Since I kept hearing some good things about Rob Zombie's work, I was really eager to check out one of his flicks. Eventually, it turned out to be pretty good. Indeed, there were many aspects which made it look like any other uninspiring slasher flicks but there were also some details which made it stand out and worth watching. For example, it all started with a shoot-out which is something that usually comes towards the end. The weird thing was that, during this shoot-out, I was actually rooting for the bad guys and not really for the police. That was some clever directing here. The psychopath familly was actually quite charismatic and they kept throwing some clever and witty oneliners throughout the whole thing. Of course, at some point, they had to molest and kill a bunch of people otherwise they wouldn't be some serial killers but those scenes were not really interesting. I mean, I have seen my share of slasher flicks so I didn't care much about those scenes but I definitely enjoyed the way they developed the characters which was quite refreshing. Even if you don't like the genre, you have to admit that the guy knows how to direct a movie and I really enjoyed the music as well. To conclude, even though it was not a masterpiece whatsoever, it was still a well made and original horror flick and it is definitely worth a look, especially if you like the genre.
The Devil's Rejects Reviews
Another Brilliant Horror Flick from Rob Zombie
Posted : 13 years, 5 months ago on 14 November 2010 10:56Very similar in style to its predecessor, Devils Rejects is much more refined and focused. The visuals donāt seem so all over the place and there is much better pacing and transition from scene to scene. Rob Zombie returns to writing and directing chair in a film that is a solid conclusion to a film that left such an open ending.
However, Rejects may not be the film many people were hoping for. It is less focused on so much gore and more focused on the psyche of its main characters and showing exactly how messed up they are. Many of these scenes involve much more suspense and less killing then Corpses had. Zombie seems more focused on leading up to the Brutal scenes then just placing them through-out randomly.
Zombie gets much more menacing performances from his actors. Where Corpses relied on making them seem downright sadistic, Rejects focuses more on them desperately trying to remain alive. They are no longer in the comfort of their own home and they are no longer in full control and Zombie captures both the performance aspect of this as well as the atmospheric portion of it. What I think Zombie does here more then in Corpses is he captures the performances based on the atmosphere in which his characters are surrounded. Corpses seemed confined to the emotions of the victims, where as Rejects tries to capture both the emotion of the victims as well as the Firefly family themselves.
Sid Haigs little screen time in Corpses is more then quadrupled in Rejects, but this time around he does not give the best performance in the film. William Forsythe is ruthless as Wydell in his pursuit of the Firefly family. His driven revenge is capture so well. You can see clearly he will stop at nothing, even willing to eventually take the law into his hands to get things done. I think even Bill Moseley and Sheri Moon Zombie stepped up their game and Leslie Easterbrook didnāt miss a beat stepping into replace Karen Black as mother Firefly. All these actors either came in strong or stepped it up to help propel Rejects into what could be described as horror genre excellence. Most sequels drop off in quality, but the second and final part is better then Corpses and is a stand alone atop modern day horror.
What honestly draws people to a Rob Zombie film in the first place is the knowing that there will be the classic horror elements mixed with an odd blend of modern horror. Rob Zombie is the definition of modern horror. His flicks are moody, gory, unpleasant and many other things, but ultimately they are horror unlike anything we have seen in recent years.
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Rob Zombie's Masterpiece.
Posted : 15 years, 10 months ago on 17 June 2008 10:57Set in Ruggsville, Texas after the events that took place in āHouse of 1000 Corpsesā, where a group of college friends looking for a good time, happen to slip right into the grasp of The Firefly Family, and are brutally murdered, The Devilās Rejects is part 2 of the sadistic familiesā journey as they relocate to Texas, attempting to continue their crime spree. No one really figures out what makes these guys tick, what drives them into insanity driven rampages, but itās the fact that they do it. That makes it worth watching, albeit having no real motive to run on. I believe some critics may point out that small flaw, but it doesnāt even put a dent in the film, because it works as an affective guilty pleasure, and no real reason is necessary. It may just be that they are purely insane individuals. Either way, itās a blast to watch. The three killers are woken up mid-day with their pants down when Sheriff Wydell (William Forsythe) and his police unit receive a tip of the familiesā whereabouts. Forsytheās character is nothing short of superb. His relentless, volatile personality is dead-on, and quite terrifying. He is equally, if not more crazy than the firefly family, and wonāt stop hunting down his target until blood is shed, and they are brought to justice. He also happens to be after them for revenge, as they killed his brother some years ago, torturing him to a bloody pulp.
Zombie likes sticking to particular actors, most of which have starred in all of his pictures. Sid Haig, Bill Mosely and Sherri Moon Zombie all return to their previous roles. Moon is the sister to Billās character, and the daughter of Sid Haigās. All are equally sadistic individuals, and take pleasure in what they do. The previous installment, ā1000 Corpsesā is good stuff, paying homage to the old-school horror days, with many corny-looking elements including your by-the-books road trip mishap, and some pretty old-school tunes to boot. It worked very well and knew what it wanted to be. However, that was just a starting point, as the āSequelā tops its predecessor with flying colors. As the first scene at the farmhouse begins, you just know your in for a wild ride. Wydell says his prayers, him and his team start firing, and the Firefly family are armed and ready for what turns out to be one of the most epic shootouts in cinema history. Thatās where the fun starts, and escalates further downhill for both the protagonists and antagonists. The duration of the film is split pretty evenly between all parties, including a small role for Danny Trejo as a bounty hunter hired to track down the sadistic killers. Heās partnered with an equally bad-ass counterpart, and the side-story about them and how they go about their business is very well done, and a delight to watch. It starts getting really intense from there on out. Trejo has also appeared in Zombiesā other project Halloween, playing a guard at the mental institution thatās holding Myers. Also appearing for a short while is Geoffery Lewis, playing a musician that becomes held captive after the Fireflies bombard the bandās hotel room. All the acting is great here, especially considering the type of film it is, and Geoffery Lewis is no exception, albeit playing a small role. Each and every character plays an important role, and all pitch in, really gelling the movie together
With Rob Zombie, you should know the R-rated, graphic and sadistic material youāll be presented with. so the viewers who enjoy this director will most definitely enjoy this, as itās easily his best project thus far. Anyone who complains about all of the above, gore, rape, murder, kidnapping, etc. really should not have sat down to view a Rob Zombie film in the first place. Considering the genre and what the elements portrayed are aiming for, The Devilās Rejects actually ranks above most horrorās in the intelligence department. There are no mundane clichĆ©s, by-the-book killings, or cheesy scenarios. This is an authentic, bad-ass, balls-to-the-wall horror film, and itās a true piece of art. Iām also a huge fan of the soundtrack, as Free Bird plays during a perfectly appropriate scene, and many other classics are heard throughout, molding this into somewhat of an old-school film, but new-school in the way all the grotesque stuff is handled, not too over-the-top for the most part, and very well crafted.
This is one of the BEST horror films ever invented, and probably the best of the 2000ās.
9.6/10
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More of the same!
Posted : 15 years, 10 months ago on 17 June 2008 12:05
Rob Zombie's film directing debut, House of 1000 Corpses, was quite frankly nothing but inexorable torture porn with no heart holding everything together. That film received extremely mixed reviews and there is little wonder why. I can't stress this enough: Rob Zombie may be able to produce some decent music but his movies leave a lot to be desired. When Rob's House of 1000 Corpses finally got a distributor (the original distributor pulled out at the last second) it was a cult hit and of course inspired a sequel. Alas, ladies and gentlemen...lo and behold The Devil's Rejects. This sequel is essentially another slab of relentless torture porn. All the gory mutilations, killings, sex scenes and filthy dialogue are simply present to get a rise out of its audience. Everything has been inflated to almost hyperbolic proportions! Many of the same flaws that surfaced in the first movie make a customary return in the sequel.
The Devil's Rejects opens with news reports filled with information about a police raiding of the house that inhabited the psychotics that we were introduced to in House of 1000 Corpses. All the corpses they used to blemish the premises have been found rotting by the police. After a prolonged action scene to introduce the film, we find Baby Firefly (Zombie), Captain Spaulding (Haig) and Otis (Moseley) on the run subsequent to a manhunt being commenced by the police. While trying to evade the hordes of Texas policemen that are pursuing them, the troublesome trio of sadistic serial killers hit the road...leaving an enormous trail of corpses behind them. Because of the nature and callousness of the heinous crimes the trio have committed, Sheriff Wydell (Forsythe) aims to bring them to justice. But this quest slowly questions his sanity as he begins going above the law to bring what he feels is a necessary level of justice to the serial killing family that the media have labelled "The Devil's Rejects" (logically enough, therein lies the title).
Okay, I will admit that it's definitely an original and un-clichƩd idea to follow the bad guys in a horror movie, in this case an unsavoury bunch of bastards. The key problem is that the heroes and the villains are blurred tremendously. We're supposed to empathise with some sick psychos who kill people for pleasure? On the other side of the law, we're expected to cheer for an unstable sheriff who turns out to be just as worse as the people he is pursuing?
Director Rob Zombie casually tosses away the subtle horror film homages that were a prominent element in House of 1000 Corpses. Now the film is nothing but violence and gore with a detestable bunch of characters. It's also really predictable as well as becoming increasingly boring. Essentially what you have here is a film that just wants to shock with violence and unlikable characters. Once you're desensitised to the violence or gratuity of it all, this isn't really enough to keep a film going. In the similar vein of gore-fests like Hostel, the film supplies nothing but mindless torture porn.
Another massive complaint about this movie is the despicable screenplay! Rob Zombie also penned the screenplay himself. There are no lines of dialogue that attempt to sound witty. This is typical Rob Zombie dialogue: swearing, swearing, swearing, heavy profanity and of course more swearing! The number of f-words that are constantly utilised can easily set a record! At the end of the day, Rob's aim was not to place the f-word here and there when it's most appropriate...instead he places the word in almost every sentence to the point that it sounds unrealistic and almost plain offensive! Rob also wants the film to dig down into the lives of these serial killers. Aside from the obvious motive of character development that horror films usually fail at, there doesn't seem to be much point at all. These people are disconcerting psychotics and they expect that fleshing out their story will help the movie?
This pathetic screenplay is not exactly assisted by the actors. Just like the first film, the actors are a bunch of losers. Sid Haig was very underused in the first film and this disappointed me. I was hoping that the second film would show more of the eccentric clown. I actually got that! But not what I was expecting...you see I wanted clever dialogue that he frequently delivered in the first film. Here we are just fed a bunch of profanity and a revolting background. Sheri Moon Zombie is only here because she is the wife of director Rob Zombie. Rob just wants to flaunt his wife and hopefully make people think that he's a lucky man. But his wife cannot act! She's an annoying jabber-jaw with a knack for making the dialogue sound even worse. I thought my ears were going to explode! Bill Moseley is more of the same.
The filmmaking is everything we've come to expect from director Rob Zombie: terrible editing and bad cinematography mixed with fast, jumpy edits and loud rock music. I could barely stand it. The only redeeming features include some of the satisfying gore, and there are a number of laughs. Aside from that it's also mildly entertaining for the first half an hour before trailing off into the universe of monotonous, pointless storytelling.
Overall, The Devil's Rejects may be marginally better than its predecessor, but that still isn't saying much. The horror scenes don't have much depth and aren't suspenseful. It seems the director wants to create gore, not horror scenes. The worst part is that the songs employed by the filmmakers may be good music, but are used inappropriately in my opinion. The script tries to shock with vulgarity in the dialogue that ultimately backfires completely.
This film strives to reference the horror films of the early days of the genre that were relentless and satisfying. Rob relies on people who like that sort of stuff. In a sense he found his target audiences because a lot of moviegoers liked it. Well, they are entitled to their own opinion I guess. The target audience must be too foolish to realise they are just watching a bunch of garbage. Most of the sequences in the film are stretched out and forced. The hotel hostage situation kept dragging on and on...there was never any freaking point! The biggest detractor and insult is luring the audiences into empathising with the murderous family that the film follows. The lines between good and bad are so blurred that you just don't really care and you are never given a reason to care!
5.1/10
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