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Gertrude Hoffman (1883–1966) was an early 20th-century vaudeville dancer and choreographer.
Catherine “Kitty” Gertrude Hayes was born in San Francisco on the 7th of May, 1883, the daughter of John and Catherine (née Brogan) Hayes. Little is known about her father who was born in Maine and came to California sometime before 1873 where he apparently died by the time of the taking of the 1900 Federal Census. Catherine Brogan was born in Ireland around 1847 and came to America in the early 1860s. Gertrude received her early education at a San Francisco area Catholic convent.
She had been performing on stage for some tim
Gertrude Hoffman (1883–1966) was an early 20th-century vaudeville dancer and choreographer.
Catherine “Kitty” Gertrude Hayes was born in San Francisco on the 7th of May, 1883, the daughter of John and Catherine (née Brogan) Hayes. Little is known about her father who was born in Maine and came to California sometime before 1873 where he apparently died by the time of the taking of the 1900 Federal Census. Catherine Brogan was born in Ireland around 1847 and came to America in the early 1860s. Gertrude received her early education at a San Francisco area Catholic convent.
She had been performing on stage for some time as Kitty Hayes before catching the eye of actress Florence Roberts playing a French dancer in Jules Massenet’s five act opera Sapho at San Francisco’s Alcazar Theatre. Not long after Robert's encouragement to pursue a career in dance, Gertrude signed on at the age of sixteen as a dancer with the vaudeville comedy team of Matthews and Bulger and began a tour that would eventually take her to New York City and the Paradise Roof Garden atop Oscar Hammerstein's Victoria Theatre.
In 1903 Gertrude Hoffman was hired as a rehearsal director at Hammerstein’s club working with the sixty member "Punch and Judy Co." shows and other vaudeville routines performing at the venue. Three years later she replaced an ill performer in Ziegfeld’s "The Parisian Dancer" and became a hit imitating Anna Held singing "I Just Can’t Make My Eyes Behave". Over her career, Gertrude also did impersonations of various other performers, such as Eva Tanguay, Eddie Foy and Ethel Barrymore.
Her choreography and special dance effects brought her high praise and rebuke. Her role as Salome in "Vision of Salome" which she introduced around 1908 caused scandal at many theatre houses around the country. On several occasions her suggestive dance style in scant costumes would lead to her arrest by local police. Eva Tanguay, Vera Olcott and Lotta Faust would also find success with the Salome dance.
Later in her career she became manager and choreographer of the Gertrude Hoffman Girls. Reminiscent of the Tiller Girls, her dancers used a type of athletic acrobatic transformation of the chorus girl with kicks, leaps etc. The Gertrude Hoffman Girls performed in the Shubert review Artists and Models that ran for the entire 1925-26 season at the Winter Garden and also had long runs over the following two seasons with A Night in Paris and A Night in Spain. In 1933 she resurrected the Hoffman dancers and had some success touring America and Europe prior the outbreak of the Second World War. Not much is known of her later life other than she may have at one time operated a dance studio or club in Southern California.
In 2006 the social historian Armond Fields listed Gertrude Hoffman in his book Women Vaudeville Stars: Eighty Biographical Profiles. The Gertrude Hoffman Glide, a two step or turkey-trot dance named after her in 1913, was recorded by the Victor Military Band and sold through Sears Catalogs.
Gertrude married Max Hoffman (1873–1963), a composer, song writer and vaudeville orchestra leader, on April 8, 1901 in Baltimore. Her husband’s full name and title was said to “Baron” Adolph Eugene Victor Maximilian Hoffmann. Though born in Poland most likely of German descent, the title "Baron" is dubious since he was raised in St. Paul, Minnesota On most public records and travel documents over the years, their surname was recorded as Hoffmann, rather than Hoffman. Max Hoffman throughout their marriage worked with Gertrude as her music director and manager. Their son, professionally known as Max Hoffman Jr. (1902–1945), was born the year following their marriage at Norfolk, Virginia and would go on to be a musical-comedy performer on Broadway and in films. Max Jr. was for a brief period of time married to the noted “Boop-Boop-a Doop singer Helen Kane.
Gertrude Hoffman died on the 21 October 1966 in Los Angeles, California. She was preceded in death by first her son in 1945 and later her husband in 1963.
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