Port of Call Reviews

One of the first films directed by Bergman, when he had not yet defined the style and the topics that would make him one of the luminaries of cinema history. As in almost all of those years, his lilting rhythm and action is too linear, almost repetitive. There is little twists to introduce greater incentives that capture attention. Although reaching constants observed characteristics of the work of Swedish director, starting with angst produced by a hostile environment that only hinders its protagonists, preventing the attainment of much desired and pursued happiness. Serial dyes are saved only by the hand of Bergman, who never get carried away and introduces reflections of psychological and emotional depth in moments of inflection. This leads to the fact that he never completely abandoned his characters and the end always a way out that although it appears not to be definitive, at least relieving plays a role in the development of history is presented and, incidentally, favors the subsequent commercial film career.

Special mention for excellent photographic work of Gunnar Fischer in what would be his first collaboration with Bergman. Later would roll together so important titles like Summer Interlude, Summer with Monika, Smiles of a Summer Night, The Seventh Seal or Wild Strawberries, among others.

Adverse criticism Port of Call has received about being an outdated product that has aged badly, I guess that must be the chapter on abortion and consequences of all kinds, but should take into account the society of that time and and very distant year of production.