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Madge Kennedy (April 19, 1891 – June 9, 1987) was a movie and stage actress of the silent film era.
Kennedy came to New York City with her mother to paint. She was admitted to the Art Student's League. Luis Mora saw her art work and recommended that she go to Siasconset (Nantucket, Massachusetts) for a summer. Mora described Kennedy as talented but very lazy.
The Siasconset colony was evenly divided among actors and artists, and painters often gave theatrical performances. Kennedy appeared at a painter's play and impressed one of the professionals there. He commented, "She could act rings around anybody." The profe
Madge Kennedy (April 19, 1891 – June 9, 1987) was a movie and stage actress of the silent film era.
Kennedy came to New York City with her mother to paint. She was admitted to the Art Student's League. Luis Mora saw her art work and recommended that she go to Siasconset (Nantucket, Massachusetts) for a summer. Mora described Kennedy as talented but very lazy.
The Siasconset colony was evenly divided among actors and artists, and painters often gave theatrical performances. Kennedy appeared at a painter's play and impressed one of the professionals there. He commented, "She could act rings around anybody." The professional was Harry Woodruff who promptly offered her a job in his play, The Genius. Soon she was in Cleveland, Ohio where Robert McLaughlin gave her work with his stock company.
Kennedy first appeared on Broadway in Little Miss Brown (1912), a farce in three acts presented at the 48th Street Theater. Critics found Kennedy's performance most pleasing, writing, "Miss Kennedy's youth, good looks, and marked sense of fun helped her to make a decidedly favorable impression last night." In 1915 she scored a sensational hit at the Eltinge Theater as Blanny Wheeler opposite John Cumberland in Avery Hopwood's classic farce, Fair and Warmer, which ran 377 performances. Critic Louis Vincent DeFoe wrote, "Madge Kennedy proves anew that consummate art is involved even in farcical acting." In the late Teens she would leave the stage for three years to appear in moving pictures for Samuel Goldwyn (see "Films" below).
Kennedy returned to the New York stage in November 1920, playing in Cornered, staged at the Astor Theatre. Produced by Henry Savage, the play, taken from the writing of Dodson Mitchell, offered Kennedy a dual role. In 1923 she starred opposite W.C. Fields in Poppy, where she enjoyed top billing. In the comedy, Beware of Widows (1925), which was produced at Maxine Elliott Theatre, a reviewer for The New York Times noted, once again, Kennedy's physical beauty as well as her skill as a comedian. Later, she starred in Philip Barry's Paris Bound (1927) and in Noël Coward's Private Lives (1931), having succeeded Gertrude Lawrence. After an absence of 33 years, she returned to Broadway in August 1965, appearing with her good friend Ruth Gordon in Gordon and Kanin's A Very Rich Woman.
fter Broadway, Sam Goldwyn of Goldwyn Pictures signed Kennedy to a big movie contract. Kennedy starred in movies such as Baby Mine (1917), Nearly Married (1917), Our Little Wife (1918), The Service Star (1918) and Dollars and Sense (1920).
Kennedy told a reporter in 1916, "I have discovered that one of the best ways to act is to make your mind as vacant as possible." In 1918, Our Little Wife premiered with Kennedy playing the role of Dodo Warren. The story is about a woman whose marriage is both humorous and sad. The screenplay was adapted from a comedy by Avery Hopwood. A Perfect Lady (1918) was released in December and was taken from a stage play by Channing Pollock and Rennold Wolf. Kennedy co-starred with James Montgomery. In 1923, she starred in The Purple Highway. The screenplay is an adaptation of the stage play Dear Me, written by Luther Reed and Hale Hamilton. The cast included Monte Blue and Emily Fitzroy.
The 1920s were a productive period for Kennedy. Following The Purple Highway, she had prominent roles in Three Miles Out (1924), Scandal Sheet (1925), Bad Company (1925), Lying Wives (1925), Oh, Baby! (1926), and Walls Tell Tales (1928).
She was out of motion pictures until she resumed her career in The Marrying Kind (1952) and Main Street to Broadway (1953). In the late 1950s, she combined TV work with roles in movies like The Catered Affair (1956), Lust for Life (1956), Houseboat (1958), A Nice Little Bank That Should Be Robbed (1958), Plunderers of Painted Flats (1959), and North by Northwest (1959). She has an uncredited part as a secretary in the Marilyn Monroe film Let's Make Love (1960).
Her film career endured into the 1970s with roles in They Shoot Horses, Don't They? (1969), The Banker (1970), The Day of the Locust (1975), and Marathon Man(1976).
As a guest on the Red Davis series (1934) over NBC Radio and WJZ (WABC-AM) network, Kennedy worked with Burgess Meredith who had the title role. She was written into the full script by the program's creator, Elaine Sterne Carrington.
Kennedy was prolific in terms of her television appearances beginning with an episode of the Schlitz Playhouse of Stars (1954). Her additional performances in television series are Studio 57 (1954), General Electric Theater (1954), Science Fiction Theater (1955), The Life and Legend of Wyatt Earp (1960), The Best of the Post (1961), Alfred Hitchcock Presents (1956–1961), The Alfred Hitchcock Hour (1962), The Twilight Zone (1963), and CBS Playhouse (1967). She also had a semi-recurring role as Theodore Cleaver's Aunt Martha on the hit family sitcom Leave it to Beaver (1957–63). She played June Cleaver's aunt and the Beaver's great-aunt. Ms. Kennedy also appeared as Mimi (the wife of Albert, Felix's grandfather played by Tony Randall) in The Odd Couple (1972).
Kennedy requested her release from a contract with Sam Goldwyn. She decided to return to the stage in 1921, so that she could be close to her husband, broker Harold Bolster, in New York. Bolster died on August 3, 1927 from an illness he contracted months before during a business trip to South America. He was a member of the New York banking firm of Bennett, Bolster & Coghill. Bolster was 38 and a veteran of World War I. Kennedy inherited more than $500,000 when he died.
She wed William B. Hanley, Jr., in Kingman, Arizona, on August 13, 1934. Hanley was an actor and radio personality. The couple resided in Los Angeles, California. Kennedy retired temporarily after her marriage before returning to work in entertainment.
She enjoyed outdoor activities such as playing golf, horseback riding and driving cars. She owned a Willys-Knight Great Six which she drove avidly at the time she was touring in 1929 in the play, Lulu. In August 1929, she was sued in a Norwich, Connecticut court for damages she caused in a car accident on the Boston Post Road near Groton, Connecticut in June 1928. The plaintiffs asked for $13,000.
Madge Kennedy died in Woodland Hills, California in 1987. She has a "Star" on the Hollywood Walk of Fame.
SILENT:
Nearly Married (1917)
Baby Mine (1917)
Our Little Wife (1918)
The Danger Game (1918)(*extant; Instituto Valenciano de Cinematografia (Valencia)
The Fair Pretender (1918) (*extant; Instituto Valenciano de Cinematografia(Valencia))
The Service Star (1918)
Friend Husband (1918)
Stake Uncle Sam to Play Your Hand (1918) (*short)
The Kingdom of Truth (1918)
A Perfect Lady (1918) (*extant: George Eastman 1 reel)
Day Dreams (1919)
Daughter of Mine (1919)
Leave It to Susan (1919)
Through the Wrong Door (1919)
Strictly Confidential (1919)(* Library of Congress; reel 2)
The Blooming Angel (1920)
Dollars and Sense (1920) (*extant; Library of Congress)
The Truth (1920)
Help Yourself (1920)
The Highest Bidder (1921)
The Girl with the Jazz Heart (1921)
Oh Mary Be Careful (1921) (*extant Library of Congress)
The Purple Highway (1923)
Three Miles Out (1924)(*extant; Gosfilmofond)
Scandal Street (1925)
Bad Company (1925)
Lying Wives (1925)(*George Eastman House; reel 4)
Oh, Baby (1926)
Walls Tell Tales (1928) (*short)
TALKIES:
The Marrying Kind (1953)
Main Street to Broadway (1953)
The Rains of Ranchipur (1955)
Three Bad Sisters (1956)
The Catered Affair (1956)
Lust for Life (1956)
Houseboat (1958)
A Nice Little Bank That Should Be Robbed (1958)
Plunderers of Painted Flats (1959)
North by Northwest (1959)
Let's Make Love (1960)
They Shoot Horses, Don't They? (1969)
The Baby Maker (1970)
The Day of the Locust (1975)
Marathon Man (1976)
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