Description:
Erik Johan Stagnelius was born October 14, 1793 in Gärdslösa, on the island Öland, Sweden, and died on April 3, 1823 in Stockholm. He was a Romantic poet and playwright.
1810 to 1840 was a blossoming time in Swedish poetry, and there were several writers of distinguished merit, among them Esaias Tegnér, Erik Gustaf Geijer, Per Daniel Amadeus Atterbom and Erik Johan Stagnelius. The brief and mysterious life and death of Erik Johan Stagnelius have given a romantic interest to all that is connected with his name.
His father was a vicar on Öland, later on bishop in Kalmar on the nearby main land, which likely influenced
Erik Johan Stagnelius was born October 14, 1793 in Gärdslösa, on the island Öland, Sweden, and died on April 3, 1823 in Stockholm. He was a Romantic poet and playwright.
1810 to 1840 was a blossoming time in Swedish poetry, and there were several writers of distinguished merit, among them Esaias Tegnér, Erik Gustaf Geijer, Per Daniel Amadeus Atterbom and Erik Johan Stagnelius. The brief and mysterious life and death of Erik Johan Stagnelius have given a romantic interest to all that is connected with his name.
His father was a vicar on Öland, later on bishop in Kalmar on the nearby main land, which likely influenced Stagnelius spiritual thinking. He came from a large family. Stagnelius showed a natural gift for poetic writing from an early childhood. He took his Bachelor's Degree from Uppsala University in 1814 and got an employment as a clerk in Stockholm. As a person he was said to have been unattractive and unkempt. A woman who knew him, said of his appearance "where in this shabby person lies the beauty which his poetry expresses?".
He was notably gloomy and lived alone for most of his life, although he seemed to flourish during brief visits to his home town. As he first arrived to Stockholm, he strived for success as a poet, but basically this did not come until after his death.
His first publication was the epic of Wladimir den store (Vladimir the Great; 1817); followed by the romantic poem Blenda. His singular dramas, Bacchanterna (The Bacchantes; 1822), Sigurd Ring, which was posthumous, and Martyrerna (The Martyrs; 1821), are esteemed by many critics to be his most original productions. His mystical lyrics, entitled Liljor i Saron (Lilies in Sharon; 1820), and his sonnets, which are best read in Swedish, may be recommended as among the most delicate products of the Scandinavian mind.
It is believed that he suffered a chronic physical condition (a side effect of his alleged intense consumption of alcohol or possibly Noonan syndrome have been suggested by Swedish researchers) causing him increasing pain, and that he used opium as his main remedy. On the details of his life, little is known. He had only a few friends, and no female companionship. At his death in Stockholm at the age of 29, no relatives were present at the funeral.
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