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Chun-Li

Posted : 1 year ago on 4 April 2023 02:55

Chun-Li Height Weight Body Measurements Powers & Weakness

Chun Li is the fictional female character in the video game “Street Fighter” by Capcom. She is the first-ever female character to play in video games to gain mainstream recognition.  


Chun Li Background:  

Chun Li is the first ever female character played in action and fighting games and is recognized worldwide. She first appeared in “Street Fighter II” in 1991. The character is shown to be expert martial arts and Interpol officer. She wants to take revenge for the murder of her father by an evil crime lord “M. Bison”.  

Chun-Li General Information: 

  • Real Name: Chun Li. 
  • Alias: None 
  • Gender: Female
  • Origin: Japan
  • Date of Birth: 1st March 1968. 
  • Occupation: Interpol officer. 
  • Race/ Ethnicity: Human. 
  • Eyes Color: Brown. 
  • Hair Color: Brown and Black. 
  • Created By: Akira “Nin-Nin” Nishitani. 
  • Portrayed By: Jackie Chan (City Hunter), Ming-Na Wen (Street Fighter). 
  • First Appearance: Street Fighter II: The World Warrior (1991). 

Chun Li Power & Abilities:  

Chun Li is shown to have excellent martial arts moves. Her signature move is “Hyakuretsu Kyaku”. It is referred to as multiple kicks in one sitting. She has so many other moves but mostly including the ability to kick and jump. 

Chun Li Personality:  

Chun Li is a very dedicated and resourceful officer doing her work honestly. She believes in protecting innocent and saving lives. The character is shown to be a highly disciplined, seasoned, and courageous woman. 

Chun-Li Height Weight Body Measurements Powers & Weakness

Chun Li Family Details: 

  • Father: Dorai. 
  • Mother: Unknown 
  • Siblings: None 
  • Marital Status: Single  
  • Spouse: None 
  • Children: Li-Fen (adopted daughter). 

Chun Li Dating History: 

No prominent dating history. Chun Li was in a casual relationship with Ryu. But later on, developed a relationship with Juri. 




Chun-Li Appearances:  

The character of Chun Li has appeared in the video game “Street Fighter” as well as in the live-action television series. Chun Li has a great contribution to Japanese comics “Malibu Comics” and animations of the “Street Fighter” series as well.  

Chun-Li Body Measurements: 

Given below are Chun-Li’s Height, Weight, Shoe Size, and other Body Measurements statistics:

  • Height in Feet: 5’6” 
  • Height in Centimeters: 169 cm 
  • Weight in Kilograms: Unspecified 
  • Weight in Pounds: Unspecified 
  • Shoe Size: Unknown 
  • Body Measurements: 34-22-35 

Chun-Li Interesting facts: 

  • Jackie Chan played her in “City Hunter”. 
  • She captured Kingpin. 
  • She fell in love with Ryu. 
  • Chun Li was initially designed as a female soldier. 
  • She has an evil counterpart named Shadow Lady.


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The Greatest Sci-fi movie

Posted : 1 year, 3 months ago on 16 January 2023 06:05

2001: A Space Odyssey was the movie that started modern science fiction as we know it today. It's also known thanks to the outstanding special effects, incorporated music and a timeless plot about the constant evolution of human beings. 


At the beginning, the ancients of the human beings are shown living their daily life or current status quo until a mysterious monolith appears. This monolith had a lot of interpretations through the time about what it is or what it symbolizes. An interpretation that can largely summarize those that have been given to this object could be the unknown/different. Once the primates see the large object, some react with fear, some with curiosity to know more about it and, the most important for the plot, one of them started thinking outside the box. People follow routines, many times, following an unchangeable status quo, but, once a strange or abnormal event happens, they start to notice things they haven't noticed before like new possible accidents in a work, an alternative way to get new clients, an improvement to a culinary recipe, etc. Particulary in this movie, one primate discovered it can use tools to chase animals more easily and to have advantage over other primate groups. This represents the beginning of the endless circle of human evolution.


In the next act, it's presented how far the curiosity and ambition of human beings have reached accompanied by a magnificent cinematographic section including the shots, the classical music, the space floating objects that exist in this present, the dynamic and smooth movement between scenes etc. If seeing these special effects today still has an impact, imagine the impact it had to have inside theaters when the film was released. Returning to the plot, the goal here is to investigate about a mysterious epidemic and, also, a discovery found in the moon, which it was the monolith; and, like the first act, the reactions here were similar and, at the same time, different than the primates. With more technology, the astronauts were capable to do a deeper research about it, but the primitive insticts are not really different that the shown previously.


For the final act, the objective is to reach Jupiter in order to keep expanding the discoveries made by humanity. Once this travel begins, as in the previous act, the cinematographic section with no dialogue takes protagonism showing how far the technology progressed like the rotating sets. It should be noted that this type of special effects in particular were an innovation for the time that would inspire multiple works of science fiction such as the Star Wars franchise. Now focusing once more in the plot, something interesting happens here. During the previous acts, we saw how the curiosity and thinking outside the box made humanity progress, however, now, the technolgy have reached a point were it can do everything for human beings. In consequence, they don't need to think or analyze things. This is not far from the current times at all with the cellphones, Ipads, tablets, etc. which make people more cold, distant and dependant on the technology. Basically, acting like if they are robots. Something which is perfectly portrayed here. There are many complains with the "poor" characterization and development of the astrounats of this act, however, as it was mentioned before, this is the point of the film, this is what the film tries to warn. Now let's analyze the other main character of this part, HAL 9000. A "flawless" IA which follows the mission to take the astronauts to Jupiter and attend all their needs and doubts, at least this happened until one day there was a discussion about the secrets of the mission of going to Jupiter. After that, the IA asked the astronauts to repair an antenna, but this antenna was functioning without problems. This is where HAL started having a mental breakdown refusing to admit it made a mistake thanks to its initial programmation. So, the movie reached a point where the IA started acting like a human being and the astronauts act like IAs (robots), the big irony of this movie. It was supossed the best IAs are the ones who are closer to act like a human being, this includes have emotions closer to the human ones, so it makes sense how HAL acted from now on. The astronauts noticed HAL could be now an obstacle or a problem to complete the mission due to its flaws. So they tried to disconnect it and the IA tried to stop them to preserve its "life". At the end, to emphasize the aforementioned irony, it is observed how the astronaut begins to disconnect HAL with a cold and disinterested attitude while the AI ​​​​begged for his life showing different types of emotions until his disconnection.


After that, Dave discovers a Monolith in space, and, then, he's dragged into a galactic tunnel in a Slit-scan photography style where he sees another life species which don't use the verbal communication until he reachs a bedroom. These special effects where referenced or were a inspiration in many "mindfucks" moments of several works. In the bedroom, he ages quickly and sees another monolith, and, when he tried to reach it, he basically "reincarnated" into a super fetus. Following the interpretation of Kubrick, humanity reached a point where they are rat labs of deity entities, being one of the messages (one I infered), the fact that no matter how much humanity evolves, we won't reach a status similar to a god/deity, but we can keep evolving despite that as it happened with Dave being a super human in the final scene.


The only complain I have with this movie is the pacing. There are some scenes, like the beginning of the 2nd act where the pacing is appropiate, however, there are some scenes with dialogue which could be faster. 


As a final conclusion, it should be noted how well was portrayed the human evolution and the Kubrick projection on how the technology would advance and its impact in people daily lives, which its very close to the current reality, and, along with the innovative special effects, this movie gave beginning to the modern Science Fiction as we know nowadays.




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2001: A Mesmerising Odyssey

Posted : 1 year, 8 months ago on 16 August 2022 09:06

To me, this is not only Kubrick's best film but also a milestone of the genre. It is quite long at around two and a quarter hours, and it is slow, that I agree with. But it is never boring, well not to me it isn't. Besides, and this is up to interpretation, but I think the slow pacing is deliberate, it adds to the haunting and eerie quality 2001 has and also to assimilate every shot which speak volumes, and also 2001's greatest strength is actually in the details.

The story is somewhat abstract in its structure but is also quite complex, innovative and interesting yet has a simple message, and the screenplay and direction by Kubrick are superb. The acting is not the film's best asset, but it is good enough, with Douglas Rain the standout as the voice of HAL 9000 as he is really quite brilliant. Two things especially make 2001 so good. One are the visuals- even after all those years they are simply outstanding. The cinematography is indeed splendid, as are the colours and settings, but there are so many memorable images. The images of the giant Starchild floating through space and the tribe of apes painfully putting two and two together still resonate considerably even now. The other is the music. Coming from a big classical music enthusiast, I was delighted by the use of Also Sprach Zarathustra and On the Beautiful Blue Danube and how they combined with the visuals were exceedingly clever.

Overall, this is a truly wonderful film that is worth seeing for the visuals and music alone and still continues to intrigue and perplex with the ending. As much as I like Oliver and Chitty Chitty Bang Bang, two of my childhood favourites, and the brilliant Lion in Winter to me this is it... the best film of 1968. 10/10 Bethany Cox


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Magnificent

Posted : 9 years, 4 months ago on 14 December 2014 10:14

Arguably one of the greatest science fiction films of all time, 2001 has been highly influential on many subsequent films and video games, yet has remained so distinctive that to some extent it is in a category all of its own.

Truly cosmic in scope, it is also highly abstract and mysterious, the meaning of the film being left to the audience to decide. The slow pace of the narrative won't suit everyone yet it is perfect for the material. The union of the visuals in the space station docking sequence with the soundtrack of the Blue Danube Waltz is truly stunning. Indeed, throughout the film the choice of music is absolutely right in creating the appropriate atmosphere at each scene; Ligeti's modernist pieces are suitability unnerving and awe inspiring and Khatchaturian's piece which is played at the beginning of the Jupiter mission sequence is beautifully melancholic.

2001 is also visually stunning, beautifully framed and photographed. The sets are incredible and are so convincing that they make watching the film a highly immersive experience. The model shots were also groundbreaking and have rarely, if ever, been bettered since. Despite being nearly 50 years old there is very little that is dated giving the production a timeless feel. If you can then you should definitely see this at the cinema as it is truly epic and some visual sequences such as the Star Gate section have a somewhat reduced impact on the small screen.

Due to the slow pace and enigmatic aspects of the story 2001 is never going to be a film which will appeal to all but if you are at all interested in the history of science fiction or cinema in general then you should definitely give it a try.


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Terrific effects and some classic music

Posted : 10 years, 1 month ago on 21 February 2014 09:25

'2001: A Space Odyssey' contains terrific effects and some classic music, the effects are great even though this movie was made in 1968, they've been a tad updated but the effects here were just mind blowing

The music is unforgettable and the plot is good, the acting is very solid as well, the effects were mind blowing in the scene where the planet kept changing colours, that was even better when it was made!


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2001: A Space Odyssey review

Posted : 10 years, 2 months ago on 26 January 2014 06:45

Beautiful music, amazing visual effects, great shots, set in a sci-fi atmosphere that brings a lot of questions about our universe.


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Lamborghini Aventador review

Posted : 10 years, 6 months ago on 30 September 2013 03:23

this is my favorite car it's a cool car.people call them lambo's it's short for lamborghini aventador.


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The benchmark of science-fiction cinema.

Posted : 10 years, 8 months ago on 22 August 2013 03:43

Throughout the past 40 years, we have witnessed some of the most memorable science fiction films of all time by use of impressive effects and extraordinary characters within such imaginative worlds. But what became the birth of this and, therefore, became a breakthrough and opened a new generation of science fiction was Stanley Kubrick’s 2001: A Space Odyssey. At the time, there had never been anything like it before and, quite frankly, there has been nothing compared to it ever since, not even the 1984 sequel 2010: The Year We Make Contact. Nevertheless, 2001: A Space Odyssey is truly one of the most important films ever and is an eerie that embarks us into the unknown world of space but is also beautiful to watch and ultimately defined cinema as a form of art.


Originally 2001: A Space Odyssey had shockingly been met with a mixed critical reception and had not become a financial success, but it did take home one out of four Academy Awards that it was nominated for. Stanley Kubrick always gave us his vintage style of filming but with the majority of his films, especially 2001: A Space Odyssey, he wanted to illustrate new meanings for the audience. Kubrick added the essence of natural beauty on Earth and in space and attempts to not so much make the film as entertainment but to provide a thought-provoking feeling to it. It analyses from the beginning of mankind; hence the ‘Dawn Of Man’ sequence, to how we have intelligently and technologically advanced. During this process, 2001: A Space Odyssey contained certain elements about the Universe and philosophy; not only in the ‘Dawn Of Man’ sequence but in almost every act of the film.


Kubrick’s sci-fi is slow in terms of pacing. This could frustrate specific viewers and words like ‘boring’ could immediately come into play. However, due to 2001’s central theme being nature, Kubrick’s eerie and occasionally haunting portrayal of outer space, the Universe and mankind is simply for audiences to observe and reflect on for themselves. It is not to entertain an audience but it is to provide a clearer and more realistic understanding of our world and others beyond it. 2001: A Space Odyssey could have been a traditional sci-fi for its time with less advanced technological features, but it was the slow, observant tone and stunning visuals which highlighted the film as a benchmark of the genre as it bridged between classic and modern science-fiction. In fact, the visual effects as well as Kubrick’s directorial approach is arguably the greatest among any other science-fiction film today.


Films that are considered the greatest of all time usually feature notable actors among Hollywood. However, Stanley Kubrick went even more original as he cast unknown performers as 2001’s central characters. Admittedly, the characters were second-best due to the visual and natural representation of life that the film reflected on but these actors still had impressive roles. Some may argue that these characters were underused but we managed to stick along with Dave and his crew along their odyssey through space. Keir Dullea gave a solid performance as protagonist Dave as did Gary Lockwood and William Sylvester as Dave’s fellow crew members. Furthermore, although this is only a voice-acting role, the stand-out performer was Douglas Rain as HAL 9000. Rain’s calm, relaxed voice worked beautifully as HAL as it sounded exactly like a computer but his portrayal added a sense of humanity to the character, particularly in the iconic "Daisy Bell" sequence.


While 2001: A Space Odyssey does not have a specific target audience, it does require a specific audience to fully appreciate it. Its slow pacing enables viewers to understand the way of outer space and the Universe more naturally than most science-fiction films. This became highly important upon 2001’s release in 1968 and became the ‘New Hollywood’ within the science-fiction genre. Nevertheless, Kubrick’s glistening yet surreal contribution on this phenomenon became the greatest achievement of his career and deserves its place among the greatest and most important films in cinema history.


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2001: A Space Odyssey review

Posted : 10 years, 9 months ago on 17 July 2013 05:10

The genius is not in how much Stanley Kubrick does in 2001: A Space Odyssey, but in how little. This is the work of an artist so sublimely confident that he doesn't include a single shot simply to keep our attention. He reduces each scene to its essence, and leaves it on screen long enough for us to contemplate it, to inhabit it in our imaginations. Alone among science-fiction movies, 2001 is not concerned with thrilling us, but with inspiring our awe.
Stanley Kubrick's 2001: A Space Odyssey is one of the greatest films of all time and it is the director's most profound and confounding exploration of humanity's relationship to technology, violence, sexuality and social structures. Kubrick's philosophical inquiries about the nature of humanity are explored to various degrees throughout all his films but in 2001: A Space Odyssey he explored his preoccupations most substantially by examining the place that humans occupy in the universe, asking some extremely weighty questions about the way humanity has evolved and suggesting what the next stage of our evolution will be like.


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To call it beautiful is an understatement

Posted : 11 years ago on 14 April 2013 02:23

When I first watched 2001:A Space Odyssey I was eight, which is probably a shame because I was bored out of my mind, not having the patience to endure it's almost three hour length nor the intelligence to understand the rampant symbolism and themes. But now, I can see it as the masterpiece it is. Certainly you have to be in the right sort of mood to watch this movie, but if you are it is a beautiful experience. I cried.

If anyone is unsure about the cryptic ending, let me offer my interpretation. The monolith is an alien technology that speeds up evolution. We see this as the monkeys stroke it and suddenly have the knowledge to use weapons, which puts them lightyears ahead of their peers (literally, as we see that those apes have put satellites into space). On the moon, the men also touch it (we don't see what happens to them, but I'm thinking giant floating fetuses) We later see the monolith floating out in space near where Dave and HAL are. The stargate scene (the trippy one) is literally the experience of quickly evolving. The end where we see the giant floating fetus is the next evolutionary leap forward (for some reason). That's my interpretation anyway.


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