Gwen Stefaniâs first solo outing feels like the assortment of singles and aborted studio experiments of a long lost 80s dance diva. One thatâs hugely obsessed with Japanese subcultures and having sex in cars. There are obvious nods to Madonna, Prince, New Order and random hip-hop and one hit wonder dance acts. In todayâs painfully serious, but utterly ridiculous, pop landscape this still sounds playful, cheeky and like a load of fun. Even if some of it just isnât very good.
First off, âHarajuku Girlsâ is the worst song on the entire record. The sound effects, tweaked vocals and bordering on lesbianism fetishization of the girls just are awkward and clunky. The lyrics arenât her best, not even on this record where heartfelt and meaningful lyrics fall by the wayside for frivolous fashion centric concoctions. âLong Way to Goâ is another song with thuds more than it thumps. The beat is good, Andre 3000 is incapable of making a bad one, but it doesnât live up to the promise of two of modern day pops weirdest and coolest figures making music together. This should have been something to rival Madonna and Princeâs bump-and-grind during âLove Song.â Itâs not. The âPapa Donât Preachâ like string-intro-and-all of âSeriousâ should have been better than it turned out to be. âCrashâ is pretty much Salt-N-Pepaâs âPush Itâ with different lyrics. Itâs stupid, but not as fun as the rest of the album.
âHollaback Girlâ is like a hip-hop, Queen referencing take on âMickey.â Itâs a love it or hate it kind of song. But thereâs a quartet of songs which are the best, because they sound like No Doubt leftovers. âCoolâ is a nice slice of mid-tempo New Wave. âDanger Zoneâ is rocking New Wave song. Neither wouldnât have been out of place on Rock Steady. âThe Real Thingâ sounds an instrumental from New Orderâs Substance being given a female lead vocal. âBubble Pop Electricâ is like a Grease being given acid and discovering Japanese culture. Naturally, itâs a highlight on the record. In fact, it might just be the highlight of the album.
While tracks like âWhat You Waiting For?â and âLuxuriousâ sound fantastic, others are lackluster. Itâs half of a great album, half of a middling one. I give her points for being so willfully weird, even borderline experimental, but itâs too frothy, too simplistic to be anything of real artistic merit. She aimed to be a guilty pleasure record and succeeded. I just wish that she aimed higher. I know sheâs talented enough. DOWNLOAD: âBubble Pop Electricâ
Love. Angel. Music. Baby. Reviews
Love. Angel. Music. Baby.
Posted : 14 years, 6 months ago on 9 October 2009 06:310 comments, Reply to this entry