LoginConversione di san Paolo (II)
Caravaggio
1601
Oil on canvas
230 cm × 175 cm (91 in × 69 in)
Santa Maria del Popolo, Rome
The Conversion on the Way to Damascus (Conversione di San Paolo) is a masterpiece by Caravaggio, painted in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. The painting depicts the moment recounted in Chapter 9 of Acts of the Apostles when Saul, soon to be the apostle Paul, fell on the road to Damascus. He heard the Lord say "I am Jesus, whom you persecute, arise and go into the city" (see Conversion of Paul). The Golden Legend, a compilation of medieval interpretations of biblical events, may have framed the event for Caravaggio.The Conversion of Paul depicts a moment of intense religious ecstasy. This scene shows the very moment Paul is overcome with the spirit of Jesus Christ and has been flung off of his horse.
Caravaggio's first version of the Conversion painting is in the collection of Principe Guido Odescalchi. It is a much brighter and more Mannerist canvas, with an angel-sustained Jesus reaching downwards towards a blinded Paul.
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1601
Oil on canvas
230 cm × 175 cm (91 in × 69 in)
Santa Maria del Popolo, Rome
The Conversion on the Way to Damascus (Conversione di San Paolo) is a masterpiece by Caravaggio, painted in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. The painting depicts the moment recounted in Chapter 9 of Acts of the Apostles when Saul, soon to be the apostle Paul, fell on the road to Damascus. He heard the Lord say "I am Jesus, whom you persecute, arise and go into the city" (see Conversion of Paul). The Golden Legend, a compilation of medieval interpretations of biblical events, may have framed the event for Caravaggio.The Conversion of Paul depicts a moment of intense religious ecstasy. This scene shows the very moment Paul is overcome with the spirit of Jesus Christ and has been flung off of his horse.
Caravaggio's first version of the Conversion painting is in the collection of Principe Guido Odescalchi. It is a much brighter and more Mannerist canvas, with an angel-sustained Jesus reaching downwards towards a blinded Paul.
[Link removed - login to see]
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