's flirtations throw things into disarray. Also complicating matters is the impending launch of Carson's satellite which may be a bit more sinister than anyone has suspected.
Aloha cannot figure out what it is, and the end result amounts to an erratic hodgepodge of half-baked ideas, with nothing being given the breathing space required in order to fully take flight. Crowe's script contains several interesting concepts - including creepy Hawaiian urban legends and military-related issues - but does literally nothing with them. The main thrust of the plot concerns Carson being up to no good, but it has so little bearing on the narrative at large that one has to question its purpose. In fact, the subplot dealing with the satellite launch makes zero sense, eventually culminating with a hacker battle between Brian and some Chinese cyber-terrorists which winds up being every bit as ludicrous and perplexing as it sounds. It's actually hard to figure out precisely what genre Crowe was aiming for - it's not very funny, the romance never soars, and it also dips into thriller territory. It feels as if Crowe was constantly changing his mind during shooting, making it difficult to get a firm grasp on what the movie is meant to be about. It's flat as a pancake.
As perhaps to be expected, the Hawaiian locales do make for some very pretty pictures, and the island's natural beauty is an ideal backdrop for a film of this ilk. Aloha does look magical, with picturesque cinematography and eye-catching production values, not to mention the agreeable music that underscores the enterprise, but it ultimately amounts to nothing. With Crowe unable to juggle the various plotlines in a cohesive fashion, the characters make little sense, especially Brian who's about as ill-defined as the movie itself. Also problematic is Tracy, who's unusually keen to ditch her husband and get back with Brian after thirteen years apart. Meanwhile, the "romance" between Ng and Brian comes across as wholly forced. Aloha should be warm and satisfying, but instead comes across as artificial and cold to the touch, solid technical specs notwithstanding.
Aloha was shot in 2013 but spent the best part of 18 months in post-production, with rumours surfacing online about the troubled editing process. Judging from Amy Pascal's emails, one supposes that Crowe's original, much longer edit was probably a meandering mess, which prompted Sony to bring in as many people as possible to try and carve something watchable out of the available footage. One has to genuinely pity the cast at the centre of all this, with Cooper remaining quite amiable despite the poor material, while the likes of Stone and McAdams are likewise charming. But perhaps the biggest waste is Bill Murray, who's given hardly any screen-time, stuck with a one-dimensional role that squanders his immense talents. Considering how notoriously difficult it is to secure Murray for a motion picture, one has to wonder why Crowe opted to use him in such a wasteful manner. Other names pop up in supporting roles, including Alec Baldwin and Danny McBride as military men, but they have minimal purpose in the story.
Admittedly, as the movie approaches the finish line, there is a degree of sincerity that works to an extent, but it's a case of too little, too late. In fairness, Aloha does breeze by easily enough throughout its 110-minute runtime, and it's not outright terrible enough to be angering, though this is hardly a ringing endorsement. Aloha is not some kind of abomination against cinema; just an aggressively mediocre, miscalculated dramedy for which it's hard to conjure up much feeling towards. There has been controversy about the fact that the main characters are all Caucasian, whitewashing the Hawaiian culture, but honestly, that's about the least of the film's problems. Sweep this one under the rug, forget about it, and move on.
4.9/10
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