House Reviews

Hausu es como Suspiria pero japonesa: no tiene sentido, las actuaciones son malas y a veces cringe, el guión en general es malillo pero es sumamente divertida y se te pasa volando. Aparte de ser muy bizarra, surrealista y por momentos psicodélica.

Pura locura desde el minuto 50 hasta el minuto 70 más o menos. Y aunque ya se me estaba pasando volando es de la mitad hasta el final donde si se pone muy divertida y se siente como algo cercano al terror aunque sea poco seria al mismo tiempo.

Le habría dado un poco más si el final hubiese terminado antes.
Se me hizo larga esa última escena donde llega la madrastra.
Haberla cortado antes y menos momentos de ella mirando a los árboles tan sorprendida que parecía que se había fumado algo le habría dado algo más de nota.

A madness movie that this Japanese "House". Crazy, psychedelic, but a bit rough draft too and a little too musical for my taste. Not really horrific but rather funny and cartoonish.
A kind of roller coaster that would just have deserved a real dramatic line (almost non-existent in this case).
As it stands, it is already a beautiful "UFO" ("F" for Filmic!)

All the movie looks like a surrealistic advertising. It's not a bad thing, probably all the movie charm comes from your visual language full of references. In general i liked, but it has too much fan service imo

This was rather bizarre. I wasn’t sure what kind of movie I was watching at first. Felt like feelgood comedy at first but ended up in more of an horror. Combine Tim & Eric with Evil Dead 2 and we get Hausu.

"The girls will wake up... when they are hungry."

If Sam Raimi were perpetually tripping on acid throughout every stage of making a movie, it would look something like this Japanese cult classic from 1977. Hausu cannot simply be classified as a movie but as a bizarre, borderline indescribable experience. Actually, words like "bizarre" or "weird" do not even begin to describe this flick - it's just plain crazy. And not crazy in a generic, loose sense - Hausu is the work of a fucking madman. Rather than a simple fantasy-horror, director Nobuhiko Obayashi creates something that does not adhere to coherent filmmaking or storytelling rules. Hell, Obayashi also says "fuck you" to the rules of science and planet Earth while he was at it. Hausu could be described as a mix of haunted house horror and a coming-of-age tale, but it's mostly a surreal why-stop-at-the-kitchen-sink-let's-throw-everything-we-have-on-screen-and-see-what-happens kind of "what the fuck" cinematic experience.

There is no coherent plot to discuss, so one can only describe the setup: a teenage girl (Kimiko Ikegami) is disheartened to find out that her father plans to bring his new girlfriend on the family's annual summer vacation. Consequently, she rounds up several of her best friends and heads off to visit her aunt in the Japanese countryside. Everything seems peachy at first, but it turns out that the aunt is a spirit and her house is haunted. The house seems to come alive, and a series of strange supernatural events begin to overwhelm the innocent young girls.

Admittedly, Hausu takes a little bit too long to reach its stride, but the wait is worth it. The above plot outline barely scratches the surface of this batshit insane concoction, which is less concerned with plot and more concerned with how you can tell a story. Hausu is about the possibility of what can be committed to celluloid, and about experimenting with ways to baffle and overwhelm viewers. Due to its logic-deprived storytelling and feverish visuals, the film feels like a child's nightmare, and there's a good reason for this: the director's 11-year-old daughter Chigumi was consulted for the creation of several key scenes, and the story is credited to her. The only real flaw with Hausu is that the characters are too interchangeable and undistinguished. They all look somewhat similar and lack personality, so the question of who's who becomes blurred as the lunacy unfolds. You don't really care about them either, though that was probably the least of director Obayashi's worries - he probably just wanted you to focus on caring about trying to retain your sanity.

Obayashi calls upon an array of filmmaking and special effect techniques to satisfy the script's peculiar demands. The optical effects are crude due to their 1970s origins, but this is all part of the campy charm that makes Hausu so much fun. Obayashi clearly enjoys experimenting with every technique available, resulting in a mishmash of practical effects, optical effects, skipped frames, wipes, animation (augmenting live-action material), different shutter speeds, slow motion, split screens, imaginative camera movements, time-lapse, freeze frames, matte paintings, newsreel footage, and more, all of which are breathlessly combined to leave viewers absolutely dizzy. The inexplicable madness does not end there, with clocks vomiting blood, paintings coming alive, and even moments when characters dance to the score. Speaking of the score, it's similarly manic and over-the-top, with constant piano refrains and cheesy, bouncing music to make one further ponder whether or not Hausu's makers are actually sane. Indeed, watching Hausu is the equivalent of stepping into an alternate universe that laughs in the face of physics and common sense.

Some have labelled Hausu a horror film, but this label is too simple. The supernatural elements are the stuff of horror, granted, yet Hausu is too funny, colourful and boundary-pushing to just be called a horror flick. Due to its unique disposition, the movie won't work for everyone - some will undoubtedly find it too disorientating or weird for their tastes. But if you can tolerate and appreciate it, Hausu is an insane joyride of a movie as bewildering and inventive as it is entertaining.

8.0/10

A horror comedy that's less horrifying and funny and more totally insanely bizarre. The bare bones story here is that a group of practically named Japanese school girls heads to a house in the country for summer vacation. Then strange stuff happens.

In all reality all that plot and characterization is not at all important. This film is all about the crazed vision of director Nobuhiko Obayashi. It's filled with odd storybook painted backdrops, weird visual camera effects and strange shot framing. It's less a film with a cohesive storyline and deep characters and more a unsettling trip into Obayashi's imagination. If you're looking for a film that makes you laugh AND shake in terror this really isn't for you. If you're looking for a cheesy, imaginative, immensely weird visual project then House might fit the bill. It's not for everyone but it's one of a kind.

Bizarre and beautifully kitsch Japanese horror where six teenage girls travel to a remote mansion to stay with the head of the group, Angel’s, long unseen aunt. Unbeknownst to them, the aunt has turned into some kind of life-sucking demon whose house kills unmarried girls so she can live.

While it would be easy to dismiss this film as 70s trash, it should be praised for its sheer ingenuity and diversity. Where else could you see stop-motion animation, blue-screen work, early CGI and actual handpainted backgrounds used to this effect? The girls die in extremely unexpected and wacky ways, the one that caught my attention in particular involves a demonic piano, and there are just so many totally random, non-sensical moments (such as a man turning into a load of bananas because he tells someone he doesn’t like melons) that you sit with a huge grin on your face the whole way through.

It’s not going to change your life but it is an enjoyable romp where you can switch your brain off for an hour and a half.

Once upon a time, the gang from Scooby Doo met Mario Bava and Salvadore Dali in an old dark house somewhere in Japan...and they said, "Zoinks! Like, let's make a movie, man!" Then the Cheshire Cat strolled in, eyes flashing green, grinning from ear to ear, with a sack full of shrooms saying, "I'm the f**cker with the bag of trips that's gonna hold this absurd concoction together!". This movie is the document of that madness. Amazing!