Description:
Anton Karas was a mere entertainer in an Heurige (Viennese Wine Bar),
but Carol Reed selected him as the musical director of "The Third Man"
(1949). He was invited to London and lived with Reed. Reed treated him
very well, but Karas was in a slump - then suddenly Reed rushed into
Karas' room, and lay at full length on the floor. "Now I'm dead! Only
your zither can bring me back to life! Karas, play such a song as to
raise me from the dead." Instantly Karas realized his intention, and
tried to play a song that would satisfy him. But Reed wasn't easily
satisfied, Karas exerted himself for hours - the mo
Anton Karas was a mere entertainer in an Heurige (Viennese Wine Bar),
but Carol Reed selected him as the musical director of "The Third Man"
(1949). He was invited to London and lived with Reed. Reed treated him
very well, but Karas was in a slump - then suddenly Reed rushed into
Karas' room, and lay at full length on the floor. "Now I'm dead! Only
your zither can bring me back to life! Karas, play such a song as to
raise me from the dead." Instantly Karas realized his intention, and
tried to play a song that would satisfy him. But Reed wasn't easily
satisfied, Karas exerted himself for hours - the moment he almost gave
it up, he played that familiar melody.
The success of "The Third Man" changed Karas' life totally. He played
all over the world, and won applause from the British Royal family and
the Pope. He earned a lot of money - They called him "Mr. Cinderella".
But Vienna was the only city in which he could truly live. So he went
back to Vienna, and tried to run his own Heurige. But the Austrian
people were so jealous of him - most people in Austria were in poverty
at that time. Besides, "The Third Man" was not a film about the glory
of Hapsburg monarchy, it was about the disgrace of the defeated
Austria. And the zither itself was despised there. Finally people sued
Karas about his Heurige business, it sent him down to the confusion of
lawsuits, and afterwards he was completely ostracized.
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