Description:
AMERICAN PSYCHE seeks to find the every-day American perspective on the social and political life in America following the events of 9/11. Travelling from New York City to Los Angeles, two European filmmakers conduct a series of interviews with Americans of diverse race, gender, religion and socio-economic standing. As they travel across America, listening to the stories of every-day people, they explore the current climate of social and political life in the United States.
DIRECTOR'S STATEMENT
The events of 9/11 marked a fundamental shift in the way America saw itself in relation to the rest of the world. As the White Hou
AMERICAN PSYCHE seeks to find the every-day American perspective on the social and political life in America following the events of 9/11. Travelling from New York City to Los Angeles, two European filmmakers conduct a series of interviews with Americans of diverse race, gender, religion and socio-economic standing. As they travel across America, listening to the stories of every-day people, they explore the current climate of social and political life in the United States.
DIRECTOR'S STATEMENT
The events of 9/11 marked a fundamental shift in the way America saw itself in relation to the rest of the world. As the White House expanded its vocabulary in 'preemptive strikes' and 'homeland security', even the idea of 'America' changed. What being 'American' meant, was appropriated into the unilateral interests of the Bush administration, creating an 'us or them' mantra. Sound-bites and vox-pop quotes saturated news media outlets, polarizing the country and making complex issues a yes or no veto on terrorism. The Bush administration's actions were re-branded as the 'American way' and a divine demonstration of freedom and democracy. Internationalism and responsibility to the United Nations was abandoned in the name of 'self-determination.' Unilateral coalitions were used instead, framing the United States as an absolute force of decisive action. Democracy became an American product that could be exported to foreign countries through military intervention. Ironically, at the same time Democracy was being used to 'enlighten' foreign nations, domestic policies in democracy were being compromised by 'homeland security.' The 'war on terror' became an absolute rationale; an excuse for abandoning basic human rights and dismissing the sovereignty of foreign nations.
As these events continued to press on the international conscience, I along with friend and co-creator François Le Gourant began to question what the true social climate of the United States was, and whether the actions of the White House were really reflecting the interests and concerns of its people. As Europeans, living in Canada, we became increasingly frustrated by the media sound-bites available to us. Having worked and travelled in the United States, we had experienced first hand the generosity of its people. However we could not align those experiences, with the ‘American way’ outlined by news headlines and the White House podium. Consequently François and I decided to seek out the voices of every-day Americans directly. We wanted to engage people first-hand, and ask them to reflect on their current social and political climate; ask them what they thought about the direction the country was taking and their hopes for the future. We wanted to give people an opportunity to speak for themselves, and not through the filters of panelists, and political specialists.
With this goal in mind 'American Psyche' was born. François and I began a cross country road-trip from New York to Los Angeles, interviewing close to 150 Americans, from a variety of social, political and religious backgrounds. In truth, only two interviews were planned ahead. All other interviewees were met by simply striking up a conversation with those around us: locals on the street, in restaurants, markets, or even live stock auctions. More often than not we were invited into their homes, to stay for dinner and sleep in their guest room. With the tight reign of 'homeland security' in place, we expected Americans to be more suspicious of interviews, and less welcoming to strangers. However, we were able to easily connected with local people, showing Americans in general to be a welcoming and generous people.
Throughout the filming process we worked from a loose framework of questions and topics as a way to start conversation. During our travels particular themes came into focus, revolving around 9/11, the invasion of Iraq and the Bush Administration: International relations and responsibility; national security & control; human rights and social responsibilities. Finally the tried and true topics of money, religion, 'democracy now' and the future of America emerged again and again. Through engaging in candid conversations, we found a rhythm of understanding within the every-day American landscape, that opened up a dialogue of healthy criticism and self-reflection.
It was ultimately through the help of friend and filmaker Paul Raphaël, during the editing process, that the many layers and perspectives of this dialogue were able to intermingle. This was accomplished through interchanging the dialogue from multiple interviews according to their themes. By approaching the film in such a way, we hoped to encourage the audience to draw relationships between multiple perspectives of thought, rather then isolating each interviewee and their opinions, according to their identity, location and lifestyle. Ultimately we hoped to foreground the active interest Americans had for their national identity, and its role in the international arena. While providing no clear conclusions, we hoped to provoke further discussion in our audiences, through the questions posed and explored by the Americans in our film.
With the creation of American Psyche, I hoped to make a deeply relevant film that would speak to audiences on an international level. From the beginning, while this film held a political purpose, we did not want to make it overly polemic; a film which gave the viewer an opportunity to draw their own conclusions, and find a place for their own opinions within the varied responses of our interviews. While there remain issues and topics that inspire polemic stances, it is within the very human concerns and hopes for their future, that these people express the overlap of their American values.
Ultimately I hope to offer an alternative portrayal of the big 'A' American portrayed in mass media, and provide an insight onto the diverse people whose government was leading the so-called 'war on terror.' The film also calls into question many of the myths about Americans that have established themselves in both the journalistic and international consciousness. Through each participant's willingness to share and converse with our cameras, we found that potential for the true expression of freedom in Democracy: the ability to challenge and question the decisions of their own government and nation.
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Tags: Future (1), Politics (1), Greed (1), Television (1), Documentary (1), Religion (1), Media (1), Capitalism (1), Faith (1), Justice (1), Democracy (1), Money (1), Peace (1), Ignorance (1), American Dream (1), Fascism (1)
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