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"Three Colours Trilogy": Part 1

Posted : 1 year, 11 months ago on 4 June 2022 06:04

Instead of saying which is the best and worst (though have often heard 'Red' cited best and 'White' the weakest, though all three films are generally very highly thought of) of Krzysztof Kieslowski's "Three Colours" trilogy, it will just be said that all three films in the trilogy are must-watches in their own way.

The first film in the trilogy 'Three Colours: Blue' serves as a very poignant exploration of grief and liberty (in the emotional sense), and to me it is one of the most moving and interesting depictions of grief and liberty in film. It is heavily symbolic, with its intricate use of music, the dominant use of the colour blue in the colour palette, its interesting use of fade outs (though actually different to their usual use, representative of time standing still rather than it passing or a scene conclusion), links to the main character's past (here the use of falling) and the bottle recycling, but not in an incoherent sense.

Visually, 'Three Colours: Blue' looks stunning. The whole film is shot with aesthetic grace and elegance and while the use of blue is dominant for symbolic reasons it is never gimmicky or cheap. Kieslowski's direction is thoughtful and never intrusive, and the intricate music score and the symbolic way it's utilised (representing Julie's struggles with isolation) is inspired, "Song for the Unification of Europe" is one of the most emotional tracks of music in any film seen by me recently.

Story-wise, 'Three Colours: Blue' challenges in a way but also always engages, mainly because of how movingly and intensely it deals with the tragic story of Julie and its themes of grief and liberty. The pacing is deliberate but never hits a dull spot.

One of 'Three Colours: Blue' is the astonishing performance from Juliette Binoche, an intensely affecting portrayal that ranks high up with her best performances. All the cast are fine, particularly Benoît Régent and Emmanuelle Riva, but in the acting stakes this is Binoche's film.

All in all, a beautiful, thought-provoking and moving film, and a wonderful start for a very interesting trilogy of films. 10/10 Bethany Cox


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Three Colours: Blue review

Posted : 2 years, 5 months ago on 12 December 2021 12:17

(MU) The world and Eurpe comes apart too devastated Binoche, She feels nore sure than nervous though,, but Kieslowski works with sensorial dimension, life coming and refreshing her after almost destroing her...


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A good movie

Posted : 9 years, 6 months ago on 3 November 2014 12:11

It has been a while since I have watched this flick and, to be honest, I think I might have been too young when I first watched it. Indeed, at around 14 years old, I started to watch the major classics and I watched them ferociously at a very quick pace. The problem is that, even if a movie is great, sometimes, the timing is not right and it goes way over your head and I think that’s what happened to me with this flick. That’s the tricky thing about Krzysztof Kieslowski’s work, it is really interesting and intriguing, but not always really easy to digest, I’m afraid. I mean, it is full of symbolic and sub-text and, like I said before, I didn’t get much of it and it might need a re-watch at some point. Still, there is no doubt that Juliette Binoche (at the time, probably the greatest French actress at work) was very good, she gave one of her best performances and Kieslowski had a sober but effective directing style. To conclude, even though I wasn’t really blown away by the whole thing, it is still a very good movie and it is definitely worth a look, especially if you like the genre.


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Three Colours: Blue review

Posted : 16 years, 3 months ago on 10 February 2008 11:30

More films about lampshades, please.


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