Description:
Jorge Ibargüengoitia Antillón (born January 22, 1928 in Guanajuato, Mexico; died November 27, 1983 in Madrid, Spain) was a Mexican novelist and playwright who achieved great popular (though not always critical) success with his satires, three of which have appeared in English: Las Muertas (The Dead Girls), Dos Crimenes (Two Crimes), and Los Relámpagos de Agosto (The Lightning of August). His plays include Susana y los Jóvenes and Ante varias esfinges, both dating from the 1950s. In 1955, Ibarguengoitia received a Rockefeller grant to study in New York City; five years later he received the Mexico City literary award.
Often,
Jorge Ibargüengoitia Antillón (born January 22, 1928 in Guanajuato, Mexico; died November 27, 1983 in Madrid, Spain) was a Mexican novelist and playwright who achieved great popular (though not always critical) success with his satires, three of which have appeared in English: Las Muertas (The Dead Girls), Dos Crimenes (Two Crimes), and Los Relámpagos de Agosto (The Lightning of August). His plays include Susana y los Jóvenes and Ante varias esfinges, both dating from the 1950s. In 1955, Ibarguengoitia received a Rockefeller grant to study in New York City; five years later he received the Mexico City literary award.
Often, in his fiction, he took real-life scandals and subjected them to whimsical, sardonic treatment. Thus, Los Relámpagos de Agosto (1964) uses cartoonish mayhem to debunk the Mexican Revolution's heroic myths; improbably it won for its author the Premio Casa de las Américas, despite or because of the consternation which its flippancy caused. For Las Muertas (1977) he turned to the most outrageous criminals of his native state: the brothel-keepers Delfina & María de Jesús González, whose decade-long careers as serial killers emerged in 1964. Ibarguengoitia himself met a tragic end, on what became one of the blackest days in Latin American artistic history: having visited Paris, he perished (along with Peruvian poet Manuel Scorza, Uruguayan critic Angel Rama, Argentinian academic Martha Traba, South African pianist Marc Raubenheimer, and 176 others) in the Madrid air disaster of November 1983.
La ley de Herodes (1967) is a collection of short stories, most of which are clearly based on details from his own life. He describes, among many other events, the misadventures of getting a mortgage in Mexico and his experiences at Columbia University's International House. Like his novels, these stories combine farce, sexual peccadilloes, and humor. "Estas ruinas que ves" is a farce based on realistic details of academic life that are still visible in early 21st century Guanajuato: the clanging of church bells disconcerting a speaker, cutting the ribbon at museum openings, the set of cultural movers and shakers who have known each other since kindergarten. "Maten al leon" although set on an imaginary island is another novel mirroring Guanajuato (or perhaps Mexican) society; its details are comic but the end is dark.
Ibarguengoitia was also known for his weekly columns in the Mexico City newspaper Excelsior which have been collected in a half dozen paperback volumes. His novels are also available in paperback.
The writer has been quoted as saying he never meant to make anyone laugh, that he thought laughter was useless and a pointless waste of time. He is buried in Antillon Park in Guanajuato where a talavera plaque marks his remains. In translation, it says simply, "Here lies Jorge Ibarguengoitia in the park of his great-grandfather who fought against the French."
... (more)
(less)
My tags:
Add tags
Login
Mexico
