Modern Vampires of the City

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With a title that seems to be the new episode of the Twilight saga and a magnificent cover - a photograph of New York in 1966, by Neal Boenzi, which portrays the Big Apple on the day of maximum pollution in its history - the return Vampire Weekend, at the finish line of the third album after the success of the first two almost unpredictable.

Their interesting formula, consisting of ... read more

Description: Modern Vampires of the City is Vampire Weekend's third album, and it is a bustling world of voices and visions from the death of Henry Hudson to the Orthodox girl falling in love at an uptown falafel shop, from Hannah Hunt tearing up the New York Times on a distant beach to the lethal chandelier of "Everlasting Arms," from the ardent yearning of "Don't Lie" to the harmonized voice of hope in "Young Lion". Modern Vampires of the City has a grandeur and romanticism evocative of the city where it was conceived. Modern Vampires of the City is Vampire Weekend's third album, and it is a bustling world of voices and visions from the death of Henry Hudson to the Orthodox girl falling in love at an uptown falafel shop, from Hannah Hunt tearing up the New York Times on a distant beach to the lethal chandelier of "Everlasting Arms," from the ardent yearning of "Don't Lie" to the harmonized voice of hope in "Young Lion". Modern Vampires of the City has a grandeur and romanticism evocative of the city where it was conceived. ... (more) (less)