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Moana review

Posted : 2 years, 2 months ago on 3 March 2022 07:32

Despite being a lifelong Disney fan, that is not to say that everything they've done is great. They've done many classics, their best revolutionary, though they had hit and miss periods in the 80s and the 2000s.

'Enchanted' and 'The Princess and the Frog' saw a return to form, while the likes of 'Tangled', 'Wreck It Ralph', 'Zootropolis' (aka 'Zootopia') and 'Frozen' were even better and there was a lot to like too about 'Big Hero 6'. Of the "2nd Renaissance"/"Disney Revival" period, 'Moana' is up there with the best of them and as one of Disney's best in about twenty years.

Maybe the momentum dips ever so slightly going into the final act, Maui's change of heart is a touch rushed and for me there was no real point to the pig character that induced more unintentional awkwardness than amusement. It was however difficult to fault 'Moana', because of how many things it did right and how brilliantly the things it did right were executed. There have been criticisms regarding a formulaic story, HeiHei the chicken being irritating and the portrayal of Maui being stereotypical, but these were criticisms that didn't bother me at all.

Firstly, the animation is phenomenal. Disney's best-looking film in a long time and one of their best-ever looking films, not just this but perhaps the most visually exquisite animated film this year in a year that also saw 'Your Name', 'Kubo' and 'Zootropolis' and even one of the year's best-looking films. The attention to detail is impossible to fault, whether it's the water, the trees or even Maui's tattoos, while the colours just pop out at you and everything is immaculately detailed with not an ounce of artificiality in the backgrounds, further boasting visually stunning sequences such as the climax, "We Know the Way", "Shiny" and with the coconut pirates.

The soundtrack has garnered a huge amount of praise, and for good reason. Love the evocative orchestration and instrumentation, with its seamless blend of South Pacific Culture, pop and Broadway. Likewise with the songs, which are along with 'Frozen' the best and most consistent set of songs from a Disney film since 'The Hunchback of Notre Dame'. "How Far I'll Go" is an "I want" sort of song that's infectious, heartfelt and inspiring. "You're Welcome" sees Dwayne Johnson showing a quite wide range of emotions through a surprisingly good singing voice. "Shiny" is deliciously kooky and like something that David Bowie would be proud of, Jemaine Clement sings the heck out of it. "We Know the Way" sends chills up the spine.

Scripting-wise, 'Moana' encompassed a wide emotional range within me. There is something for everybody, never too complicated for children and never too childish for adults, tonally it's focused throughout, and it's very witty and thought-provoking. Throughout there are many opportunities to laugh, cry and be inspired. The story is, while not exactly original, beautifully paced and enthralling.

The whole Polynesian culture, faith and seafaring traditions included and explored generously but in a way that feels part of the story rather than just thrown in, and while there are elements that reminds one of Disney past and present this feels more affectionate than Disney just running out of ideas. The coconut pirates scene may seem like filler, but instead of being incidental and dull filler it was entertaining and visually dazzling, while the musical numbers bring the storytelling forward and say much about the characters' motivations and the climax is hair-raising.

Moana is has now joined the list as one of my favourite female Disney characters, while Maui is a fun, compelling character and the chemistry between the two being a large part of the film's humour and heart. Personally found myself entertained by HeiHei and that his existence and role in the story were justified. If anybody does find him dumb or annoying, this is a rare of those not being bad things for a character clearly intended to be that way from reading up about the film. The voice acting is top notch, with Auli'i Cravalho making a startling debut (voice and singing, goodness she has pipes). Dwayne Johnson, on paper an unlikely and eyebrow-inducing choice, is also splendid, as an actor he's grown a lot, while Alan Tudyk is amusingly zesty and Jemaine Clement bringing gleefully kooky menace.

In summary, knocks it out of the park in visual beauty and sheer entertainment value, Disney does it again with their latest classic 'Moana'. 9/10 Bethany Cox


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Moana review

Posted : 6 years, 7 months ago on 17 September 2017 03:07

An excellent visual spectacle.
However distracted a lot in its main objective, the protagonist can become desperate, let alone the invasive songs. However Maui was very nice. In addition, the movie looked a lot like the mononoke princess.
And enjoy the reference to MAd Max Fury Road.
Only recommended if you have a very large television or if you are relayed in cinema.


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Moana review

Posted : 7 years, 2 months ago on 25 February 2017 01:14

Notes:
*I will always be a huge fan of Disney so when this was only talked about I was excited.
*The cast is great and I like the idea that most actually fit within where the characters live.
*Chris Williams also directed Big Hero 6.
*As for writing he did Mulan, The Emperor's New Groove films, and Brother Bear.
*John Musker also wrote and directed The Little Mermaid, Aladdin, Hercules, Princess and the Frog, and Treasure Planet.
*Don Hall also worked as a director for Big Hero 6 and even the 2011 Winnie the Pooh.
*He worked as a writer for The Emperor's New Groove and Brother Bear as well.
*Ron Clements worked on all the films John Musker did as writer/directer also.
*Jared Bush also wrote this year's Zootopia so he has a pretty big chance of getting an Oscar.
*Pamela Ribon hasn't written much, but she is writing for the upcoming Wreck-It Ralph 2 and the upcoming Smurf movie sequel.
*This is the first film to be credited to Aaron and Jordan Kandell.
*So let's see finally how good this new Disney film is.

Pros:
*I like that they sort of break the fourth wall with dialogue.
*Auli'i Cravalho proves that you don't have to start in live action to prove you have what it takes.
*I loved the soundtrack here! It's very catchy and has a nice rhythm to it.
*The animation is absolutely stunning.
*It has some truly beautiful moments.
*The jokes are great.
*I have to admit this is definitely a new favorite from Disney who seem to always hit the mark.

Cons:
*I can't think of any really.

Verdict:
This new Disney film is very heartwarming. The music is beautiful, the animation is stunning, and the writing is superb. I won't be surprised to see Auli'i Cravalho pop up quite a bit after this. It's definitely a must see for all ages. I'm ashamed I didn't see it any sooner. It's going to be a toss up between this and Zootopia for the winner this year.


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Moana

Posted : 7 years, 2 months ago on 23 February 2017 04:29

Disney’s Neo-Renaissance just keeps rolling one with their second outing of 2016, Moana. While still a very strong effort, it takes much longer to warm-up when compared to the immediately off-and-running gags and heart of Zootopia. Moana’s introductory scenes feel like retreads of practically any of the dozens of princess properties put out by the studio over the decades, and then it finally takes a clearer, better shape once she’s out in the sea and adventuring. That’s when Moana, both the character and film, exhibit tons of personality and verve.

 

The sluggish beginning finds us getting a background mythology info-dump then a montage of our heroine’s innate desires being suppressed. These sequences are gorgeously animated, one can rarely if ever fault Disney on this front, but they feel like a film working on pure formula. How many rebellious princess suppressed by well-meaning if overbearing parents has Disney thrown our way by this point? Then something funny happens once Moana hits the water, the film shakes off the confines of the formula and decides to go full-tilt bonkers with the Polynesian culture, including demigods, strange monsters, and more down-to-earth aspects like tattoos and seafaring.

 

This is the power of and primary reason that we return to animation. It can quite simply do things that live action films cannot. A demigod with a gigantic fishhook battling a humongous coconut crab during a musical? Yeah, you try to get that done in a traditional summer blockbuster and see what happens. This moments of culturally specific monsters and beautiful earth goddesses are another reason that we return to animation, it gives life to the mythology of the world. Disney’s cultural diversity pushes, going back to the 90s Renaissance era, have produced some of the best films in the studio’s output, look no further than the Shakespeare-meets-Africa tragedy of The Lion King or lovable United Colors of Benetton science geeks in Big Hero 6. Moana happily joins these ranks.

 

While the animation is top-notch, the specificity of Moana’s body movements and Maui’s semi-sentient tattoos are simply wonderful, Moana’s face does suffer from Disney’s typical heroine face. You know what I’m talking about, like how Tangled and Frozen have female characters that look nearly like clones of each other. Well, Moana just has a slightly wider nose, but she’s got the same basic face shape. Look Disney, if you can make all of the other characters look like individual characters and you can provide Moana with her own agency and personality, why couldn’t something more original be done with her face?

 

I pick on this because of how breathtaking and unique so many of the other creations of the film are. Like the strange little coconut pirate monsters that provide a humorous interlude, a mystical stingray covered in tribal tattoos, or the epic showdown between Maui, Moana, and Te Kā, a living lava monster guarding an island. These moments soar to dazzlingly heights of technical skill and personality-heavy animation. Maui seriously steals the movie outright with his endearing condescension and fourth-wall breaking humor. I personally loved Maui calling Moana a princess because she wears a dress and has an animal sidekick, essentially providing a moment for Disney to riff on its own tropes with gently acerbic self-reflection.

 

Then there’s the strong score, much of it courtesy of Lin-Manuel Miranda, which bests the dominating one from Frozen. At first, I found Moana’s “I want” song, “How Far I’ll Go,” a tradition of Disney characters, a bit underwhelming, but I’ve found myself humming the massive chorus since then, so there’s that. Even better though are the character songs, like Maui’s “You’re Welcome,” which feels tailored made for Dwayne Johnson’s natural charisma and charm, and Tamatoa’s “Shiny,” which finds Jemaine Clement doing a solid David Bowie impression while riffing on the wonders of his golden trinket covered shell.

 

What Moana lacks in narrative originality, you can guess every nuance of the relationship between her and Maui from frame one and her animal sidekick is a new low for dumb animal friends, it makes up for in visual depth and beauty. There’s a specificity to character, personality, place, and culture that is most welcome and quite refreshing. Here is a warm, inviting movie, and more of this from Disney and less live-action retreads of their animated classics is what I would like to see.



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A good movie

Posted : 7 years, 5 months ago on 4 December 2016 04:39

I already watched this movie in the movie theater when it was released but, since it was available on Disney+, I was quite eager to check it out again. Not so long ago, I saw 'Zootopia' again as well and I was still amazed about how underwhelming the whole thing was. I mean, sure, I have to admit that it was still a decent watch but it was far from being one of the best Disney animated features I have seen but, somehow, it turned out to be a huge box-office success and, for a while, it was even the best movie released in 2016 according to IMDb (not anymore though). Well, I hoped this 2nd animated feature released by Disney during the same calendar year will crush 'Zootopia' because I thought it was so much better. I mean, sure, by now, we have been used by those guys to give us some stellar animation but, this time, they really pushed it even further. Indeed, the whole thing was just so gorgeous to look at, it was easily one of the most beautiful animated features I have ever seen. Furthermore, I really liked the realistic approach they chose to portray the Polynesian people and the end-result was quite fascinating to behold and, above all, much more interesting than what they usually provide us. However, I have to admit that it didn’t completely work though. Indeed, except for the main song which was really neat, the musical scenes rather bored me. But the biggest issue was that the damned thing was too long though. Especially since this tale was rather generic and pedestrian, there was really no need to stretch it for almost 2 hours. Eventually, it felt like they spent 90% of their time and energy searching and creating this fascinating world and only 10% on the plot which was too bad. Still, even though it wasn't a complete home-run, I thought it was really good and easily one of the best Disney animated features released recently.


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