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An average movie

Posted : 6 years, 7 months ago on 3 October 2017 08:53

Since this movie turned out be to quite successful, I thought I might as well check it out. Well, to be honest, I really struggled to care about the damned thing and I thought that most of it was actually rather lame. Indeed, the introduction was just so cringe-inducing and, and from that point, it never really managed to convince me. I mean, at some point, the main character says that college a cappella singing is actually lame and I couldn’t agree more with her. Of course, the whole point of the movie was to show how awesome it actually was and how she managed to finally have some great friends but, once again, I didn’t really buy it and the damned thing turned to be just so generic and predictable. It was also rather disappointing that none of the songs were recorded live. Indeed, the singing felt as a a result so fake and too polished and it would have worked so much better if they did sing live. Eventually, the only things that worked were Rebel Wilson who was pretty funny and Anna Kendrick who was really solid playing the lead. Anyway, to conclude, I think my rating was actually rather generous here but I guess it is still worth a look if you like the genre. Still, there is no doubt that the damned thing is actually seriously overrated. 



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Pitch Perfect review

Posted : 8 years, 3 months ago on 16 January 2016 11:17

I didn't know Anna can sing when I was watching Twilight... I truly love the songs/covers in this movie!! They're great!! That's the next musical movie I watched since the HSM and I love the sisterhood! Thanks for giving me a joyful time..


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Pitch Perfect review

Posted : 9 years, 9 months ago on 2 August 2014 09:29

A second-rate movie with fun musical numbers. It was basically a college version of "Glee" but with less character development.


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Pitch Perfect

Posted : 11 years, 3 months ago on 25 January 2013 09:19

Great movies come in various levels. For every canonized masterpiece like, oh I don’t know, The Red Shoes, there’s another subset of so-bad-they’re-amazing like Showgirls. And then you’ve got the films which are perfectly fine entertainments but seemed destined to become cult-favorites, the kind of movies you sit around quoting with your best friends and watching at a get together. Pitch Perfect is that kind of great movie, not a masterpiece, and far beyond the garbage pile/oddly hypnotic films of midnight showtimes, but the happy medium where it will enjoy a long life.

It meets somewhere in-between the culture clashes of Mean Girls and Bring It On, removing much of the hard-edged spikes of female combativeness to embrace a sisterhood and joyousness in performing. The story beats are predictable, but the characters have enough unique twists to their archetypes to be fresh and lovable personas. And it’s just really, really funny.

Granted, most of the best bits are stolen outright by Rebel Wilson as Fat Amy. Her self-given nickname may seem like a lazy fat joke, but her reasoning behind it provides enough self-awareness and disarming self-confidence to make her character interesting. And then there are all of the scenes and moments which were clearly ad-libbed by Wilson. She projects goofy warmth while hurling out hilarious zingers and sarcastic observations about everyone and everything around her. With this and Bridesmaids, it’s very clear that Wilson is becoming an MVP supporting comedic actress, capable of enlivening the dullest of scenes with an acerbic wit.

This isn’t to say that the other girls aren’t any good, in fact, they’re all uniformly excellent. It’s just that there’s something unhinged about Wilson’s performance that gives it a little extra oomph. Anna Kendrick is carving out a nice post-Oscar nomination career for herself, as long as she steers away from any further What to Expect When You’re Expecting choices. Her lead performance as Beca, the tough, sarcastic but sweet newcomer to the world of a cappella singing, demonstrates her ability to create characters with distinct points-of-view and make them empathetic. Anna Camp and Brittany Snow are a nice comedic duo as the older members of the group, the new de facto leaders. Camp in particular is effective as a character who is essentially a drill sergeant in a mini-skit and stilettos. Ester Dean, Alexis Knapp and Hana Mae Lee are given the most one dimensional characters to deal with, but the give them each a deadpan, manic and fearless unhinged spark, respectively.

Pitch Perfect was one of my more highly enjoyable theatrical experiences of last year, probably because I went with a group of close girl-friends and we had a grand time. We all know Beca is going to end up with the cute Jewish boy at the end. And that the girls are going to get the group in shape and magically turn it out for the finals leading to an unprecedented victory. And all of that is ok. Because it’s the energy and humor on display that make this so entertaining, which is to say nothing of the wonderful musical sequences which pop off the screen with firework-like energy.


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Not pitch perfect, but highly enjoyable

Posted : 11 years, 3 months ago on 25 January 2013 07:56

"The Treblemakers. The rock stars of a cappella, the messiahs of Barden. Well, you know, not including athletes, frat guys, or actual cool people."

Pitch Perfect is very much a product of the Glee craze, a glossy production aimed at teens punctuated by musical performances. It's perhaps an enticing offering for girls but it's unlikely that many other demographics will see any reason to check it out. How surprising, then, that Pitch Perfect is a moderately entertaining fare no matter your age or gender, another film in the mould of Mean Girls that's both quotable and well-made. It's more or less the Dodgeball of a cappella - an admittedly formulaic underdog story that's nonetheless bright and enjoyable. Helmed by television veteran Jason Moore and written by Kay Cannon (adapted from Mickey Rapkin's book of the same name), Pitch Perfect is a crowd-pleasing comedy destined to be enjoyed by more than just the die-hard fans of Glee.


Budding DJ Beca (Anna Kendrick) aspires to move to L.A. to pursue her dreams, but her professor father (John Benjamin Hickey) urges her to head to college to undertake a degree. Reluctant to take full advantage of the college experience, Beca is soon convinced to join the Barden Bellas, an a cappella group looking to repair their tattered reputation and take the top prize at the ICCAs (the International Championship of Collegiate A Cappella). Surprisingly, Beca takes to the group and makes a number of new friends, including Chloe (Brittany Snow) and Australian singer Fat Amy (Rebel Wilson). However, Beca encourages the group to be more daring with their song choices and create mash-up tunes, much to the chagrin of stubborn traditionalist Aubrey (Anna Camp). Complicating matters is the arrogant rival group The Treblemakers, one member of which, Jesse (Skylar Astin), takes a liking to Beca.

Slick and breezily paced, Pitch Perfect unfolds like a pilot for a television show, using a cappella as the personality backbone for what's otherwise a standard-order comedy with young characters. The story is pure formula, make no mistake, with the narrative working towards a painfully predictable resolution. However, as taught by Jesse's adoration for John Hughes' The Breakfast Club, a film's formulaic nature is forgivable as long as there are well-written characters to care about. Cannon's script indeed contains a handful of terrific characters and is permeated with funny lines, most of which are about to become embedded in the public consciousness. Pitch Perfect is still harmed by several almost unforgivable comedic staples, though, including cartoonish villains, stereotypes and a trite message of team spirit. Added to this, the film goes for cheap laughs from time to time, with a running joke involving projectile vomiting and a moment in which a character sloshes around in a large puddle of puke. Plus, when the group turns the tables on the insufferably obstinate Aubrey, it's a case of "why didn't they do that earlier?" Furthermore, the film runs far too long at around 110 minutes and would've benefitted from being made as a zippy 90-minute feature.


After helming episodes of such TV shows as Brothers & Sisters and Dawson's Creek, Moore relishes the chance to direct his first big-screen affair here, mounting a film of comedic energy, wit and visual assurance. It's beautifully shot by cinematographer Julio Macat, too, and the production values are gorgeous despite the paltry $17 million budget. During the musical performances, though, Pitch Perfect is a mixed bag. It's easy to see why the Bellas were so ridiculed since their trademark song is woefully boring, but even the Treblemakers are intolerable from time to time. Nevertheless, some of the musical numbers shine here, with the Bellas' climactic performance an absolute joy, and the picture contains a satisfying mix of songs, both old and recent.

Kendrick is frequently seen in supporting roles, playing second-fiddle to great actors in the likes of Up in the Air and 50/50, not to mention she was part of the abominable Twilight saga. It's terrific, then, to see the endearing actress at last headlining a major studio feature. Watching Pitch Perfect, one can only wonder why it took so long for Kendrick to get her own starring vehicle; she's a great screen presence, beautiful and believable, and she has actual emotional range. Kendrick plays one of those types who's completely disinterested and distant towards everyone, and she pulls it off. Not to mention, she has a beautiful singing voice. Also fantastic here is Australian comedian Rebel Wilson, who was a scene-stealer in 2011's Bridesmaids. Wilson has tremendous comedic energy and timing, and apparently improvised most of her dialogue. She's a huge asset. The rest of the cast is equally impressive, with Anna Camp a believably stubborn Aubrey, and Brittany Snow who's beautiful and charismatic as the Bellas' voice of reason. Also showing up in a glorified cameo is a hugely amusing Christopher Mintz-Plasse playing the college's audition launcher, while Elizabeth Banks and John Michael Higgins get a few moments to shine as the ICCA commentators.



Pitch Perfect is not pitch perfect by any means, but it's a serviceable time-waster with laughs and a smattering of enjoyable music. If you enjoy teen comedies like Clueless and Mean Girls, there's a good chance you'll have fun with this one despite weak moments from time to time. It's definitely one to watch with a group of friends.

6.5/10



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Pitch Perfect review

Posted : 11 years, 6 months ago on 2 November 2012 03:31

I've heard good things about this movie and I love Rebel Wilson so I decided to give this movie a shot. I can honestly say that I did not expect to enjoy this as much as I did, and I know that sounds cliched, but I can't put it into any other words. I came out of the theater with a huge smile on my face which, is something of a rarity for me when it comes to formulaic movies such as this.

There aren't really any issues that I had with this film. Sure it's as I stated above, formulaic and predictable but, it's such a fun ride that I didn't really give a Crap. The only other thing was the vomiting. I don't normally care about it if it's relevant in some way but this was just used for shock value. Though, I must admit it was funny the first time because it was so unexpected, but the second time, not so much. I guess this movie does have to appeal to everyone though. Other than those things this movie is a real riot.

As much as I loved Bridesmaids last year, this movie was funnier and it was funny from the beginning to the end, whereas Bridesmaid was only sporadically funny, to me anyways. Every joke works with the exception of the vomiting. The best lines came from Rebel Wilson, obviously, Elizabeth Banks, and John Higgins. That's not to say that all the funny lines are from them, but a majority of them are.

The performances are solid across the board. This isn't Anna Kendrick's best movie, that honor belongs to both 50/50 and Up In The Air. However, this is a nice and respectable edition to her resume. I applaud her for trying to step out of those dark comedy type movies, and she doesn't disappoint here. She gives a good performance and has nice chemistry with Skylar Aston, who also gives a good performance. The chemistry didn't feel forced at all and I liked them as a couple which, is an achievement if a movie can make me feel that way about a couple.

Ever since Bridesmaid, I think I've fallen in love with Rebel Wilson. Lesibionest here, the woman is hysterical. Her delivery and tone is perfect, she is the heart of the comedy. Elizabeth Banks and John Higgins play these commentators and they are almost as equally hysterical. I'm not sure how anyone could keep a straight face with these three around. They remind me of the commentators from Dodgeball. If you found those two guys from that movie hilarious you'll most like find Banks and Higgins hilarious, it's the same type of comedy. The rest of the cast is funny too but like I said, almost all of the humor comes from these three.

The singing is top notch, and the movie really comes alive during the on stage performances. That doesn't mean that the other parts of the movie weren't as equally enjoyable but, I was tapping my feet during the performances. The song choices were good, there's a little something for everyone and I much prefer these covers than glee(sorry glee fans).

Overall, Pitch Perfect hits almost every note perfectly. Sure it's predictable and it's nothing new but, the performances are solid, it's hilarious from beginning to end, and the live performances are toe tapping fun. I guarantee when the final battle comes along you'll be tapping your feet. This is such a fun movie and I guarantee you'll walk out of the theater feeling good inside. This is what Joyful Noise that came out back in January tried to be, but failed.


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