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Constance Elaine Trimmer Willis is an American science fiction writer. She is one of the most honored science fiction writers of the 1980s and 1990s.
She has won, among other awards, ten Hugo Awards and six Nebula Awards. Willis most recently won a Hugo Award for All Seated on the Ground (August 2008). She lives in Greeley, Colorado with her husband Courtney Willis, a professor of physics at the University of Northern Colorado. She also has one daughter, Cordelia.
Willis is known for her accessible prose and likable characters. She has written several pieces involving time travel by history students and faculty of the fu
Constance Elaine Trimmer Willis is an American science fiction writer. She is one of the most honored science fiction writers of the 1980s and 1990s.
She has won, among other awards, ten Hugo Awards and six Nebula Awards. Willis most recently won a Hugo Award for All Seated on the Ground (August 2008). She lives in Greeley, Colorado with her husband Courtney Willis, a professor of physics at the University of Northern Colorado. She also has one daughter, Cordelia.
Willis is known for her accessible prose and likable characters. She has written several pieces involving time travel by history students and faculty of the future University of Oxford. These pieces include her Hugo Award-winning novels Doomsday Book and To Say Nothing of the Dog and the short story "Fire Watch", found in the short story collection of the same name.
Willis tends to the comedy of manners style of writing. Her protagonists are typically beset by single-minded people pursuing illogical agendas, such as attempting to organize a bell-ringing session in the middle of a deadly epidemic (Doomsday Book), or frustrating efforts to analyze Near-death experiences by putting words in the mouths of interviewees (Passage).
Other themes and stylistic devices include:
a scientist as protagonist (the main theme of Bellwether, but also present in Uncharted Territory, Passage, and—to a lesser degree—the Fire Watch universe stories)
an aversion to rampant political correctness (notably the over-appreciation of indigenous cultures in Uncharted Territory, anti-smoking stances in Bellwether, censorship of "addictive substances" in Remake)
the inclusion of meticulously researched, detailed trivia related tangentially or symbolically to the narrative (fads in Bellwether, mating customs in Uncharted Territory, old movies in Remake, the Titanic disaster in Passage, famous pairs of ill-fated lovers in To Say Nothing of the Dog)
the constant presence of trying to come to terms with grief, loss, and death; this is often attributed to her mother having died while Willis herself was still a child.[citation needed]
Willis is acclaimed as a science-fiction writer, most often exploring the "soft" or social sciences. She weaves technology into her stories only to prompt readers to question what impact it has on the world. For instance, Lincoln's Dreams plumbs not just the psychology of dreams, but also their role as indicators of disease. The story portrays a young man's unrequited love for a young woman who might or might not be experiencing reincarnation or precognition, and whose outlook verges on suicidal. Similarly Bellwether is almost exclusively concerned with human psychology.
Among other themes, Uncharted Territory contemplates the extent to which technology shapes expectations of gender; "technology" here ranges from a land rover and binoculars to Bult's online "chopping" and the pop-up holograms—even socioexozoology. Remake embraces old movies and the computer graphics revolution, as well as intellectual property, digital copyright issues, and the question of public domain.
Other Willis stories explore the so-called "hard" sciences, following in the classic science fiction tradition. "The Sidon in the Mirror" harks back to the interplanetary and interstellar romanticism of the 1930s and 1940s. "Samaritan" is another take on the theme of Heinlein's "Jerry Was a Man", while "Blued Moon" is similarly reminiscent of Heinlein's "Year of the Jackpot
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