The Last Boy Scout Reviews

Even though this flick didn’t turn out to be a massive box-office success when it was released, I actually think that it is rather underrated. Indeed, even though I have to admit I’m not a huge fan of action movies in general, I actually have a weak spot for this one.  Sure, the title was rather lame, Damon Wayans can be pretty annoying and Bruce Willis pretty much did another version of John McClane but I'm a sucker for those action flicks when Willis plays his typical washed-up cynical guy. I never knew that before but it was apparently a rather messed-up production with some major conflicts between producer Joel Silver, director Tony Scott and lead actor Bruce Willis. It was so bad that both Silver and Scott went on record saying that this movie was one of the worst experiences in their respective careers. As a result, the whole thing was heavily re-edited by the studio but, somehow, the end-result was still satisfying. Anyway, to conclude, even though it is definitely not a masterpiece whatsoever, I think it is still a good old R rated action flick, it is just plain entertaining and it is definitely worth a look, especially if you like the genre. 

A former secret service agent who once saved the President's life, Joe Hallenbeck (Willis) has fallen on hard times. Now a worn-out private detective, his daughter (Danielle Harris) despises him and things aren't exactly happily-ever-after with his wife Sarah (Chelsea Field). Assigned to protect a young stripper named Cory (Halle Berry), Joe's skills are tested when she is gunned down by a group of thugs. To resolve the case, Joe reluctantly teams up with Cory's boyfriend, a one-time pro quarterback named Jimmy Dix (Damon Wayans). Digging deeper, they uncover evidence of deep-seated corruption involving a crooked politician and the wealthy owner of a football team.

One of the more notable aspects of The Last Boy Scout is its sensational opening scene, which kicks things off on a high (and violent) note. Black was at the pinnacle of his Hollywood screenwriting career when he penned this movie, with Warner Bros. paying him a record-breaking $1.75 million sum for his efforts. Fresh off his success with Lethal Weapon, Black has devised a fascinating mash-up of classic film genres - this is essentially a contemporary take on the hardboiled film noir private detective story. Black's Lethal Weapon experience served him well, as The Last Boy Scout is a buddy action movie that treads similar thematic ground. To be sure, the screenplay is comprised of several archetypal action movie chestnuts, but it's the execution that shines. Indeed, the dialogue is a frequent source of amusement, with one-liners that remain side-splitting to this day. Black has a reputation for witty dialogue, and this skill is ever-present throughout the movie. Better yet, with an R-rating, profanity is permitted, which gives the bantering an extra sparkle. The final third of Black's original script was retooled and the climax was altered, a choice that irked Black, but the movie still comes together. It works.

Although formulaic on the whole, The Last Boy Scout is enormously entertaining in the hands of the late Tony Scott. In his latter years, Scott's moviemaking revolved around quick-cuts and other gimmicks, but this is an old-school effort - the action is captured through a smooth routine of steady camerawork and masterful composition, courtesy of cinematographer Ward Russell. The Last Boy Scout also shines due to its graphic violence. This is by no means a sanitised PG-13 offering, as Scott relishes the chance to go nuts with blood squibs. It's glorious, with the film emerging as both dark and thrilling. It helps that pacing is strong as well, with Baird's editorial input clearly resulting in a smooth experience. Topping everything off is the soundtrack courtesy of Michael Kamen, who also scored the first three Die Hard instalments and various other classic action movies. Kamen reportedly disliked this film and only participated out of respect to Willis and Silver, yet his contributions are nevertheless strong.

Hallenbeck is, essentially, John McClane from Die Hard, only more bitter and depressed. The role is a perfect fit for Willis' talents, finding the actor right at home with one-liners and insults. Willis cares less and less with each passing movie these days, but The Last Boy Scout finds him in fine form. It's the good old Willis we all love; the reluctant hero who survives dangerous situations by cracking wise. Not to mention, it's possible to care about Hallenbeck, as he has gotten the short end of the stick and tries to be a good dad. Wayans, meanwhile, makes for a sublime sparring partner for Willis - he's a damn sight better than Justin Long and Jai Courtney from the latter-day Die Hard sequels. Together, Willis and Wayans are hilarious and kick a lot of arse. Also notable is Taylor Negron, who's superb as one of the villains here. Negron is a threatening presence, and he's given strong support from Noble Willingham as the shady Sheldon Marcone.

Years on, The Last Boy Scout holds up as a mightily enjoyable early-'90s actioner, supported by strong performances, plenty of humour, and a generous serving of thrilling, violent action. It has real stakes and some sinister villains, yet it also doesn't take itself too seriously. It's cheesy fun with insanely quotable one-liners, Halle Berry as a stripper, and Willis unofficially playing John McClane again. Fans of macho action movies from this period owe it to themselves to watch it.

8.2/10