The Invention of Lying Reviews

"I said something...that wasn't."

Making the transition from television to the big screen, 2009's The Invention of Lying denotes the directorial debut of Ricky Gervais, who co-wrote and co-directed with fellow feature film virgin Matthew Robinson. A smart, high-concept comedy, this is an attractively-mounted and thematically thoughtful fantasy; not perfect by any means, but a worthwhile demonstration of Gervais' talent for comedic timing and dry humour. Nevertheless, one can't help but feel a little bit let down given the strength of Gervais' TV work (The Office) and stand-up comedy. It seems odd that the British comedian has yet to create a genuine home run of a motion picture.

The Invention of Lying unfolds in a fantastical alternate universe where lying does not exist. In fact, the word "lying" is absent from the dictionary because nobody even knows the concept. People have evolved to tell the absolute truth - it is encoded into their minds. Mark Bellison (Gervais) is a hapless screenwriter who's fired from his job and is depressed because has no chance of wooing his dream girl, Anna (Jennifer Garner). At the end of his rope, Mark realises he can tell untruths, giving him a massive advantage and allowing him to topple his rivals and earn vast amounts of money. While comforting his dying mother (Fionnula Flanagan), Mark lies to put her mind at ease, devising the notion of an afterlife and a God. However, he paints himself into a corner by telling such a tall tale, as people overhear him and unquestioningly believe that he has all the answers. This attracts the attention of the general public and the global media.

Suffice it to say, for you to embrace The Invention of Lying, you need to accept this world and accept the fact that lies do not exist. Gervais even delivers voiceover narration at the beginning of the movie to tell us everything we need to know. If you can swallow the conceit, there is a lot of fun to be had. Gervais and Robinson take the concept and run with it, exploring all forms of lying that emphasise the importance of untruths. For instance, motion pictures do not feature actors since acting would be deception; rather, movies consist of people sitting around telling true stories in a dry, uninteresting fashion. Moreover, advertisements in this world are nothing but unremarkable fact-stating, reinforcing that companies lie about their products all the time. Various sight gags are a hoot, as well - including a nursing home called "A Sad Place For Hopeless Old People," and a low-rent motel with the sign "A Place For Intercourse With A Near Stranger" - and it's funny to hear characters speak their mind in a frank manner. The wit is often quite subtle, too, with odd speech patterns and deadpan facial nuances getting laughs.

More than anything else, Robinson and Gervais position The Invention of Lying as a total piss-take on the bible, positing that religion is simply the result of gullible people believing something far-fetched simply because they do not know any better. Gervais makes no bones about being he's an atheist, hence such content is very suitable for his directorial debut. The satire, though, is sometimes a bit too on the nose, layering on the religious ridiculing with the subtlety of a shotgun. Seeing Mark turn into a spitting image of Jesus is one step too far; the film needed a more delicate satiric touch, which is usually Gervais's specialty. Also not overly successful is the romance between Mark and Anna. From the beginning, Anna tells Mark that she's not attracted to him and is not interested in dating him because she wants her children to have good genetics. Anna is completely shallow and often cruel, making us wonder what Mark sees in her and why she means so much to him. While it does give Gervais and Robinson the chance to explore the central conceit further, the subplot feels shoehorned in at the demands of formula.

Following his performances in Ghost Town and Night at the Museum 2, Gervais is a terrific fit for the role of Mark. He has a certain everyman quality and vulnerability, and his comic timing is spot-on. Additionally, Gervais is a fine actor, as evidenced in the scene of Mark talking to his ailing mother on her deathbed, which is surprisingly poignant. Gervais is not an over-the-top performer, relying on naturalism to sell the character. Fortunately, he receives solid support from his co-stars; Garner does a decent job with her superficial character, while Jonah Hill scores a few laughs as Mark's suicidal neighbour, and Louis C.K. is spot-on as Mark's bar-dwelling friend. Tiny Fey also appears here, making the most of her small role and delivering several amusing one-liners. Rounding out the main players is the reliable Jeffrey Tambor as Mark's boss and a reasonably funny Rob Lowe as a rival screenwriter.

Although The Invention of Lying is a bit underwhelming on the whole, there's no denying that this is an original, well-conceived comedy from Robinson and Gervais. It's especially noteworthy because it underscores how much of our society is built on lies, half-truths and speculation, all of which are placed forth by religious groups, politicians, media outlets, and even our own parents. The Invention of Lying suggests that lying can be beneficial depending on the context, which is a refreshing message for a comedy. But while the film makes you think, it's also a bright, enjoyable rom-com, even if Gervais is probably capable of better.

6.6/10

In honor of 'The Invention of Lying', I will write this review in the style of the movie:
I was excited to watch this film as I hadn't seen it before. I like Ricky Gervais although I believe he is a pompous arsehole who has an over inflated sense of self worth. That said he is very funny. The film kicked off and I found the premise that no one could lie inviting and intriguing; although i'm sure those are synonyms. After 5 minutes of the cast's refreshing honesty I found it tedious and tiresome; again another synonym which I fear is revealing my inexperience in technical writing. The film trundled along at a reasonable pace until the invention of lying. This twist then gave a refreshing outlook on the film which made me enjoy it more. However Ricky Gervais is undoubtedly 1 dimensional which is ok if you enjoy his brand of humor, which I do, but at 100 minutes long I found myself getting bored once again. I laughed out loud twice. I realised way too late that I have actually seen this film before but was too lazy to get up from the seat I had been sitting in for 10 hours straight to turn it over. It wasn't a total waste of time, i suppose I enjoyed it, but it was hardly the greatest film ever made. I am sometimes confused about my sexuality.

I really quite enjoy this movie. I just watched it for a second time, and yes, there are some issues - like how, the people don't just tell the truth, they actually seem to feel the need to vocalize everything they are thinking - but overall, I just love the idea of the innocence of a world where no one lies...and then having that world exposed to one person who discovers he can say things that aren't true.

Jennifer Garner and Ricky Gervais are well matched, and she plays her role very well. I just think this movie was well done from the writing, to the casting, to the acting. And when it came out, I was working in a video store, and it was one of the movies that was rented a lot that came back with the most positive reviews from all different types of people.

Get past the mood killer of Bellison's mother's death and the rest is nothing but a series of attacks against organized religion. I couldn't watch the whole movie, it was so boring and obnoxious. This was a real disappointment for Ricky Gervais!

i think they must have lied to Ricky gervais about the potential for this movie. To be honest (not being rude) is so limp in almost every way - why would someone like RG star in such a weak film..????

"- Three bad things and you're out.
- Like baseball!"

great idea, but not a great movie. the plot introduces an interesting way of thinking about life. if a lie can become a truth, where is the difference between them? the movie slightly talks about the importance of human beliefs, suggesting an answer to that question. but overall the story is much more about superficial subjects, like how funny unconditional truth and parodies of christianity can be. and at a certain point in the movie, those two things get too repetitive and boring.

They had a good idea, but they ruined it. The people don't even "not lie" they just talk too much. The waiter didn't HAVE to tell him she was way out of his league, not saying it wouldn't exactly making him a liar. I also thought the part when his mom dies, was kind of depressing. It's the kind of thing you'd expect from a Clint Eastwood movie. It had its good parts where it made you laugh a bit, but not good enough. I thought the movie had potential, but failed to fulfill it. Finally, how the hell did no one else EVER discover lying. I find that stupid. Anyways, that wasn't a great review, it was just me rambliing on, but there you go. 4.3

Imagine a world in which you tell someone exactly whats on your mind about them. Its dull, blunt, very truthful, no one has an opinion for themselves, and sometimes it's down right predictable, this is the world Mark Bellison (Ricky Gervais) lives in. However, mark's life is dull he is facing the fact that he is about to lose his job at lecture films (or paramount pictures in our world). Also Mark finds himself very interested in Anna McDoogles (the always very good Jennifer Garner) a women who is looking for family and kids. Then one day Mark realizes that he can tell people false truths or lies and they will believe him, because living life in a predictable world you are always looking for the unexpected in the expected. Ricky Gervais's directing debut(alongside Mathew Robinson) is different and worthwhile. This film is simple and yet it gets away from your average run of the mill romantic comedy. so if different is your type of movie , this is my recommendation. The Invention of Lying also stars Jomah Hill, The very funny Jeffrey Tambor, Louis C.K., Rob Lowe (in a different role than he normally is cast in), and the always entertaining Tina Fey. The cameos are great and even a little surprising.