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A very good movie

Posted : 5 months, 1 week ago on 29 November 2023 03:05

Since I kept hearing some pretty good things about this flick, I thought I might finally check it out. Seriously, it is rather surprising that it took me so long to finally watch it. To be honest, the fact that it did sound like a really generic story was probably the main reason why I didn’t rush to see the damned thing. Anyway, after all these years, I have to admit that it certainly deserved its stellar reputation after all. Indeed, it’s actually hard to describe it, it’s basically about an average guy who meets an average girl and how they fall in love with each other, not much more. And, yet, the damned thing was one of these magical movies that you come across only once a while. To be honest, I don’t really understand why this movie is classified as a ‘musical drama’. I mean, sure, there is some music involved, even some great music, but the way this romance was handled was completely different than everything you will ever see in a musical. Anyway, it was maybe one of the most basic love stories I have ever seen but what was brilliant in this movie is that they actually displayed why this specific man and this specific woman were completely made for each other. Indeed, they both loved music, they both loved making music and, when they were making music together, they became some kind of unstoppable force which was just so awe-inspiring to behold. But, even beside the moments they were involved with music, they were something so genuine about their relationship. Sure, the guy made a mistake at first but it was understandable but, after that, none of them really dared to express their feelings for each other and, eventually, they didn’t end up together which might be frustrating for some viewers but I thought it was such a ballsy and strong way to end this movie. Anyway, to conclude, I really enjoyed the damned thing and it is definitely worth a look, especially if you like the genre. 



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Once review

Posted : 2 years, 2 months ago on 27 February 2022 04:12

(Mu) Conventional love story wih bonus track of nice songs in the making and Dublin setting and pathos...


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Intimate little gem

Posted : 15 years, 9 months ago on 5 August 2008 03:22

Watching the 'guy' and the 'girl' fall in love on screen was like taking a peek into the lives of two everyday people you meet on the street. They could be the couple walking by holding hands or the two people smiling just for each other, oblivious to the rest of the world. The movie was so wonderfully intimate, so natural were the performances that you can forget that they were acting.

I've already mentioned the incredibly natural performances. Now I must mention the excellent music as well as the performance of it. The music is so incredibly expressive and I was completely taken in. The movie is described by some people as a 'contemporary musical'. 'Contemporary musical' or not, this movie is a treat reminiscent of 'Before Sunrise' and 'Before Sunset'. It has the same raw and natural quality which was especially prevalent in the latter movie and very little in common with the average artificial and bland musical. Unarguably, an intimate little gem.


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An amazing modern musical...

Posted : 15 years, 10 months ago on 20 June 2008 06:58

Girl: "How come you don't play during daytime? I see you here everyday."
Guy: "During the daytime people would want to hear songs that they know, just songs that they recognize. I play these song at night or I wouldn't make any money. People wouldn't listen."
Girl: "I listen."


The film industry has witnessed its fair share of low-budget independent movies that yielded embarrassingly bad results. Once is a blueprint example of an extraordinarily rare event when an independent filmmaker has created a product far superior to incalculable quantities of Hollywood blockbuster rubbish dominating the market that have too long been getting the green light. Writer/director John Carney proves that a straightforward concept can generate groundbreaking results if a clever script is at its core. He also proves that the requirements for a good movie do not include a big budget, a renowned group of actors and some lavish special effects - at the end of the day, it's the script that carries everything and a quality script fundamentally ensures a product to cherish.

Contemporary movie musicals are an interesting subject to explore. Audiences have observed the thriving individualism in musical cinema, from adaptations of successful Broadway musicals (The Producers, Sweeney Todd), cheesy teenage flicks (High School Musical) or even the unique biography of Dreamgirls: there is no single musical style that has dominated the box office. Once is from an entirely different spectrum; a unique Irish "modern musical" that has proved to be among the best date films of all time. This film is wonderful, touching, charming, sincere and very romantic. This is not your typical musical at all: the characters do not sing as a form of dialogue...the characters are musicians who write deeply poetic lyrics. In essence, the lyrics mirror the emotions of the characters: as the characters are developed and the story progresses, the fascinating lyrics increase in their poignancy and relevance.

Once is a mature musical aimed at a target audience of mostly adults who are mature and can fully comprehend the themes and potency. While adolescents predominantly prefer the blockbusters, it's comforting to know that the film industry also produces these magnificent magnum opuses. These great films are limited for sure, but wholly worth it no matter how rare they appear. Essentially, this masterpiece feels like a captured moment of life - a slice of kismet where you just happen to be in the right place at the right time to observe a spectacle of nature, a feat of compassion, or a stream of light bequeathing its benediction on a landscape you pass every day but otherwise fail to notice.

Once uncovers a soft, romantic side of Dublin. Most of the characters have not been named, and this is pivotal as the characters merely symbolise just another person off the street. Each character represents a facet of the culture, and the film explores the inner emotional journey that the respective characters undertake. Above all, it's also an examination of the human spirit and the determination to reach a desired ambition.

The film is a simple story about a struggling Irish musician only known as 'the Guy' (Hansard). He makes his money by helping his dad run a repair shop for vacuum cleaners, and in his free time he's on the streets participating in the strum trade by playing songs he wrote himself about the girlfriend that broke his heart. The Guy yearns for recognition and wishes for a lucrative contract in the music business. He lacks the drive to take his career to the next level as he has never dared to give it a shot. It seems like a simple day when the Guy is approached by the Girl (Irglova): a poverty-stricken Czechoslovakian immigrant with a small child. She is emotionally struck by the moving lyricism of the Guy's songs. The two are lost souls, and begin intimately bonding. This bond only becomes stronger when the Guy discovers that the Girl is also a musician specialising in playing classical piano, and he is equally as moved when he hears her music. Thus begins a clever and wholly unconventional love story.

Once was made on a meagre budget and shot over the course of 17 days. When one compares it to the blockbusters like Pirates of the Caribbean or Transformers you can tell which is going to come out on top at the Box Office. However the revenue does not reflect the quality, as Once only took in a modest amount of money but is superior to both aforementioned films. This is true art and an example of an incredible movie...and I would watch this film any day in lieu of clichéd big-budget action flicks.

The atmosphere truly captures realism in its depiction of the locations. Writer/director John Carney opted to shoot the film in a realistic fashion: almost to the point that it feels more like documentary footage than a staged movie! This obviously reflects the transcendent direction that is continually stunning. The script is solid. Some people have complained about the constant swearing. Yes, they swear a lot. This happens in real life! I've studied the background of Irish history, and after the way they were treated it's hardly surprising that they use such foul language. Don't let the watered-down, inaccurate Hollywood clichés taint your image of everyday Irish dialogue.

I doubt anyone had set any expectations for this movie as I hadn't - all I knew was that it's a musical love story. However after the first five minutes I was already under a powerful, transfixing spell. The exuberant performers also deserve loads of credit. As this is an independent film made on a small budget, the cast was filled by mainly non-actors. Glen Hansard is frequently stunning: while drama is filling the screen he's marvellous, and when he opens his mouth to project his riveting lyrics there are no faults in his determination. Hansard's character is your typical, lonely everyday Irishman trying to make a living. Marketa Irglova delivers a performance that really hits home. She is constantly extremely beautiful and is blessed with a charming screen presence. She was only 17 when this movie entered production. That is a reflection of her talent while she was a mere teenager.

The music throughout the movie is gorgeously written and brought to life faultlessly by the two talented protagonists. You will not forget the spellbinding songs that the filmmakers have produced. Quite simply, you will be absolutely mesmerised whenever a song is being performed.

Overall, Once is a little film that went a long way. No-one ever expected this film to score so wonderfully. In a nutshell this is a charming film that manages to avoid the conventions that too long have plagued the screenplays of Hollywood movies. This film is potent and poignant: a moving, realistic, unexaggerated portrait of characters. Upon theatrical release, this lovely independent movie captured the hearts of many. The enjoyment of this movie is not only dependent on the soulful music, but also the realistic portrayals of an array of un-stereotyped characters.

Once is a warm, tender and revealing journey that's 60% music and 40% slice-of-life. The small cast are wonderful despite no prior acting experience, and the director is intelligent enough to realise he's created a strong story that can practically tell itself. Alas, he stands back and allows the string of events to unfold. The product is a contemporary fairy tale that confronts our perception of happy endings.

9.2/10



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Less is more

Posted : 16 years ago on 6 May 2008 05:16

Just like Before Sunrise, a new classic directed by Richard Linklater, Once is a magical film that through its narrative apparently simple, reaches a victory that escapes most films of the same genre, picturing with authenticity and feeling the precise instant in which two human beings find themselves in love for each other. The difference here is that when Ethan Hawke and Julie Delpy were seduced by the long conversation they kept, here, is the music that puts "Guy" and "Girl" together, magnificently played by Glenm Hansard and Markéta Irglovå, and the fact that we never hear their names of the two characters makes this newly discovered love even more universal, something that can be easily related by the audience.

Not exactly with his ego in the best of shapes since he was abandoned by his girlfriend, Guy divides his time between his father's small repair shop, in which he works fixing vacuum claners, and his presentations in the streets of Dublin when he sings for some extra change. That's when one of his compositions gets the attention of Girl, a simple Czech immigrant, who learned to play the piano with her father, and now lives of selling flowers and housekeeping. Music lovers, they quickly begin a strong connection between Guy's songs, who decides to make a demo CD with Girl's help.

Shot in only 17 days with a digital camera, Once has a simple photography, not too fancy, what gives a huge authenticity to the story. It also has several plans shot in the streets of the Irish capital, when the camera is placed in a distance not to catch the attention of the people passing by, who ignore the presence of the actors, the film ends up having a tone almost documental, something also brought up by its cuts, basically dry, resulting in sudden ellipsyses, yet, they are more than adequate to the language adopted by director John Carney.

The same way, though the frameworks and the camera movements aren't the most engenious, it's impossible top deny the effectiveness that serve the narrative. For example, the scene where the couple plays together for the first time in a music store: initially, the camera keep its distanceas Guy observes, fascinated, girl playing the piano. In this instant, the camera approaches the duo, also moving down together with Hansard, whon kneels by the girl, and it is right there, in this small and intimist travelling that we can notice that Guy begins to fall in love with Girl. From then on, they begin a song and shortly after all that, the picture becomes much more closed approaching each other even more (and it's simply perfect that the frsty verses that Hansard sings in this sequence are exactly: "I don't know you/but I want you all the more for that" that belongs to the music "Falling Slowly", end up becoming the symbol of that relationship, and heard again (properly) in the end of the film.

Besides, the logic that Carney places Hansard and IrglovĂĄ's songs is impecable: though they appear in an organic way, being executed in front of the cameras by the two, the last seconds of each song fit as background for the action in the next sequence, as the characters are creating the soundtrack for their own lives, in a certain moment, this becomes particularly clear as we see Guy singing as he watches a video of his ex-girlfriend. There's also a touching dramatic irony in the fact that Girl lends her voice with so much sweetness to the songs that, ultimately, Guy made for his ex-girlfriend.

In her first acting job, young singer and composer Markéta Irglovå gives a performance worthy of a veteran, showing with sentivity the insecurities of an immigrant that, win her early twnties has to support her mother and her daughter, the girl gradually reveals an unsuspected force that turns into the impulse that was missing for Guy to finally make come true his artistic vein. As an opposite to Guy's impulsiveness, Girl never loses her own responsabilities from sight, and it's heart breaking to see her diligently tidying up her house after a long day or even realize the way she brings Guy back to reality after being invited to go with him to London, needing for that, to make him only one question: "Can I take my mother?". the same way is revealing the way she reacts, offended, to the Guy's first tries to sleep with her. Clearly interested in him, Girl is not exactly offended with the cheap line, but with the implication that it brings: that he had underestimated her terribly.

Meanwhile, Hansard (with his worn out guitar, broken and with the strings hanging around) opens a window for Guy's romantic and kind nature, through his songs: giving himself with so much intensity to them, he seems to suffer a lot with each verse and his voice overloaded with feelings makes a perfect match to the apparent frailty and the charming sweetness of Girl's completes the harmonies of the songs. The chemestry between Hansard and IrglovĂĄ is so beliaveble, making even more clear thanks to the naturality in which the couple comes up playing around the motorcycle or arguing about love frustrations. And if we consider the story between the two that begins and grows through the music is only natural that she sums up the fight she had with the father of her daughter when she reveals that he didn't apreciated her compositions.

Bringning almost 20 songs (all of them very beautiful) Once is impecable to the last second, closing its narrative in an absolutely perfect way when it focuses the eye of a dreamer, who, without taking the heavy weight of a difficult reality off his back, the film can still find room for hope or at least for a sweet and sour melancoly that comes up as the result of all the unconsumed love between the main couple.


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Touching.

Posted : 16 years, 2 months ago on 20 February 2008 11:06

When going into a musical, the subtle approach is hardly ever taken. Not to say it’s better one way or the other, but Once proves without a doubt that a quiet, bittersweet, subtle approach can work wonders, and give a new level to your typical “indie film”. Not a lot of films can so easily mesh so many genres together, and make it work so well. You’ve got your basic style and presentation of an independent film, you’ve got the premise of a romance film, and then you realize that it isn’t just a musically themed movie, it’s a musical. Usually, I wouldn’t jump to see any movie under those genres, let alone one that attempts to hold all three, but I was thoroughly impressed and very happy with the outcome. These days, anybody can make a movie with just a few thousand dollars and a little effort, and after seeing just enough independent films to know that many of them are nothing more than good attempts, it’s very refreshing to find one that’s not just “good enough”. It could hold it’s own with the best of them, and it’s sad to know it will never get the recognition it deserves. The funny thing about Once is that it’s so simplistic, it’s a little challenging to provide a very detailed review. But it deserves any praise it can get, so here we go.

The characters are nameless and credited as The Guy and The Girl. While The Guy plays his music in the streets of Dublin, he meets and becomes friends with a piano playing Czech girl. After it’s established that neither of them are in any state to start a new relationship, and they both have many issues they need to work out, a strange bond is formed with the two. Helping each other move on through music, but sort of playing and writing it for each other. It creates a mood and tone that makes you realize it’s not so uncommon or hard to believe, and that maybe you’ve been there yourself before. Likable and friendly, it’s easy to feel for them, and their chemistry is perfect.

The music, as it has to be noted, is absolutely wonderful singer / songwriter style, and it’s very effective and well executed. Written and performed by the stars of the movie, a certain personalized element is introduced through the music that’s hard to miss. A non-extravagant method of filming compliments the music, giving it a feeling that you’re not watching a musical, you’re just watching people on a bus play a guitar, or you’re just watching some people on the street sing, or you’re just watching a girl play a piano. It’s not flashy, and not meant to blow you away, but it does anyway. For that, we can be thankful.

Again, the movie is simple, and it’s hard to put into words a convincing review, but it’s hard to imagine being disappointed in this film. With so many subtle touches, and so many personal moments, and so little typical elements of the genres it utilizes, it really does wonders, and is easily one of the best films of it’s year. What’s most notable, and most important to me, is how well it sticks with you. The tone, and the songs, and the sadness, and everything else just stays with you the rest of the day or night. See this film, and if you can, see it with somebody you love. It’s a great movie for those kinds of occasions.


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Musical

Posted : 16 years, 6 months ago on 15 October 2007 01:49

This movie was an interesting take on a love story. It makes you think about a time when you met someone you really made a connection with, but you couldn't really do anything about it. In the story the main characters run into that situation. One character has a love that has moved away which he can't stop thinking about. The other character is in a relationship that isn't really going that well. They both connect, but can't decide whether they should move forward.

The movie moves through their plight with a backdrop of acoustic music that is pretty good. The music drives the story as much as the characters.

This is a very small budgeted movie. The movie was shot at local locations with hand held cameras. If that kind of filming bugs you, I wouldn't watch this movie. If you like acoustic music and love stories, you will probably like this one. It is probably a good movie to bring that special someone in your life.

Flash


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