The Beaches of Agnès Reviews

(MU) Varda's selfportrait and autobiography, has humour and reflexion and is moving when touches husband Jacaques Demy's illness and death.

"I think I've always lived in the cinema." This statement almost closed this autobiography of Agnès Varda. It would have been the best culmination of nearly two hours of "cinema within cinema" unleash a good display of intimate confessions but, almost more of sceneshifter and even visual illusion. For the Belgian director it is one of the clearest examples in their means of theater creation and freedom.

Excited to see again some sequences of his best films, this time accompanied by comments from the director about them. In this regard, I remember an interview with the star of "Sans toit ni loi" (1985), Sandrine Bonnaire, in which, after seeing a private screening of the film, the actress confessed that he was the first who did not recognize themselves same on paper, at that uprooted character played to the point of reaching impress her to tears at the end of the projection. And is that if something can not be criticized at Varda film is its lack of sincerity and self praise its accuracy, bordering or integrated in the documentary. His films open spaces and offers different approaches and perspectives, as those same mirrors that presents along the edge of the beach at the beginning of this documentary must.