Description:
Crimson Moonlight is a killer Swedish Christian black metal band which was formed in the summer of 1997 with the mere intention of recording a primitive old school black metal demo and playing one show before breaking up. However, the break up never happened, and they have since recorded two EPs and two full length albums. They were previously signed to Rivel Records, currently to Endtime Productions. They have toured US twice, and have been featured in two metal documentary films. As of 2009 the band is on hold because of a major line-up overhaul; Pilgrim (vocals) and Gurra (drums) are the only current members.
History
Crimson Moonlight is a killer Swedish Christian black metal band which was formed in the summer of 1997 with the mere intention of recording a primitive old school black metal demo and playing one show before breaking up. However, the break up never happened, and they have since recorded two EPs and two full length albums. They were previously signed to Rivel Records, currently to Endtime Productions. They have toured US twice, and have been featured in two metal documentary films. As of 2009 the band is on hold because of a major line-up overhaul; Pilgrim (vocals) and Gurra (drums) are the only current members.
History
Beginning
Crimson Moonlight was formed by Simon Rosรฉn (vocals), Gustav Elowsson (drums), Petter Stenmarker (guitar, keyboards), Jonathan Jansson (guitar), and Simon Lindh (bass) in the summer of 1997. They recorded a demo called Glorification of the Master of Light. Originally, their intention was to split the band after recording that demo, but they decided to carry on. In the year 1998, they recorded their first studio EP titled Eternal Emperor, which presented a more keyboard-driven symphonic unblack metal style, in contrast to the more primitive, Horde-inspired music found on their demo. In 1998, Crimson Moonlight released a live album titled Live in Varsรฅs, and in 2001 released their second demo titled Heralding the Dawn.
Rivel Records Era
A few years later, Crimson Moonlight signed a record deal with Rivel Records, a small Swedish label held by Christian Rivel. During that time, Jonathan Jansson and Simon Lindh left the band. Hubertus Liljegren, formerly of the then-split-up group Sanctifica, along with Per Sundberg, joined Crimson Moonlight as guitarists. In 2003, Crimson Moonlight recorded their first studio album titled The Covenant Progress. Musically, the album took a more melodic unblack metal direction with less emphasis on symphonic keyboards. The album received positive reviews from metal music media, and by 2005 it had sold 2300 copies. During 2003, Crimson Moonlight played several tours around Europe to support The Covenant Progress.
In 2004, Crimson Moonlight recorded their second album titled Veil of Remembrance. The album showcased several changes in the band's style: they left keyboards in order to achieve a far more brutal sound, and went to incorporate grindcore and brutal death metal influences into their sound, inspired by groups such as Nile, Origin, Rotten Sound, and Nasum. During the studio sessions, Jani Stefanivic (of Divinefire, Renascent, and many other band's fame) was in Crimson Moonlight's line-up and had a notable role in creating their new style, now called death/unblack metal. Just like its predecessor, Veil of Remembrance was officially released on January 26, 2005 although it was already available since December 4, 2004. The album received positive reviews like its predecessor, but ended up selling less copies than The Covenant Progress. In an interview with Harm magazine, the band believed that p2p-filesharing affected the low sales. They toured Europe again to support the album. At the end of 2004, they also released a compilation album titled Songs from the Archives, which included the Eternal Emperor EP, tracks from both albums, demo tracks, and live recordings.
Following this, the band went through some line-up changes. Both Hubertus Liljegren and Jani Stefanovic left, as did Erik Tordsson. Johan Ylenstrand joined as a bassist. Ylenstrand and Elowsson also play in a deathgrind band called Exhale, which has released one album and played at a US death metal festival called Maryland Deathfest. In 2006, Elowsson received endorsements of the drumming gear companies Sabian, Pearl, Remo, and Vic Firth.[6]
Record Deal with Endtime Productions
In 2006, Crimson Moonlight's deal with Rivel Records had come to an end and the band began searching for new label. On June 17, 2006, the extreme metal label Endtime Productions announced that they signed Crimson Moonlight. Crimson Moonlight had recorded an EP in profound secrecy. During the summer, Crimson Moonlight played their first tour in the United States and sold the pre-release pressings of their new recording, which was entitled In Depths of Dreams Unconscious. It featured two new songs and a re-recording of a song from their first demo. Musically, the EP continued on their death/black metal direction with a more melodic setting. The official release also contained an instrumental intro done by Swedish neoclassical group Arcana. In Depths of Dreams Unconscious was officially released February 1, 2007, although in reality, it was available a few month later since the cover art went through numerous printing issues. In the summer of 2007, Crimson Moonlight played at the Cornerstone Festival in Bushnell, Illinois for the second time since 2006.
In early April, 2009, the band cancelled their concert at Elements of Rock, Switzerland. In an email which was published at the festival's forum, Pilgrim explained that Sundberg, Barker, Ylenstrand and Malmborg left the band because of studies or commitments with other bands or families. With only the original members, Pilgrim and Gurra, the band cannot perform live or record an album. According to Pilgrim, they are currently "uncertain about the future of the band, but we do hope that we could find some new members and record the most furious and atmospheric album in ages."
Reception
Crimson Moonlight's critical reception has been generally positive. For example, the biggest Finnish metal music website Imperiumi.net credits the band for "playing black metal better than most of their anti-Christian colleques." The same reviewer writes that the debut album "The Covenant Progress may not be a masterpiece but it is still damn good melodic black metal." The biggest metal magazine in Sweden described Veil of Remembrance as: "Great played black metal, grinding forth in a furious speed and eagerness& If the word intelligent ever can be used in the genre, this is a perfect example." On the other hand, both The Covenant Progress and Veil of Remembrance have received criticism for their "numbing" or "monotonous" soundscapes.
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