Juan Pablo Castel (El Túnel)

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The story begins with the main character introducing himself as "the painter who killed María Iribarne" before delving into the circumstances that led to their first encounter. Castel's obsession begins in the autumn of 1946 when at an exhibition of his work he notices a woman focusing on one particularly subtle detail of his painting "Maternidad" ("Maternity"). He considers this observation deeply significant since it is a detail that he values as the most important aspect of the painting but to which nobody besides him and the woman pay any attention.